tag:blogger.com,1999:blog-39538485565408743152024-02-07T16:59:34.473-08:00Active VoiceAnnie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.comBlogger115125tag:blogger.com,1999:blog-3953848556540874315.post-56660531072370109912010-07-18T11:08:00.000-07:002010-07-18T11:20:13.817-07:00I have moved...<a href="http://www.smileyvault.com/" title="Egg Smiley?"><img src="http://www.smileyvault.com/albums/misc/smiley-vault-misc-026.gif" border="0" alt="Egg Smiley?" title="Egg Smiley?" /></a><br /><br />Hey, Active Voice has moved to Wordpress.com, please visit us there:<br /><a href="http://anniepaulose.wordpress.com/"><br />http://anniepaulose.wordpress.com/</a>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com4tag:blogger.com,1999:blog-3953848556540874315.post-70174067652823575822010-07-10T09:30:00.000-07:002010-07-10T17:17:50.356-07:00My Name is Khan...Roger Khan<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqfx3Q-t3swrXOCAZ9sJtNhvk9KSKxJXBkXZ4Yvm5f7hIa-GSE5zbyacC9v0JFaZEXA8nCtXRAsJpQAATcYZA_ib9G_7VfRo3Xtbv5u4QPloHdwzuocKkR0CAt_Pb6XLt9o4F6VTTmvCw/s1600/driving+ms+dudus.jpg"><img style="cursor: pointer; width: 320px; height: 263px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqfx3Q-t3swrXOCAZ9sJtNhvk9KSKxJXBkXZ4Yvm5f7hIa-GSE5zbyacC9v0JFaZEXA8nCtXRAsJpQAATcYZA_ib9G_7VfRo3Xtbv5u4QPloHdwzuocKkR0CAt_Pb6XLt9o4F6VTTmvCw/s320/driving+ms+dudus.jpg" alt="" id="BLOGGER_PHOTO_ID_5492351432023732210" border="0" /></a><br /><br /><span style="font-size:78%;">Driving Miss Dudus by Hubert Neal Jr.</span><br /><br />Now that Dudus is safely in the hands of the US justice system what can we expect the outcome to be? That is the question in almost everyone’s mind with Observer columnist Lloyd B. Smith even wondering “<a href="http://www.jamaicaobserver.com/columns/Should-Dudus-sing-_7773153">Should Dudus sing</a>?” in his latest column. What kind of sentence is Dudus likely to get? Will he ‘sing’ and get a reduced sentence? Who will he take down with him? Is anyone in government going to be implicated?<br /><br />Even if we’re unlikely to know the answers to these questions anytime soon, we might get some clues from looking at other extraditions similar to that of Christopher ‘Dudus’ Coke. In 2006 Samuel "Ninety" Knowles, a Bahamian drug ‘kingpin’ with ties to Jamaica was extradited to the US on charges of “conspiracy to import cocaine and conspiracy to possess cocaine with intent to distribute it.” In 2008 a US court sentenced him to 35 years in prison.<br /><br />Like the Jamaican government the Bahamian government had also dragged its feet before allowing Knowles’ extradition on the grounds that he might not receive a fair trial in the United States. The Jamaican government’s argument in stalling Dudus’s extradition was that the evidence provided by the US to prove that Coke was a trafficker was obtained by wiretapping, illegal under Jamaican law.<br /><br />The most notorious drug kingpin of all was Colombian Pablo Escobar of the infamous Medellin Cartel who thumbed his nose at the US for years. Escobar formed a lobby group called Los Extraditables (their slogan: Better a grave in Colombia than a jail in the United States) that bullied the Colombian government “through murder, intimidation and skilful public relations” into repealing the laws allowing extradition of criminals. Escobar then designed a cushy prison for himself in a compound called La Catedral. As Guillermoprieto tells it: “”Despite enormous controversy, the government had finally agreed to Escobar’s terms: he got to choose the prison site, in the hills above his suburban fiefdom of Envigado, and he supervised its security measures. Neither Army troops nor police officers were allowed on the prison grounds, and Escobar personally approved the hiring of half of some fifty guards--the other half to be recruited by the Mayor of Envigado--who were to stand watch over him and his associates.”<br /><br />In 1992 thinking that the government, which wanted to move him to safer quarters, was going to kill him, Escobar ‘escaped’ from his prison possibly walking out through the back door in women’s clothes. He remained at large until December 1993 when he was shot and killed by Colombian security forces. Alma Guillermoprieto’s book<a href="http://www.foreignaffairs.com/articles/50029/kenneth-maxwell/the-heart-that-bleeds-latin-america-now"> The Heart that Bleeds</a>, from which I got this information, has more details on all this.<br /><br />Perhaps the most sensational ‘extraditable’ close to home however was <a href="http://www.stabroeknews.com/2009/guyana-review/08/20/shaheed-%E2%80%98roger%E2%80%99-khan-drugs-dirty-money-and-the-death-squad/">Guyanese drug baron Roger Khan</a> who was arrested in Paramaribo, Suriname on June 15, 2006. Wanted in the US for importation of cocaine into that country Khan evaded capture in Guyana by escaping to neighbouring Suriname. In Guyana his close ties to the ruling party, the PPP, had allowed him to escape arrest but in Suriname, a country with a more serious attitude towards law enforcement he was caught by the police and forcibly deported to Guyana via Trinidad and Tobago. He never reached Guyana: The Surinamese Police had evidently tipped off the USDEA who were waiting for Khan at Piarco airport in Trinidad. From there he was flown directly to the US and imprisoned.<br /><br /><img style="width: 405px; height: 296px;" src="http://www.sitesatlas.com/Maps/Maps/403.gif" alt="Political Map of Guyana, Suriname, and French Guiana" usemap="#403" border="0" /><br /><span style="font-size:78%;">Map: Copyright <a href="http://www.sitesatlas.com/index.htm">World Sites Atlas</a> (sitesatlas.com).</span><br /><br />Roger Khan was the kind of criminal who makes Dudus look like a pussycat. He allegedly had at his disposal a paramilitary troop known as The Phantom Squad who ruthlessly terrorized and eliminated witnesses and others who stood in his way. Between 2002 and 2006 approximately 200 people are said to have been murdered by the Phantom Squad.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH3COOaeR7kHihouCwVO6pQQ9F0nTuKw8w8UtXVIQi7m6eVFsS5hte0Tgw7maHBSEETOCRuVvSYzGkc6OXs7cOnYH-0S9gs1jWYRbYp0Md-2BE85eTD-dA1aay-dgWBkXewNwlbMQETy8/s1600/roger-khan-fc-new1.jpg"><img style="cursor: pointer; width: 300px; height: 242px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH3COOaeR7kHihouCwVO6pQQ9F0nTuKw8w8UtXVIQi7m6eVFsS5hte0Tgw7maHBSEETOCRuVvSYzGkc6OXs7cOnYH-0S9gs1jWYRbYp0Md-2BE85eTD-dA1aay-dgWBkXewNwlbMQETy8/s320/roger-khan-fc-new1.jpg" alt="" id="BLOGGER_PHOTO_ID_5492313677406257954" border="0" /></a><br /><span style="font-size:78%;">Roger Khan at Brooklyn Federal Court</span><br /><br />There were several unique things about the Roger Khan case. Far from admitting to being a criminal Khan took out full page advertisements in Guyanese newspapers claiming that he was actually a crimefighter who had helped both the Guyanese and the US governments during an earlier crime wave. In a further twist during the course of his trial at an East New York district court his high profile lawyer Robert Simels was himself indicted for tampering with witnesses during his defence of Khan.<br /><br />According to a <a href="http://www.stabroeknews.com/2009/stories/03/17/roger-khan-pleads-guilty/">March 17, 2009 Stabroek News articl</a>e:<br /><br /><span style="font-style: italic;">“Since being imprisoned, Khan and the prosecution have made some explosive statements about the inner workings of his criminal enterprise and other matters in Guyana. Khan’s former lawyer, Robert Simels, who, along with his assistant, Arianne Irving, is now his co-defendant in the witness-tampering charge, had stated that US government investigators had learnt that Khan received permission from the Guyana government to purchase surveillance equipment capable of intercepting and tracing telephone calls made from landline or cellular phones. The software is reportedly only sold to governments.”</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2t1i8PD9Y-iwOS3Z40EIFCKvQVYrBPnYL6mXuYa5WQDU6eIePwfYx-pciuqWvd_eO1s3cjKZ5yP1Cj9mQTUeDf4Aeog9gBMMGv6JMPc5OAQDp28fAGmPZo9Pbqc3ZgX-Fwf4Sct3_ZgY/s1600/Rogerarrest"><img style="cursor: pointer; width: 238px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2t1i8PD9Y-iwOS3Z40EIFCKvQVYrBPnYL6mXuYa5WQDU6eIePwfYx-pciuqWvd_eO1s3cjKZ5yP1Cj9mQTUeDf4Aeog9gBMMGv6JMPc5OAQDp28fAGmPZo9Pbqc3ZgX-Fwf4Sct3_ZgY/s320/Rogerarrest" alt="" id="BLOGGER_PHOTO_ID_5492295861162708322" border="0" /></a><br /><span style="font-size:78%;">Roger Khan after arrest in Suriname</span><br /><br />The surveillance equipment in question was manufactured by UK firm Smith Myers; its co-director testified in the New York court that “the cellular intercept equipment used by drug kingpin Roger Khan had been sold to the Government of Guyana (GoG), a contention that officials here have repeatedly denied.” This despite the fact that testimony was produced in court showing links between Khan and Minister of Health Dr Leslie Ramsammy. Evidence disclosed to the court showed “that the equipment was purchased for and received on behalf of the GOG by Health Minister, Dr. Leslie Ramsammy. Myers also confirmed that independent contractor, Carl Chapman, traveled to Guyana to train Khan and others in the use of the equipment.”<br /><br />Among the persons killed for statements intercepted with the surveillance equipment were a popular talk show host Ronald Waddell and a young activist and boxing coach, Donald Allison. According to a Working People’s Alliance press release on July 28, 2009, Selwyn Vaughn, a former member of the notorious Roger Khan phantom squad and now informant for the US government, testified under oath about the involvement of Roger Khan and a high official in the Guyana Government, Minister Leslie Ramsammy, in the execution of PNCR member and political commentator Ronald Waddell and Agricola youth organiser Donald Allison.<br /><br />For the record Ramsammy has vehemently denied that he has ever had any contact with Khan and said he has no knowledge about the surveillance equipment. As for the execution of talk show host Waddell, according to the New York-based Caribbean Guyana Institute for Democracy (CGID):<br /><br /><span style="font-style: italic;">President Bharrat Jagdeo, when asked at a press conference on July 28, to respond to Vaughn’s testimony that Ramsammy had been complicit in the assassination of Waddell, said “Maybe if at the end of the day, all the criminals were to deal with each other we may have a better society but I am not going to sanction that. This is not government policy… but I wouldn’t lose any sleep, frankly speaking, about criminals when they kill each other.” </span> <span style="font-style: italic;">Jagdeo also further said that “If you believe all that this informant is saying you have to also believe that he (Waddell) was a member of the Buxton gang and that he was basically in a criminal enterprise. Waddell was a criminal involved in a criminal enterprise.” </span><br /><br />As usual the line between being a criminal and outlaw and being a legitimate businessman who was also a popular self-appointed leader is rather blurred. Khan was said to have “founded and operated a number of successful businesses, including, but not limited to, a housing development and a construction company, a carpet cleaning service, a nightclub, and a timber mill."<br /><br />Though repeatedly lobbied and besieged by public interest groups to have the entire sordid state of affairs thoroughly investigated the Guyanese government has resisted. The part that sounds mind-numbingly familiar is the following quote from <span style="text-decoration: underline;"><a href="http://www.stabroeknews.com/2009/editorial/10/18/roger-khan/">another article carried in the Stabroek News:</a></span><br /><br /><span style="font-style: italic;">The government so far has resisted all calls for such an inquiry; it can afford to do so because it knows that significant elements of its own constituency regard Roger Khan as a ‘saviour’ of sorts. Our reporter earlier last week sought out comments from the Guyanese diaspora, and of those who agreed to say something in the Liberty Avenue, Queens area (NY), the sentiment was that Khan had “saved” Guyana. One man told her that had it not been for Khan the country would have “gone down the drain”; that the US should not have “kidnapped” him and instead he should have been left to continue the “good things he started.”</span><br /><br />Shades of Christopher ‘Dudus’ Coke and the ‘Don’ or ‘community leader’ phenomenon we know so well in Jamaica. But in Guyana there is an added complication that, mercifully, is absent from Jamaican politics: the vexed issue of race. As a <a href="http://www.ocnus.net/artman2/publish/Dark_Side_4/MobFellas_Simels_Gleeson_and_Shargel.shtml">2009 Village Voice article alleged</a>:<br /><span style="font-style: italic;"> “Khan's reputation seems to diverge along racial lines in Guyana, where about half the population is of African descent and half of East Indian descent, like him. To many Indo-Guyanese, he is a folk hero, responsible for cleaning up the streets when the country's police force which is predominantly Afro-Guyanese couldn't or wouldn't, giving East Indians, who dominate the business community, a layer of protection where none previously existed. Khan has claimed, without copping to the existence of the Phantoms, to have helped the government put down a crime spree stemming from a 2002 prison break, and to have collaborated with the U.S. government in the region, most notably in the case of the safe retrieval of an American diplomat who was kidnapped off a Guyana golf course in 2003. Afro-Guyanese are more likely to associate Khan first and foremost as a leader of the Phantom Squad, a drug runner and thug, to blame for just about every suspicious death in Guyana. (Guyana, like Suriname, is a transhipping point for South American cocaine destined for North America, Europe, West Africa, and the Caribbean, according to the DEA.)”</span><br /><br />Because of his links to the the ruling PPP, Guyanese President Bharat Jagdeo stood accused of being a friend of Khan’s. Whether this is true or not, a story circulating about Khan, who like Dudus also bore the nickname ‘Shortman’, suggests otherwise. According to the tale Khan was in a particular club with friends when Jagdeo suddenly appeared causing him to ejaculate “Oh skunt boy, here cum the Anti-man!" before getting up to greet the President. As my source put it: Explanation: Jagdeo is believed to be gay -- ‘skunt’ is a popular swear word in Guyana and ‘Anti-man’ is homophobic abuse for gay men used as an alternative to ‘battyman.<br /><br /> Homophobia: Another trait that Khan shares with the Jamaican badman (despite their willingness to don female clothing when the situation calls for it). There are plenty of parallels in the Roger Khan and Dudus coke sagas. Both Khan and Ninety, the Bahamian drug don also had ties to Jamaica. Those who are hoping that Dudus will sing long and loud in New York, revealing the dirt on organized crime in Jamaica, should bear the following observation by a Stabroek News editorial in mind:<br /><br /> <span style="font-style: italic;">Those who were optimistic that Khan himself might one day supply information about his operations here as well as his connections, must have been disappointed to learn that the likelihood is he will be deported at the end of his sentence. If he knows he has to return to his homeland eventually, it is hardly likely to put him in confessional mode. It is always possible, of course, that further information may trickle out from future trials which will throw some light on the events of a painful period.</span>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com4tag:blogger.com,1999:blog-3953848556540874315.post-5939827729280049102010-07-06T20:01:00.000-07:002010-07-07T08:25:40.686-07:00The Lotus of Trinidad and Tobago: Kamla Persad-Bissessar<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh96QVd-PxojFRHCCvbFwA7t7_kyRc8KL00-5p3s7CLcN6qH3OMsOA7_ySYFsQAxp3mCQH22P0396laUtlqb-RvEdeHzGM8BLcu_NeorE4-U-On8jSYGMSacXNXw1COiDGHiH7mAgK83Is/s1600/kamla"><img style="cursor: pointer; width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh96QVd-PxojFRHCCvbFwA7t7_kyRc8KL00-5p3s7CLcN6qH3OMsOA7_ySYFsQAxp3mCQH22P0396laUtlqb-RvEdeHzGM8BLcu_NeorE4-U-On8jSYGMSacXNXw1COiDGHiH7mAgK83Is/s320/kamla" alt="" id="BLOGGER_PHOTO_ID_5490999615683301154" border="0" /></a><br /><br />Fifty-nine year-old Kamla Persad-Bissessar swept to power on May 24th in Trinidad and Tobago in a historic election rearranging the balance of power in that country forever. In a country riven by racial tensions (40% of the population is of Indian origin and about 37% of African descent), where the latter group has dominated the political life of the nation this Indo-Trinidadian woman campaigned and won on a platform of multi-racialism and the promise of change. Her win was decisive, the coalition she led winning 29 parliamentary seats out of 41. The ruling party, headed by former Prime Minister Manning only managed to win 12 seats compared to the 26 it had previously held.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG11eRUe9B0Zs4DJ4albUDiag8mQ2H1yOSf6-ykWvQHtn4KjxP4a8_Fv90YrV1xy8Qo6VMR7Cp9pHy2MvN59pXPdUZ-SEPHc6f9_Rg_qwnbaH7gpH6JJAlCNROXTWMQQFwlKQL3MWmrh0/s1600/kamla+talks.PNG"><img style="cursor: pointer; width: 320px; height: 316px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG11eRUe9B0Zs4DJ4albUDiag8mQ2H1yOSf6-ykWvQHtn4KjxP4a8_Fv90YrV1xy8Qo6VMR7Cp9pHy2MvN59pXPdUZ-SEPHc6f9_Rg_qwnbaH7gpH6JJAlCNROXTWMQQFwlKQL3MWmrh0/s320/kamla+talks.PNG" alt="" id="BLOGGER_PHOTO_ID_5491000387350766690" border="0" /></a><br /><span style="font-size:78%;"> Persad-Bissessar, with Basdeo Panday in the background</span><br /><br />The 24th day of the month has proved to be a lucky one for Persad-Bissessar. It was only three months earlier that she bruisingly defeated Basdeo Panday, nicknamed the Silver Fox, the leader of the United National Congress, a party affiliated with Indian interests. On February 24th of this year Kamla Persad-Bissessar was elected political leader of the UNC and on March 24th she became Leader of the Opposition. On May 26th Persad-Bissessar was sworn in as Prime Minister on the Bhagavad Gita, a symbolically important act in this multiethnic society.<br /><br />Though born into a Trinidadian Hindu family, at the age of 12 Kamla was baptized a Christian, making her, like many others in this fascinating island, a ‘Hindu Christian,’ that is, someone who is culturally Hindu who has also adopted the Christian religion for reasons of her own. After and during indentureship many Hindus in Trinidad and Tobago had to convert to Christianity to access education and other such benefits.<br /><br />“I think Trinidadians are very comfortable with being bi-religious,” says Toronto-based sociologist Anton Allahar. “They see Hinduism more as a culture and less as a religion. Once you accept the central tenets of Christianity you could perform Pujas and other Hindu rituals and it wouldn’t be a problem.”<br /><br />According to Trinidadian pollster Selwyn Ryan, Kamla Persad-Bissessar is ‘multi-faith’. She became a member of the Baptist Church at age 12 and her husband is Presbyterian, but she is a Hindu. “I consider myself a member of all faiths” she is reputed to have said. Ryan, an Afro-Trinidadian, previously a staunch PNM supporter and adviser, is now firmly in Kamla Persad-Bissessar’s camp as are many other stalwarts of that party.<br /><br />In many ways Kamla Persad-Bissessar’s political campaign can be compared to that of President Barrack Obama’s. Her embodiment of different cultures, her ability to command the respect of all different ethnic groups and her argument against the old politics of divisiveness all stood her in good stead. Her personal charisma and well-maintained figure also did her no harm.<br /><br />“In the 1980s I wrote a paper called ‘The Creolization of Indian Women’” said <a href="http://sta.uwi.edu/pelican/60under60/pmohammed.asp">Patricia Mohammed</a>, a leading authority on Gender and Women’s Studies at the University of the West Indies (UWI) in Trinidad. “I was talking about the way in which Indian women in Trinidad have turned the very weaknesses associated with them--submissiveness, subservience--into strengths.” According to Mohammed submissiveness is turned into endurance, passivity becomes a talent for negotiation and these married with intelligence, the product of their investment in education, can prove to be an unbeatable combination. “So what i see with Kamla Persad-Bissessar is a coming of age, to use a cliche, and to reduce her victory only to ‘the woman thing’ is to deny the importance of race and how important this has been for Indians here and Indian women in particular.”<br /><br />Race and ethnicity may not have the same sway they have traditionally had, especially with the younger electorate, according to Gabrielle Hosein, a young lecturer and activist also from the Gender Studies Department at UWI. This may explain why traditional party loyalists were willing to switch their vote at the last minute to the UNC-COP coalition that Kamla Persad-Bissessar represented.<br /><br />Crucial to her victory, according to Hosein, was the support of the COP, the Congress of the People, an influential group representing a diverse range of interests across race, ethnicity and even class. “If you went to COP meetings you saw working class people, both Africans and Indians who may have been fed up of both the PNM and the UNC. The COP was a palatable alternative. In my mind they gave a lot of validity to the UNC and allowed them to become the national party that they would never have been otherwise.”<br /><br />Panday’s decisive defeat at the hands of Kamla Persad-Bissessar as leader of the UNC may also have played a role. “She fought an excellent campaign. It was so clean. Basdeo Panday was busy bad-talking her saying she was a drunkard, she couldn’t lead, how incompetent she was and she systematically praised him, saying he was her guru and she was his disciple...she ran the cleanest campaign. I was so proud of her.”<br /><br />Despite her evident enthusiasm for Kamla Persad-Bissessar, Hosein, who is author of an outspokenly critical video blog called “If I Were Prime Minister” in which she had mercilessly parodied the mismanagement of the previous administration, says she will continue her vigilant monitoring of the new leadership. “I’m actually looking forward to making fun of Kamla because i think the blog is a no-holds barred statement of what we see that’s wrong around us and the need to fix those things.<br /><br /><object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/etKXdxX-7RE&hl=en_US&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/etKXdxX-7RE&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br /><span style="font-size:78%;">If I Were Prime Minister, video blog by Gabrielle Hosein</span><br /><br />“The blogs are not going to stop because what we’re called on now to do as social movements, and activists and citizens is to be hyper-vigilant because neither the UNC and the PNM--in fact no political part--is free from corruption, they all need to be held to account. I think the population needs to follow up on the vote by being active citizens and monitoring the processes of governance. I think the more people on the ground who are questioning and making demands of Kamla, the easier it will be for her to govern.”<br /><br />PS: This piece was originally written for The Pioneer in India, which carried an edited version of it in May. In light of PM Persad-Bissessar's visit to Jamaica to attend the CARICOM Summit i thought it might be worth reproducing here.Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com3tag:blogger.com,1999:blog-3953848556540874315.post-65199346552973459692010-06-28T09:21:00.000-07:002010-06-30T07:50:53.200-07:00Why is Dudus called Dudus?<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEpfAEVv3tUNzaOBhyfXyZjcNltNofI4ociOfTS1oya4Xm0qdwRoa4qiyvCq0r2GWeLU10lTmF6fD0TACpfrF3SSY-i-eGNTs5NcGKI6CzGm1tpFWcP6G4vvh8pXtjJ-dr7HYx8Vsj0Mc/s1600/Dudley..jpg"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEpfAEVv3tUNzaOBhyfXyZjcNltNofI4ociOfTS1oya4Xm0qdwRoa4qiyvCq0r2GWeLU10lTmF6fD0TACpfrF3SSY-i-eGNTs5NcGKI6CzGm1tpFWcP6G4vvh8pXtjJ-dr7HYx8Vsj0Mc/s320/Dudley..jpg" alt="" id="BLOGGER_PHOTO_ID_5487882088489686578" border="0" /></a><br /><span style="font-size:78%;">Ambassador Dudley Thompson</span> <span style="font-size:78%;">in African-style shirt</span><br /><br />Why is Dudus called Dudus? And what is the right way to pronounce his name?<br /><br />Unfortunately the answers to these questions are to be found in the <span style="font-style: italic;">New York Post</span> rather than any organ of the Jamaican media. People in the know here, or people with a working knowledge of runnings in Tivoli Gardens have always said that the name is prounounced Dud-dus (thanks @JustSherman) to rhyme with 'cud' or 'bud' and not 'Dud' to rhyme with 'good' or 'wood' which is how most people here pronounce it.<br /><br />You'd think local media would make an attempt to get it right but of course very few have done so. As for speculating on the reasons for Christopher Coke's nickname it takes the foreign media to do that. The New York Post tells us that of Jim Brown's three sons:<br /><br /><span style="font-style: italic;">The youngest was Christopher, who earned his nickname "Dudus" -- pronounced DUD-us -- because he wore an African-style shirt favored by Jamaican</span><a style="font-style: italic;" href="http://www.nypost.com/t/World_War_II" class="topiclink"> World War II </a><span style="font-style: italic;">hero and Cabinet minister Dudley Thompson.<br /><br /></span><span><a href="http://www.jamaicaobserver.com/news/dudley-thompson_7534385">Dudley Thompson</a> is a character in his own right (see above), so its rather </span>interesting that Cuddly Duddly might have inadvertently lent his name to Jamaica's most notorious don. Of course some might say Dudley is no angel either...but that's another story.<br /><br />Read more of the NY Post article <a href="http://www.nypost.com/p/news/international/drug_lord_brutal_rise_LDn1aR3kSTCsJQIiNZUL2H#ixzz0sAT57ja8">here</a>:<br /><br />Fortunately for us there is a ray of hope on the media horizon in Jamaica with the establishment of <a href="http://www.facebook.com/?ref=home#%21/onthegroundnews">On the Ground News Reports</a> (@onthegroundjm), an invaluable source of news in the wake of the May 23rd assault on Tivoli. At first i was wary of the tweets coming from OGNR but then i noticed that almost everything they tweeted was later confirmed in the mainstream media. OGNR was providing the news live and direct almost as it happened.<br /><br />In fact they were the 'social media' that the information minister Daryl Vaz was fulminating against when the government cracked down on media here denying them access to Tivoli and its environs.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1at012fITnl4uZbyqAlm7g6sQsnxGOWyFNfi1APY2dB-FuIOx9V5b3AIWdu_GUBfazzdSChZimJO39FGdbBR7XS7FF48CWED2WxGZ9Vjjn-eYRLUkalLEsyFl8QTue0dyv7q_tFlCLaM/s1600/WKingstonRIP.jpg"><img style="cursor: pointer; width: 320px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1at012fITnl4uZbyqAlm7g6sQsnxGOWyFNfi1APY2dB-FuIOx9V5b3AIWdu_GUBfazzdSChZimJO39FGdbBR7XS7FF48CWED2WxGZ9Vjjn-eYRLUkalLEsyFl8QTue0dyv7q_tFlCLaM/s320/WKingstonRIP.jpg" alt="" id="BLOGGER_PHOTO_ID_5487880583367804642" border="0" /></a><br /><span style="font-size:78%;">Las May, The Gleaner, June 28, 2010<br /><br /></span><span class="generaltext">There has been some speculation as to the people who started ONGR and whether its a new kind of political high jinks but an interview with the founder today provides a lot of information on the way this innovative news gathering service operates. Check it out <a href="http://www.jamaicans.com/articles/primeinterviews/InterviewOntheGroundNewsReports.shtml">here</a>.<br /><br />Meanwhile i was happy to be quoted </span><span class="generaltext">again </span><span class="generaltext">in the international media (The New York Times' <a href="http://thelede.blogs.nytimes.com/2010/06/25/jamaicans-ponder-cross-dressing-gangsters/#more-67581">Lede blog</a>, <span style="text-decoration: underline;">a </span><a href="http://blogs.villagevoice.com/runninscared/archives/2010/06/christopher_dud.php">Village Voice</a> blog</span><span class="generaltext"> and in</span><span class="generaltext"> an <a href="http://news.yahoo.com/s/ap/20100623/ap_on_re_la_am_ca/cb_jamaica_slum_standoff">Associated Press article</a> </span><span class="generaltext">) on the Dudus imbroglio. Channel 4 News in London also asked me to contribute a piece which i did, see it <a href="http://www.channel4.com/news/articles/world/americas/jamaica+extradites+alleged+drug+lord+to+us/3691077">here</a>:<span style="text-decoration: underline;"></span></span><span class="generaltext"><br /></span><br />And for a laugh check out ONGR's spoof on the Jamaica World Service with Paleface, Tony Hendriks:<br /><br /><object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/xPk9aQfGpwg&hl=en_GB&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/xPk9aQfGpwg&hl=en_GB&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="385" width="480"></embed></object>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com16tag:blogger.com,1999:blog-3953848556540874315.post-64173812708752192772010-06-24T19:37:00.000-07:002010-06-25T13:26:23.559-07:00Crying out for Peace in Jamaica: The Extradition of Christopher ‘Dudus’ Coke<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE2igJ-dmDou5PrCLijaNK3S_Sm25FpyRk6zAvTyPC1tA1gSPAz7vMuxlI2eB6vehExyROZPYe4Vlkp_DPCwcNA169SD8ibKF4AuPKEWuYJTe8W4jZc5bLowZ0aCqt4RaDVZS_ca_R2g0/s1600/Dudus+in+New+York"><img style="cursor: pointer; width: 320px; height: 250px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE2igJ-dmDou5PrCLijaNK3S_Sm25FpyRk6zAvTyPC1tA1gSPAz7vMuxlI2eB6vehExyROZPYe4Vlkp_DPCwcNA169SD8ibKF4AuPKEWuYJTe8W4jZc5bLowZ0aCqt4RaDVZS_ca_R2g0/s320/Dudus+in+New+York" alt="" id="BLOGGER_PHOTO_ID_5486539281156103906" border="0" /></a><span class="zp_uneditable zp_uneditable_image_desc"><span style="font-size:78%;"><br />Christopher "Dudus" Coke arrives in New York to face drug trafficking charges on Thursday June 24, 2010. (AP Photo/ Louis Lanzano)</span><br /><br /></span>In Jamaica farce, intrigue and tragedy remain inextricably intertwined. The fugitive don, Christopher ‘Dudus’ Coke, on the run since May 24th, is finally in the United States where he arrived earlier this evening (see photo above). Coke was intercepted on the outskirts of Kingston on June 22nd by the Jamaican police while they were supposedly conducting random spot checks on passing motorists. There was a J$5 million dollar bounty for information leading to his arrest.<br /><br />We’re told that he was being escorted by charismatic preacher Reverend Al Miller to the US Embassy in an abortive attempt at surrendering to American authorities who were clamouring for his extradition. We’re also informed that he was sporting a curly black woman’s wig when the police stopped the car and that he thanked them for sparing his life. These are titillating details but who knows if we’ll ever know the whole truth?<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz4FnJGIxqlPHxHAZJQqnbv2jnFA2dMocXXLQO_KCl1C-3PZIg9z6aCp-g08W418MobnlqOPRFZRybhn2HYNEglzMpmx1JqpfASI9mzv4Es1-a857Vuti56DQi4BhUdkgm6KYGiGTRsOo/s1600/MissDaisy"><img style="cursor: pointer; width: 285px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz4FnJGIxqlPHxHAZJQqnbv2jnFA2dMocXXLQO_KCl1C-3PZIg9z6aCp-g08W418MobnlqOPRFZRybhn2HYNEglzMpmx1JqpfASI9mzv4Es1-a857Vuti56DQi4BhUdkgm6KYGiGTRsOo/s320/MissDaisy" alt="" id="BLOGGER_PHOTO_ID_5486809819278253842" border="0" /></a><br /><br />Meanwhile jokes abound about the principals in this sordid drama with imaginary headlines such as “Miller to be charged for attempting to export Coke!” being bandied about the public sphere. The irrepressible Reverend has subsequently been charged with harbouring a fugitive but didn't let that prevent him from going to watch The Karate Kid this evening.<br /><br />In an irreverend post titled <a href="http://www.facebook.com/?ref=home#%21/note.php?note_id=471431418568&id=167074302410&ref=mf">Bad Man Nuh Dress Like Girl</a> Kei Miller ruminated on the reports of cross-dressing by gunmen and dons:<br /><br /><span style="font-style: italic;">That’s why this sentiment of ‘bad man nuh dress like girl’ is always kind of funny – because in a country where Dudus and the dear departed Natty could wear wigs and frocks whenever their minds took them to do it; and in a country where any tour of dancehall will feature a few male dance crews who always offer, on public display, the most profound and sometimes magical performances of Jamaican queerness; and in a country where bad men run across garrison communities – one hand holding onto their uzi guns, and the other lifting up the hem of their frocks so as not to trip, then we know the real truth – that bad man dress however de rass him want to dress. And that’s exactly what makes them de real bad men.</span><br /><br />In a matter of weeks Coke has gone from being the most feared gang leader or strongman in Jamaica to a figure of scorn and ridicule after Police released photos of him wearing a wig and looking like an earnest church-going matron. Many are convinced that the police deliberately placed the wig on his head before photographing him in order to humiliate him and raise doubts about the awesome powers he is supposed to possess.<br /><br />This morning Coke appeared before a Jamaican Resident Magistrate at a maximum security facility in Kingston. At 2 pm he was flown out of Norman Manley International Airport to New York to face charges of drug and gun running there. The nation which had waited with bated breath to see if Coke would actually leave the island alive heaved a sigh of relief. His ill-fated father, the legendary Jim Brown, was set ablaze in his Kingston cell on the eve of his extradition to the US for similar charges. That was in the nineties.<br /><br />After the intense military and police activity of the last few weeks, with violent raids being conducted all over Kingston while security forces were desperately seeking Dudus, his final capture and impending extradition seem almost anti-climactic. Only in March this year the Police had worried aloud that the country's 268 gangs might act in concert to create incidents throughout the country to distract lawmen if there was any attempt to capture Coke. The violent reprisals that accompanied the raid into Coke’s stronghold, Tivoli Gardens, on May 24th have not recurred since his arrest two days ago.<br /><br />Coke himself seems surprised and grateful at the restraint shown by Jamaican Police when they intercepted the car he was travelling in with Reverend Al Miller on May 22nd. The Police, once famously described by Bob Marley as being “all dressed in uniforms of brutality” seem to have finessed a textbook arrest of the country’s Public Enemy Number One with no shots fired and not a drop of blood shed. This is contrary to the way they normally deal with suspected criminals.<br /><br />The unexpectedly peaceful capture of the country’s most wanted man, the sustained assault on criminal gangs and their leaders, and the cautious upward movement in the value of the local dollar have given Jamaicans cause for optimism about the future. If there are any successors waiting to pick up the reins after Coke’s departure they have yet to appear. A large number of dons and gang leaders have prudently turned themselves in to police custody since the State of Emergency which has now been extended for another month, was first declared.<br /><br />Ultimately leaders such as Dudus Coke derive their power from catering to the needs of impoverished communities by providing them with versions of ‘local government’ that the elected government seem disinterested in or unable to supply. If Jamaicans want to prevent their country from slipping back into the clutches of the narco-trade they have to figure out how to deliver democratic governance to all their citizens instead of a chosen few.<br /><br /><span style="font-style: italic;">Everyone is crying out for peace yes, none is crying out for justice</span> sang Peter Tosh in his famous song Equal Rights. Ultimately its only equal rights and justice, yoked together for all citizens, that will deliver lasting peace in Jamaica.<br /><br />In the meantime questions linger over why Christopher Coke didn’t turn himself in to Jamaican authorities before May 24th thus saving the 74 lives expended in the military operation to take back Tivoli from the ‘rebels’ who had barricaded it supposedly to defend Coke. It was their alleged attack on four police stations that provoked the intense assault by the Jamaican armed forces in which so many lives were lost in West Kingston.<br /><br />One version of events has it that this happened just when the Reverend Al Miller was about to accompany Dudus Coke to the US Embassy on or around the 23rd of May. There were reports in the media of meetings between the US authorities and Dudus’s legal team that seemed to have fallen through.<br /><br />The question is was there a deliberate attempt by interests unknown to sabotage an earlier, potentially peaceful surrender of Coke to the US authorities? By whom and to what purpose? Was there indeed a clash of differing agendas as Tom Tavares-Finson, once again speaking as Dudus’s lawyer today, has suggested? If so, what was the agenda? And whose agenda was it?<br /><br />Meanwhile Christopher ‘Dudus’ Coke remains an intriguing and tragic figure. Except for the unflattering bewigged photo circulated by the police after his arrest Coke was never shown in the Jamaican media wearing handcuffs or otherwise displaying signs of someone whose freedom has been severely curtailed. In contrast the very first photo of Coke after he landed in the US shows him with his arms handcuffed behind him (see photo above). The message is clear; as far as the United States is concerned Coke is a vicious criminal. In Jamaica however, his status is far more ambiguous.<br /><br />Before appearing in a Kingston court today to waive his right to an extradition hearing in Jamaica Coke issued a statement to the Jamaican public asking them to pray for him:<br /><br /><span style="font-style: italic;">I have, today, instructed my Attorneys that I intend to waive my right to an extradition hearing in Jamaica and to proceed directly to the United States under the terms of the Extradition Laws and treaty between Jamaica and the United States of America. </span> <span style="font-style: italic;">I have taken this decision of my own free will and have done so even though I am of the belief that my case would have been successfully argued in the Courts of Jamaica. </span> <span style="font-style: italic;">I take this decision for I now believe it to be in the interest of my family, the community of Western Kingston and in particular the people of Tivoli Gardens and above all Jamaica. </span> <span style="font-style: italic;">Everyone, the whole country, has been adversely affected by the process that has surrounded my extradition and I hope that my action today will go some way towards healing all who have suffered and will be of benefit to the community of Tivoli Gardens. </span> <span style="font-style: italic;">Above all I am deeply upset and saddened by the unnecessary loss of lives which could have been avoided, be it of members of the Security Forces and over eighty (80) residents of Tivoli or any other innocent Jamaicans that has occurred during this time. </span> <span style="font-style: italic;">I leave Jamaica and my family in particular Patsy [Coke's mother] with a heavy heart but fully confident that in due course I will be vindicated and returned to them. </span> <span style="font-style: italic;">Pray for me and God bless Jamaica.</span><br /><br />- Christopher CokeAnnie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com11tag:blogger.com,1999:blog-3953848556540874315.post-46833904150219689672010-06-23T14:21:00.000-07:002010-06-23T14:37:02.993-07:00Sister Dudus Coke: The Good, the Bad and the Ugly....<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw9uRRpChFWZYRHWxZO2YReTqoNLBOd1Bt0MXyj04_9eW7qp0_WJBsEofE1vN-V62LZYF1Jdb4aLII-FC8uUIVOwSd1MwjtcArqZHoxGM1hP0Q98Awsjxrvstp30IRx0kYXUvFKmiiVZY/s1600/Dudus+pink+wig+jun-23_w452.jpg"><img style="cursor: pointer; width: 320px; height: 242px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw9uRRpChFWZYRHWxZO2YReTqoNLBOd1Bt0MXyj04_9eW7qp0_WJBsEofE1vN-V62LZYF1Jdb4aLII-FC8uUIVOwSd1MwjtcArqZHoxGM1hP0Q98Awsjxrvstp30IRx0kYXUvFKmiiVZY/s320/Dudus+pink+wig+jun-23_w452.jpg" alt="" id="BLOGGER_PHOTO_ID_5486083222738306530" border="0" /></a><br /><span style="font-size:78%;">Clovis, Jamaica Observer, June 23, 2010</span><br /><br />“Have you caught that guy yet?” was a question frequently thrown at me in recent weeks by friends and family abroad who remembered hearing about Jamaica’s elusive don, Christopher “Dudus” Coke in the international media coverage that followed the deadly raid on his citadel in Kingston which left 74 Jamaicans dead in late May.<br /><br />I was getting ready for a party I was hosting to launch a series of artworks called “The Hunt for Dudus” by Belizean artist Hubert Neal Jr when a friend called with the news that Dudus had finally been captured. While the details are still filtering through to an excited public and before i actually write a proper blogpost on the subject i thought i'd share these unforgettable images with you. Soon come with the rest of the post!<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPYCJC7vbyQ-8Z9qMVB4QjwDtL0iK5nzqjMnicwixnN8JC0I6SG-Bj6kyQt3oeAqcAKSvB2YeteFYHjABCTgQIbtCooNqurMmWxHh1i2fYejI4FJnyWuCW4xkp8SqMa4_XtXW_462jnJE/s1600/dudus-in-wig_w370.jpg"><img style="cursor: pointer; width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPYCJC7vbyQ-8Z9qMVB4QjwDtL0iK5nzqjMnicwixnN8JC0I6SG-Bj6kyQt3oeAqcAKSvB2YeteFYHjABCTgQIbtCooNqurMmWxHh1i2fYejI4FJnyWuCW4xkp8SqMa4_XtXW_462jnJE/s320/dudus-in-wig_w370.jpg" alt="" id="BLOGGER_PHOTO_ID_5486083216631839442" border="0" /></a><br />Dudus as church sister, in wig...photo released by Police. Allegedly the car also contained a pink wig just in case a more preposterous get-up was required in a hurry.<br /><br /><div id="photo_container" class="photo_container"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIsNdCt-C8RaJVrdX2Y3y1DPRLNOfG5W9JNN8BDupiTG_DjCvpUcwCeSkTi83LW-HXDp5_jceiim4PrV2tvcKGBy5t7lSqOR_04eajMZb_eu6jCy1ZnaFS2yXvEjsqUcfn9cU8pGhb-54/s1600/Transporteralmiller.jpg"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIsNdCt-C8RaJVrdX2Y3y1DPRLNOfG5W9JNN8BDupiTG_DjCvpUcwCeSkTi83LW-HXDp5_jceiim4PrV2tvcKGBy5t7lSqOR_04eajMZb_eu6jCy1ZnaFS2yXvEjsqUcfn9cU8pGhb-54/s320/Transporteralmiller.jpg" alt="" id="BLOGGER_PHOTO_ID_5486086160644280002" border="0" /></a><br /><br />Above: The indefatigable Reverend Al Miller, who was supposedly escorting the hapless don to the US Embassy when their car was intercepted by the Jamaican police.<br /><br /><br /></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com2tag:blogger.com,1999:blog-3953848556540874315.post-29635764305577902902010-06-15T14:25:00.000-07:002010-06-15T14:39:27.655-07:00Tivoli Girls take aim at Soldiers<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirdPj4j5MQY6GTvQ2HaYnFBWJxFWZ9OCdc-uaOCplOABpE0KODoIqhyZIW1AaR-OHlMzIEeUK_hynkESU1ZOP2QvBRt_uJOrfx3TPIieDgBXJ9uDrNFyPBz-ygwmKs5pqUFBnsJ9ncm7g/s1600/world+cup.jpg"><img style="cursor: pointer; width: 320px; height: 233px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirdPj4j5MQY6GTvQ2HaYnFBWJxFWZ9OCdc-uaOCplOABpE0KODoIqhyZIW1AaR-OHlMzIEeUK_hynkESU1ZOP2QvBRt_uJOrfx3TPIieDgBXJ9uDrNFyPBz-ygwmKs5pqUFBnsJ9ncm7g/s320/world+cup.jpg" alt="" id="BLOGGER_PHOTO_ID_5483114993175534226" border="0" /></a><br /><span style="font-size:78%;">The Gleaner, Las May, June 15</span><br /><br />While Jamaicans along with the rest of the world take in the World Cup, the media here have been poking fun at recent events such as the state of emergency and the routing of criminals from their innercity citadels. The Las May cartoon above is priceless i think, in this regard.<br /><br />Crime has indeed plummeted with hardly any murders taking place although a major art heist was reported a couple of days ago when thieves raided the studio shared by artists George Rodney and Lois Lake-Sherwood making off with artworks and antiques.<br /><br />Meanwhile back in Tivoli Gardens where the female population is getting antsy because of the sudden disappearance of their menfolk, go-getting women are hitting on JDF soldiers according to a story in The Star today which announced that "A shortage of men in west Kingston is said to have caused female residents to be fighting for the affection of soldiers who are now posted in the community."<b><br /><br /></b>A resident opined:<b><br /></b><p>"Bway, to some extent yu can't even wrong dem because a pure woman deh a west Kingston now, most a di man dem run weh and dem probably naw come back, suh di woman dem affi fight fi wah dem want."</p><p>You can read all about it <a href="http://www.jamaica-star.com/thestar/20100615/news/news1.html">here</a>.</p>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com4tag:blogger.com,1999:blog-3953848556540874315.post-25543794781820143712010-06-14T06:18:00.000-07:002010-06-15T12:11:41.865-07:00Post-script to Soldiers and Police in Jamaica<p id="stand-first" class="stand-first-alone">Well, the local media have been pipped once again. According to the Guardian (UK) in an article titled <a href="http://www.guardian.co.uk/commentisfree/2010/jun/14/jamaica-tactics-army-afghanistan">From Kabul to Kingston</a> "Army tactics in Jamaica resemble those used in Afghanistan – and it's no mere coincidence."</p><div style="font-style: italic;" id="main-article-info"> </div><p style="font-style: italic;">"For two weeks, the Jamaican army and police have fought gun battles in Kingston. The many allegations of human rights abuses committed by the security forces – including <a href="http://www.nytimes.com/2010/06/03/world/americas/03jamaica.html" title="extrajudicial killings">extrajudicial killings</a> and the disposal of bodies – have received almost no international attention. Nor have the linkages between the Jamaican crisis, the security establishments in the US, Britain and Canada, and the mutations of the "war on terror".</p><p style="font-style: italic;">But strategy and tactics deployed in Iraq and Afghanistan are being applied in Jamaica. Drones fly over Kingston, and were used in the 24 May assault to select targets. On 7 June, Tivoli residents discovered that to enter or leave the area they had to produce "passes" issued by the police (revised, after protests, to restrictions on movement after dark). There is blanket surveillance of electronic communications in breach of Jamaican privacy protections – indeed, it was the illegal provenance of some of the evidence against Christopher "Dudus" Coke that initially <a href="http://www.guardian.co.uk/world/2010/jun/02/christopher-dudus-coke-extradition-law" title="held up extradition proceedings">held up extradition proceedings</a>."</p><p>In fact in Hubert Neal's painting mentioned in the previous post he had included the figure of a triangular shaped plane hovering over Kingston Harbour and then attempted to erase it leaving a ghostly shape. The soldiers were quite excited to see this. "The spy plane! the spy plane!" they exclaimed.</p><p>One day hopefully we'll hear the whole nine yards. I've thought from the beginning that this was a well-executed plan, with outside assistance, designed to breach the fortress of Tivoli on grounds of capturing Dudus which would bloom into an all-out assault on Dons and their gangs.</p><p style="">The problem is that even in times of uneasy peace the human rights of the poor were routinely violated. How can we assure ourselves that they are not victimized in this so-called war on crime?</p><p style="">Meanwhile in Britain "<a href="http://www.guardian.co.uk/uk/2010/jun/15/bloody-sunday-report-saville-inquiry">David Cameron today (June 15) issued a formal, state apology</a> for the "unjustified and unjustifiable" killing of 14 civil rights marchers by British soldiers on <a href="http://www.guardian.co.uk/uk/bloodysunday" title="More from guardian.co.uk on Bloody Sunday">Bloody Sunday</a> in Derry 38 years ago."<br /></p><p style="">Will we ever have closure here on the killing of 73 civilians in Tivoli on May 24th?<br /></p>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com6tag:blogger.com,1999:blog-3953848556540874315.post-78779374871593265032010-06-12T05:55:00.000-07:002010-06-12T17:04:48.432-07:00Soldiers and Police in The Hunt for Dudus<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9nWZXE1cdftoDK1XEBdk8zJ5xCTxdez8x4HkF0WN7s4eWi-X0fZvDGyNMeJjrDluu3NXyMGdL6Ewarr8ZW_t8QWeLJgjcjf7_mtg1Y6qKOW7UcEmmputrsUoUZ4ezOTCAkDAKuLydOY/s1600/soldiershu3"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9nWZXE1cdftoDK1XEBdk8zJ5xCTxdez8x4HkF0WN7s4eWi-X0fZvDGyNMeJjrDluu3NXyMGdL6Ewarr8ZW_t8QWeLJgjcjf7_mtg1Y6qKOW7UcEmmputrsUoUZ4ezOTCAkDAKuLydOY/s320/soldiershu3" alt="" id="BLOGGER_PHOTO_ID_5481879645984475186" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9LOZuBjoXACRW29n5D3UANk2iZFiPEDlHcRoUbJJ3vN4ssheL6D3yTCSJVLHH7BipEVxnVX_VMYWbKnUOLP8i31rPp0Lzx_u-_bSF-ab8a524_rg75dHnf7D8DEIjxE4NaS976kS3c3s/s1600/soldiersHu2"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9LOZuBjoXACRW29n5D3UANk2iZFiPEDlHcRoUbJJ3vN4ssheL6D3yTCSJVLHH7BipEVxnVX_VMYWbKnUOLP8i31rPp0Lzx_u-_bSF-ab8a524_rg75dHnf7D8DEIjxE4NaS976kS3c3s/s320/soldiersHu2" alt="" id="BLOGGER_PHOTO_ID_5481879638279545426" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu-tAIEg37XvHmyY1qnOkqEYXAbFqKPj5Wv0oOQEJhrf6J2Oyp3vViBKynrHEJqEYNZhOW3YKLfPPLVmhS2KxRNrhnabSqmDmoEZ-2OknCrBRjoArHDniC4u21vdygYAa7Y9_sbpW-AeQ/s1600/soldiershu4"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu-tAIEg37XvHmyY1qnOkqEYXAbFqKPj5Wv0oOQEJhrf6J2Oyp3vViBKynrHEJqEYNZhOW3YKLfPPLVmhS2KxRNrhnabSqmDmoEZ-2OknCrBRjoArHDniC4u21vdygYAa7Y9_sbpW-AeQ/s320/soldiershu4" alt="" id="BLOGGER_PHOTO_ID_5481879653742822258" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOLr4OjAsiWHLNuNpTjxHYTFjKxu92N8PciP3W8eth0gCJib3plSugcGoWDy89rNCESy0IPU38BBcocFMDCuhAGdP2NywdeQgIi3VhcH_VRlFSGSImbVnOj9U5XvUDJ1hPCOwd-dkV2i4/s1600/soldiersHu"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOLr4OjAsiWHLNuNpTjxHYTFjKxu92N8PciP3W8eth0gCJib3plSugcGoWDy89rNCESy0IPU38BBcocFMDCuhAGdP2NywdeQgIi3VhcH_VRlFSGSImbVnOj9U5XvUDJ1hPCOwd-dkV2i4/s320/soldiersHu" alt="" id="BLOGGER_PHOTO_ID_5481879631660927858" border="0" /></a><br /><span style="font-size:78%;">Photos above by Hubert Neal Jr.</span><br /><br />A frequently heard comment in the wake of the May 23rd assault by Jamaican security forces on Tivoli Gardens is that Jamaica Defence Force soldiers are far more civil and easy to trust than the police. The latter stand accused of shooting to kill without any consideration for whether the target is actually a suspected criminal or not. The soldiers on the other hand have been accused at the most of paying too much attention to the young women of Tivoli, an area that has remained under curfew ever since the barricades of Tivoli were demolished.<br /><br />Of course the soldiers too are alleged to have participated in some questionable activities such as the hasty and unauthorized burial of bodies in makeshift coffins during the siege of Tivoli. But their reputation has fared far better than that of the much reviled and feared Police Force accused of wantonly killing young men in the affected areas. According to a Trini friend who generally knows about such things, a state of emergency is an opportunity for rogue police to go around eliminating those who are their partners in crime in times of peace--those who abet them in drug dealing, illegal taxi operations, extortion among other things. If true, this could explain the outrageously high number of casualties in the operation to capture Dudus--who of course, remains free and alive.<br /><br />The Hunt for Dudus has inspired Belizean artist Hubert Neal Jr., who arrived in the island on May 20, just before the 'Operation Take Dudus Alive' unfurled. Neal, an artist in residence at Roktowa on Pechon Street around the corner from Coronation Market and Tivoli Gardens found himself the recipient of an unlikely studio visit a few days ago when three groups of soldiers decided to patrol the old Red Stripe Brewery where he works along with the Haitian artists who are part of the 'Trembling Heart' project.<br /><br />The soldiers allowed themselves to be detained by Neal's painting in progress, titled--what else--The Hunt for Dudus. They questioned him closely about his representation of the storming of Tivoli, disapproving of the low number of soldiers depicted (see photos above and below). On the whole however they were quite animated by the work they saw and their unorthodox art critique thrilled Hubert who documented <a href="http://thevisualpoetssociety.com/section/172206_the_studio_visit.html">The Studio Visit</a> on his blog <a href="http://thevisualpoetssociety.com/home.html">The Visual Poets Society</a>.<br /><br /><span style="font-size:78%;">Photos below by Annie Paul</span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_vRZHiVFzEL1Xz-HhmPsT37L3fl3uPt-54pHV2_aPCcHfTSmsksYfskdE86JJzaiY_0rSVQHKo4gJ1wReLFm-37-lMppAQO4nDQ-5ouIHqLR0OS4RCgC_lkOJjq7ikZ9drpUufKGYNhE/s1600/IMG_0843.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_vRZHiVFzEL1Xz-HhmPsT37L3fl3uPt-54pHV2_aPCcHfTSmsksYfskdE86JJzaiY_0rSVQHKo4gJ1wReLFm-37-lMppAQO4nDQ-5ouIHqLR0OS4RCgC_lkOJjq7ikZ9drpUufKGYNhE/s320/IMG_0843.jpg" alt="" id="BLOGGER_PHOTO_ID_5481880700409036146" border="0" /></a><br /><span style="font-size:78%;">The Hunt for Dudus by Hubert Neal Jr. (work in progress)</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv6IIRT4azjbPBsUYkLkCCBmQ_AP6Qx3fczd2suVPJP-p39NpXqWOkwHAQdgjfhZirpAhp4bnMQdSx6WIf7C2ObbgHHLs4wwucWGq0VO7CU9qwifRIdUDMSFP18wJ0z-Zz26guXPzJmfk/s1600/IMG_0841.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv6IIRT4azjbPBsUYkLkCCBmQ_AP6Qx3fczd2suVPJP-p39NpXqWOkwHAQdgjfhZirpAhp4bnMQdSx6WIf7C2ObbgHHLs4wwucWGq0VO7CU9qwifRIdUDMSFP18wJ0z-Zz26guXPzJmfk/s320/IMG_0841.jpg" alt="" id="BLOGGER_PHOTO_ID_5481880691924886546" border="0" /></a><br /><span style="font-size:78%;">Dudus in between his bodyguards above and terrified woman and child below</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYEOrC4sXSFp9zHz7pMoJTN55Db0fq1tEUIBss6bkKrJNC8iMyJVvNBu6WsVrCZRwLN-5Q2513WgX17mTLrSra__k7m2J2vN-YLloFXiGE54LVs_tPSNU2STZmPTUbn5Kq1Nz4HLNyY0/s1600/IMG_0840.JPG"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYEOrC4sXSFp9zHz7pMoJTN55Db0fq1tEUIBss6bkKrJNC8iMyJVvNBu6WsVrCZRwLN-5Q2513WgX17mTLrSra__k7m2J2vN-YLloFXiGE54LVs_tPSNU2STZmPTUbn5Kq1Nz4HLNyY0/s320/IMG_0840.JPG" alt="" id="BLOGGER_PHOTO_ID_5481880687424773746" border="0" /></a><span style="font-size:78%;"><br />A beaming Neal...</span><br /><br />The most potent paintings i think are the two below, Hubert's depictions of the torture chamber the media described finding in Tivoli. I'm particularly moved by his interpretation of the grave found with a skeleton buried upright in it (below right).<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtSppwTVsP7Rp_fz-_zSe9abhLiM9TRFzAODb464HVKd-qqgSWV5iC8TwFVdzHnO75OM3SdzU6zLP6we0OuL1G6DVpLwc08OpsG25enqUjFDJGs_Ei-bHsBITk69L9N1xDrWO4__IVxVs/s1600/punishment+hole.jpg"><img style="cursor: pointer; width: 320px; height: 122px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtSppwTVsP7Rp_fz-_zSe9abhLiM9TRFzAODb464HVKd-qqgSWV5iC8TwFVdzHnO75OM3SdzU6zLP6we0OuL1G6DVpLwc08OpsG25enqUjFDJGs_Ei-bHsBITk69L9N1xDrWO4__IVxVs/s320/punishment+hole.jpg" alt="" id="BLOGGER_PHOTO_ID_5481883140562303666" border="0" /></a><br /><br />Last Saturday we were part of a visit to award-winning writer/sociologist <a href="http://www.princeclausfund.org/en/what_we_do/awards/PrinceClausFundAwards2006ErnaBrodber.shtml">Erna Brodber</a>'s home at Woodside, St. Mary. As part of her Blackspace project she has documented various sites and relics dating from the days of slavery. One of the things she mentioned was the existence of what she referred to as a 'punishment hole' somewhere in the vicinity. What's that, I asked.<br /><br />Well, sometimes slaves were punished by being buried upright up to their necks for days on end, said Erna. Wow, i thought, the Tivoli Punishment Hole was no doubt a variant of this time-honoured method of torture.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcUaLNWsOMZEtxxkWzfjvIXJU_8DjlrRtBfbBjwAvfPjGPfUDLZ3mVYTkSB_GaT4CyV8kiUi5qTven89Qbei7DMq4H_mBvJpjifXXmygQN3Lyl0fFkHw9BGyzE9CRebIXi8NqyeQnDtaQ/s1600/IMG_0799.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcUaLNWsOMZEtxxkWzfjvIXJU_8DjlrRtBfbBjwAvfPjGPfUDLZ3mVYTkSB_GaT4CyV8kiUi5qTven89Qbei7DMq4H_mBvJpjifXXmygQN3Lyl0fFkHw9BGyzE9CRebIXi8NqyeQnDtaQ/s320/IMG_0799.jpg" alt="" id="BLOGGER_PHOTO_ID_5481880680179046530" border="0" /></a><br /><span style="font-size:100%;"><span style="font-size:78%;">Erna Brodber at the entrance to the Woodside Community Centre</span><br /><br /><span style="font-size:100%;"><span style="font-size:100%;">If you come to Roktowa next Sunday for the opening of Laura Facey's show Propel you can see Hubert's painting and work by the Haitian artists as well. In addition to Laura's marvelous drawings, prints, carving and sculpture there will also be Nine Night singing. The show is curated by Melinda Brown. Click </span></span></span><span style="font-size:100%;"><span style="font-size:100%;"><span style="font-size:100%;">on invite below for </span></span></span><span style="font-size:100%;"><span style="font-size:100%;"><span style="font-size:100%;">address and map to Roktowa. </span><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjppalAoKTPAgHDnkkDMDerrS3NfWSu5xC4dNha5ZiDrKun3UJo8NRmx8UY0QiWuXHq6CbPk2ZuvnGQXeEicOBnYwlq4aaemgVX1wkQHXQ0BIU5Di5bkRrHyOMJWzLPa_OQ2h8PcunhnVI/s1600/propel"><img style="cursor: pointer; width: 320px; height: 109px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjppalAoKTPAgHDnkkDMDerrS3NfWSu5xC4dNha5ZiDrKun3UJo8NRmx8UY0QiWuXHq6CbPk2ZuvnGQXeEicOBnYwlq4aaemgVX1wkQHXQ0BIU5Di5bkRrHyOMJWzLPa_OQ2h8PcunhnVI/s320/propel" alt="" id="BLOGGER_PHOTO_ID_5481916056526903794" border="0" /></a>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com3tag:blogger.com,1999:blog-3953848556540874315.post-34936478046183194142010-06-04T18:15:00.000-07:002010-06-06T10:13:56.931-07:00Desperately Seeking Dudus 2: The Person behind the Persona<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJlbY7zYxMOS2QepxhiciG9beAV7GJ-h_Lux4I81uqE7Vpp04PE8dJwNzFHDOwm8S5UlLB20ijd1wuI0Bb_FNNdJIu8ll2_iMXWWAU4IR5SxOXFw6g7v_hcvJSoXuPW2rWzFCCjA3-FpI/s1600/Tivolisecforces.jpg"><img style="cursor: pointer; width: 320px; height: 233px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJlbY7zYxMOS2QepxhiciG9beAV7GJ-h_Lux4I81uqE7Vpp04PE8dJwNzFHDOwm8S5UlLB20ijd1wuI0Bb_FNNdJIu8ll2_iMXWWAU4IR5SxOXFw6g7v_hcvJSoXuPW2rWzFCCjA3-FpI/s320/Tivolisecforces.jpg" alt="" id="BLOGGER_PHOTO_ID_5479702486481238802" border="0" /></a><br /><img src="file:///Users/anniepaul/Library/Caches/TemporaryItems/moz-screenshot.png" alt="" /><span style="font-size:78%;">Las May, The Gleaner</span><br /><br />On May 8 I had occasion to talk to Tom Tavares-Finson, Chris Dudus Coke's erstwhile lawyer (who stepped down as part of his defence team on May 18, citing conflict of interest) at a mutual friend's birthday party. Can you talk about Dudus I asked, unable to resist my reporter's instincts.<br /><br />"You mean that figment of the collective imagination?" Tom responded playing his legal role to the hilt; according to him, Dudus was an ordinary man on whom every abnormal event--the revoking of visas, crimes of various kinds, resignations--was being pinned with abandon. I was more than willing to engage in a spirited discussion on this unlikely portrayal of the nation's Public Enemy No. 1 but, alas, was deterred by frantic hand signals from my host who was afraid that the ensuing argument might derail his party.<br /><br />I don't think anyone there could have guessed that within two weeks Tom's beloved Tivoli would be torn to pieces by Jamaican armed forces searching for Dudus who was barricaded in there. And apart from the one or two nondescript photographs circulating in the media there was hardly any information on this man now hunted on grounds of being a dangerous criminal mastermind by the United States.<br /><br /><object height="385" width="640"><param name="movie" value="http://www.youtube.com/v/uhgaPPoL7U0&hl=en_US&fs=1&color1=0x006699&color2=0x54abd6"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/uhgaPPoL7U0&hl=en_US&fs=1&color1=0x006699&color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="385" width="640"></embed></object><br /><br />This was the same man whose power enabled him some months ago to defuse the simmering rivalry between the Gaza and Gully factions by mounting the <a href="http://reggaedancehallvideos.com/mavado-vybz-kartel-peace-west-kingston-jamboree-gaza-gully">West Kingston Jamboree in Tivoli where the rival Dancehall DJs at the head of the two factions, Vybz Kartel and Mavado, performed on stage together</a> (see video above). Dudus is also reputed to do a mean Gully Creeper but unlike our business and social elite he shuns the limelight remaining a shadowy, mysterious figure who by all reports craves 'ordinariness' and 'normalcy'.<br /><br />Finally this morning, Jamaica's Sunday Gleaner has shed some more light on this retiring character in an excellent article by Tyrone Reid called "<a href="http://www.jamaica-gleaner.com/gleaner/20100606/lead/lead2.html">FROM MATH WHIZ TO WANTED</a>." For once we're able to read a story like this in the local media and not in the New York Times, on BBC or CNN. The Gleaner reporter tracked down people who knew Coke at Ardenne High School, and uncovered information suggesting that the young Coke was anything but a ganglord in the making. In fact he was one of that rare, endangered species in Jamaica, a natural mathematical talent.<br /><br /><span style="font-style: italic;">"The math teacher remembered Coke as one of his elite batch, picked at the end of the ninth grade. </span><p style="font-style: italic;">Having breezed through CXC math Coke tackled the dreaded additional mathematics (add math) in Grade 11 and scored a Grade B - the second-highest mark. </p><span style="font-style: italic;">"Math is the only universal </span><span style=";font-family:georgia;font-size:100%;" ><a id="KonaLink2" target="undefined" class="kLink" style="text-decoration: underline ! important; position: static; font-style: italic;" href="http://www.jamaica-gleaner.com/gleaner/20100606/lead/lead2.html#"><span style="font-weight: 400; position: static; color: rgb(0, 14, 0);"><span class="kLink" style="font-weight: 400; position: relative; color: rgb(0, 14, 0);">language</span></span></a></span><span style="font-style: italic;">, and he spoke it very fluently," the teacher reminisced. "I taught him for five years straight. Basically, he was the model student; very quiet, and there were no problems in terms of discipline," said the educator.</span><br /><br />Reid's story goes toe to toe against <a href="http://www.jamaicaobserver.com/news/A-close-up-view-of--Dudus-_7678513"><span style="font-style: italic;">The Sunday Observer</span>'s rambling reminiscence by journalist Tino Geddes of Tivoli and its various Dons</a>, most of whom he seems to have known closely.<br /><br /><span style="font-style: italic;">Dudus is not a run of the mill ordinary Joe, looking to make some money and in search of power. He has never been and he will never be regarded by those who have known him, in that light.</span><p style="font-style: italic;" id="story"> I have personally known all the previous 'dons' of Tivoli Gardens. I had a special affection for Massop; I was closely involved with Bya; I watched Jah T go through high school at Wolmer's; I was particularly close to Jim Brown, and although not as close to Dudus as I was to his father, the younger Coke has commanded my respect.</p>Dudus has undeniably captured the nation's imagination. At the recently staged Calabash Literary Festival the open mic segment was dominated by references to both Dudus and Tivoli. As news broke that his brother Livity and sister Sandra had both turned themselves in to the Police stories started swirling.<br /><br />Was it true, enquiring minds on Facebook wanted to know, that Livity Coke was on Twitter and when rumours of his demise were reported he immediately tweeted saying "See mi yah"? The urban legends surrounding the Coke family continue to grow yet there have been no images in the media here of either Sandra or Livity or any further information about them.<br /><br />The Jamaican media is puzzling in its tendency to conceal rather than reveal the news. Tightlipped and taciturn at the best of times, it took the New York Times to carry an article on the extrajudicial killings by the security forces in Tivoli. With the exception of Lloyd D'Aguilar, my former co-host on Newstalk 93, who took it upon himself to visit Tivoli in the wake of the assault on it, and report on what he found there, no other major news media here has followed up in a serious way on the 'collateral damage' caused by the breaching of Tivoli.<br /><br />In the aftermath of the events of May 24th the BBC had footage of masked gunmen in Tivoli fortifying themselves and the community (see below). A reliable source informs me that this footage was actually shot by a TV Jamaica cameraman who had access to the individuals in question yet TVJ declined to air the exclusive video allowing the BBC an unnecessary scoop. The local television channel's reticence in airing the footage shot by its own cameraman remains a mystery.<br /><br /><object height="385" width="640"><param name="movie" value="http://www.youtube.com/v/v_xlI35uSqs&hl=en_US&fs=1&color1=0x006699&color2=0x54abd6"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/v_xlI35uSqs&hl=en_US&fs=1&color1=0x006699&color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="385" width="640"></embed></object><br /><br />What amazed me about this BBC footage that i watched over and over again in my hotel room in Barbados was that much of the early scenery shown, with police dodging around corners of buildings was right outside the National Gallery of Jamaica. The Gallery's walls are slightly pockmarked with bullet holes now and the fighting outside was so intense that a security guard was trapped inside the Gallery for 5 days.<br /><br />"How did he survive? What did he eat?" I gasped when told this by the Executive Director of the Gallery, Veerle Poupeye.<br /><br />"Well, he had access to the coffee shop. Thank God we stock three different flavours of muffins there," she replied laughing.Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com9tag:blogger.com,1999:blog-3953848556540874315.post-87657638152052541352010-06-02T12:59:00.000-07:002010-06-02T20:30:51.774-07:00Desperately Seeking Dudus...Letters from the Dead<span style="font-family:georgia;font-size:100%;"><i><span style="color: rgb(0, 0, 0);">"They seek him here,<br /> they seek him there,<br /> those Frenchies seek him everywhere.<br /> Is he in heaven or is he in hell?<br /> That damned elusive Pimpernel."</span></i></span><br /><br />Dudus is far from being the Scarlet Pimpernel but the Jamaican armed forces are certainly busy seeking the mild-mannered Christopher Coke in every nook and cranny of the country. Even the Mayor of Kingston's house wasn't spared in the security forces' hunt for Jamaica's Pimpernel.<br /><br />It now appears the armed forces executed a well-planned and stealthy assault on Dudus's citadel, Tivoli Gardens, on May 23rd. The scenario didn't play out quite as feared back in March <a href="http://www.jamaicaobserver.com/news/Dudus-tension_7492366">when Police expressed concern</a> that the country's 268 gangs might act in concert to create incidents throughout the country to distract lawmen in the event of an offensive on Tivoli.<br /><p id="story"> National Security Minister Dwight Nelson went on record then saying that "Government was focusing on preparing strong anti-gang legislation that would target, infiltrate and dismantle criminal gangs.</p><p id="story"> "The legislation, Nelson said, would also identify and arrest members of criminal gangs; ensure long sentences for gang members; conduct a thorough historical and proactive investigation into the activities of gang members; and develop intelligence as to each member's association with and participation in gangs."</p><p id="story">With the speed at which Dons and gang members have been turning themselves in, one fervently hopes that the said legislation is in place to put them away for a long time. Meanwhile the security forces must be congratulated for keeping deaths down to under a hundred although the various charges of wrongful detention, wounding and killings by the armed forces must also be fully investigated with those responsible for the wanton taking of life duly punished.<a href="http://www.nytimes.com/2010/06/03/world/americas/03jamaica.html"> The New York Times had an article today about extrajudicial killings by Jamaican police</a>, something that's a problem even when there's no state of emergency.<br /></p>Life has more or less returned to normal on the rock except for those who lost family members in the clash and for those who remain on the run. The tragedy is that the parts of the city where gangsters unleashed violence are the same areas which have long been the killing fields of Kingston.<br /><br />At the Caribbean Studies’ Association's 35th annual conference in Barbados, May 24-28, eerily titled “The Everyday Occurrence of Violence in the Cultural Life of the Caribbean,” many of us recalled the previous CSA conference in Kingston last June which included a commemorative walk for victims of violence organized by Sistren and the Peace Management Initiative. The walk started outside the Hannah Town Police Station (the first building to be burnt down by the gunmen protesting Dudus's arrest last week) and proceeded along Hannah Street, Slipe Pen Road, past the Kingston Public Hospital culminating in a ceremony at the Monument to Children killed in Violence outside the KSAC offices on Church Street.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzJ1B6L9694FyzoX1pw6SgzUbvrgJVohx_s1HrKWAxCFHO2cyGiQjFokTHY_4kJ9Nm3agoAms8C8Q0-G6D5hi73QN0Vc6w6GqhqTku2VkkiY916bXWK3Y38BXLA7CXdBCEflvOo45kkN4/s1600/lettersfromthedead-csaflyer.jpg"><img style="cursor: pointer; width: 320px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzJ1B6L9694FyzoX1pw6SgzUbvrgJVohx_s1HrKWAxCFHO2cyGiQjFokTHY_4kJ9Nm3agoAms8C8Q0-G6D5hi73QN0Vc6w6GqhqTku2VkkiY916bXWK3Y38BXLA7CXdBCEflvOo45kkN4/s320/lettersfromthedead-csaflyer.jpg" alt="" id="BLOGGER_PHOTO_ID_5478280940499560114" border="0" /></a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXk8IpsjsSfK4sV0gHayI1T7xWZ7odqFBHxg2Hs6HYOFEsh1FMbUemQFqf0xOFv_MX_ukRF0DMNsumh3WEihKQVutwPh9RJeNSx5-9yvIKnw3hvnCRZOG6Xy5z7xLvRE8umsZmbyNIQNE/s1600/HonorMonumenttochildren.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXk8IpsjsSfK4sV0gHayI1T7xWZ7odqFBHxg2Hs6HYOFEsh1FMbUemQFqf0xOFv_MX_ukRF0DMNsumh3WEihKQVutwPh9RJeNSx5-9yvIKnw3hvnCRZOG6Xy5z7xLvRE8umsZmbyNIQNE/s320/HonorMonumenttochildren.jpg" alt="" id="BLOGGER_PHOTO_ID_5478283508200073666" border="0" /></a><br /><img src="file:///C:/DOCUME%7E1/ANNIEP%7E1/LOCALS%7E1/Temp/moz-screenshot-5.png" alt="" /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVtZGh2-815hGDYuQkHkWAfXRGwNdTcPRYEzHVSjYls5mRLky8CdENbtKiRXw4rDR2yrCgOXqtvuMgjXc3TtTQgR-W6CWn_-biNac7b1r9kbhIzNYkzhH0ghMTwqbGL5UDG4LhCPZP3jE/s1600/HonorMarch3.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVtZGh2-815hGDYuQkHkWAfXRGwNdTcPRYEzHVSjYls5mRLky8CdENbtKiRXw4rDR2yrCgOXqtvuMgjXc3TtTQgR-W6CWn_-biNac7b1r9kbhIzNYkzhH0ghMTwqbGL5UDG4LhCPZP3jE/s320/HonorMarch3.jpg" alt="" id="BLOGGER_PHOTO_ID_5478285287537053042" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOlClv5H_13ujuGzr_fTqD-eBDQDeMEQt8p0LRV9GG7oxCP9lMn1KOASK3qh2hjmIcEscGIgpTm6bLD94RIayZ3H0MhYYxs47Oqu5c2-56m3vNbn9QnCiIPVRA5jGvm_uVYoKKbTl9lwg/s1600/HonorMarch2.jpg"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOlClv5H_13ujuGzr_fTqD-eBDQDeMEQt8p0LRV9GG7oxCP9lMn1KOASK3qh2hjmIcEscGIgpTm6bLD94RIayZ3H0MhYYxs47Oqu5c2-56m3vNbn9QnCiIPVRA5jGvm_uVYoKKbTl9lwg/s320/HonorMarch2.jpg" alt="" id="BLOGGER_PHOTO_ID_5478285276545770034" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpQe-mRGxwzVw6ZZcTnpdx6ojRjql24k9FYWuNbPJe7Bj0FtINQ7KcC_txZkFP1WB8ntFlFWu8vrdcIJhmPqehgigg4Up6T7woEfbzFhG5FAgWzi34SxsM3g1sa3T6s6-I403-eAdvyqU/s1600/HonorMarch1.jpg"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpQe-mRGxwzVw6ZZcTnpdx6ojRjql24k9FYWuNbPJe7Bj0FtINQ7KcC_txZkFP1WB8ntFlFWu8vrdcIJhmPqehgigg4Up6T7woEfbzFhG5FAgWzi34SxsM3g1sa3T6s6-I403-eAdvyqU/s320/HonorMarch1.jpg" alt="" id="BLOGGER_PHOTO_ID_5478285274691542930" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3uF85smVO6yBjNFnvNGE_uDgW_ukuSd_AFaxvApP8EZPPpwIg8RhL25wq98JGASFhdxX5yTGK8esKYRa6zOVsstfLTe07WfokLxrW5hpN2N_MVf6j392-Ro2R4lEo6kLUb-ASwa8Axg4/s1600/HonorMarch4.jpg"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3uF85smVO6yBjNFnvNGE_uDgW_ukuSd_AFaxvApP8EZPPpwIg8RhL25wq98JGASFhdxX5yTGK8esKYRa6zOVsstfLTe07WfokLxrW5hpN2N_MVf6j392-Ro2R4lEo6kLUb-ASwa8Axg4/s320/HonorMarch4.jpg" alt="" id="BLOGGER_PHOTO_ID_5478285289468821234" border="0" /></a><br /><br />As the pictures above from the Letters from the Dead walk show, it was mainly women who marched, each one holding an image of a slain family member. <a href="http://www.stabroeknews.com/2009/features/09/28/taking-it-to-the-streets-ii-commemorating-victims-of-violence-in-jamaica/">An article in Guyana's Stabroek News</a> documented the process preceding the performance as recorded by Honor Ford-Smith and Alissa Trotz:<br /><p style="font-style: italic;">Weeks before the march took place, workshops with women from different communities explored the ways in which people remember and forget urban violence. Women discussed the different circumstances that result in the shooting and death of diverse victims and the enormous pain and waste that it has caused. For several, forgetting was an attempt to cope with the pain of loss, but it was also to avoid the desire for revenge that was triggered by remembering, raising the important question of how to link memory with reconciliation as one constructive response to violence. Participants found it difficult to share their stories publicly and in a collective setting. One woman who had lost all of her children to violence spoke of her complete isolation, of shutting herself in her house, of leaving her yard and being completely disoriented on a street that she had inhabited for years. Her story is deeply symbolic of how the violence both produces and continues to be produced by alienation from neighbourhood and community, spaces that we so often associate with nurturing and bonds of solidarity.</p> <p style="font-style: italic;">The performance on June 3 vividly dramatized elements of the workshops. Women, men and children gathered in the yard outside a church in Hannah Town. Dressed primarily in black, heads tied with red cloth, each person bore witness to the devastating effects of violence on families and communities. During the workshops, participants had selected images of those they had lost. As we took to the streets that afternoon, we were surrounded by faces of the dead mounted on placards, pinned to shirts, hung on a cord around the neck. On a poster held up by one elderly woman, an infant lost to gun violence stared out solemnly at those gathered in the churchyard.</p> <p style="font-style: italic;"> As the procession began its trek through downtown Kingston, participants formed a long line, bearing 35 yards of red cloth that rippled like water, symbolizing the blood of the thousands killed in community wars over the last decades. Two young women dressed in white – cultural workers from Toronto – performed the part of ghosts or spirits, urging the marchers on to the final destination. Women led the marchers in church hymns punctuated by clapping. Some bore a coffin that had been made locally – it is tragic how many funeral parlours one can find in inner city Kingston – and that linked urban wars in Canada to those in Kingston through the use of repeating images of the black youth murdered in Toronto. Onlookers – asking questions or greeting familiar faces – were urged to join the march. Scholars who are members of the Caribbean Studies Association from around the world and who were holding their annual conference in Kingston, also joined the walk which was part of the performance programme of the conference.</p> <p style="font-style: italic;">The ‘walk’ culminated outside the office of the Kingston and St Andrew Corporation, at the site of the Secret Garden and Monument to the Children, dedicated in late 2008 to remember those killed under violent and tragic circumstances since 2000. The bronze sculpture depicts the face of a weeping child, with names of the dead inscribed around its perimeter; almost three sides of the monument had been filled with hundreds of names, children ranging in age from a few months to 17 years. As a young woman sang a tribute to the dead children, the red cloth was laid down on the pavement and placards and mementos laid along its length. Before a large gathering that had collected on the street, Sistren member Afolashade explained the purpose of the moving commemoration, and invited workshop participants to the microphones to share the letters they had written to their dead and to ‘post’ them in a specially designed letterbox. Audience members were also asked to read a few letters aloud. Others read fictional responses from victims of violence; in one particularly telling letter, a young man imagined his dead friend urging him not to link memory to retribution because that would only continue the cycle of violence. Music by reggae musicians including Ibo Cooper – from Third World – and others accompanied the readings. After the last letter was read, witnesses were invited to walk around the cloth. People pointed out faces they knew. A woman exclaimed in shock when she realized that a male friend of hers was among the dead. There was silence as people circled the monument to read the names of children. One woman who had been leading us in song along the march collapsed on the sidewalk in grief, surrounded by other women trying to comfort her.</p><p>The question is what sort of ritual will we need to hold now for the inhabitants of Tivoli Gardens and others who were victims of Operation Desperately Seeking Dudus?</p>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com2tag:blogger.com,1999:blog-3953848556540874315.post-33905239191022739242010-05-31T04:44:00.000-07:002010-06-01T17:22:18.457-07:00Post-Calabash Glow: Vintage 10<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqbv4Cet_NXIZxE3xwqKwHVurXm_F6nXYiU8ZorelVd4_kLCN_tChJ-tAid3CJkpSpFcvF9sCMuQXsDlQpl9x-OClwm5AxyhSQQMf-0C42EOZLGx5RAow5G3lvctOJZrNNt9BnP-GLhX4/s1600/IMG_0788.JPG"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqbv4Cet_NXIZxE3xwqKwHVurXm_F6nXYiU8ZorelVd4_kLCN_tChJ-tAid3CJkpSpFcvF9sCMuQXsDlQpl9x-OClwm5AxyhSQQMf-0C42EOZLGx5RAow5G3lvctOJZrNNt9BnP-GLhX4/s320/IMG_0788.JPG" alt="" id="BLOGGER_PHOTO_ID_5477407075111083186" border="0" /></a><br /><span style="font-size:78%;">Jack Sprat's at Jake's, last evening after the Bash ended</span><br /><br />Calabash 2010 was magical. For those of us who came from Kingston it was like a huge lung purifying the putrid air of the preceding week. Attendance was surprisingly good, probably because most people wanted to escape the pressure cooker the city had become.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhVmYocVkc1ueeXVT26EyuZ4H-V1g_1n1aCC8gTW-06wMxkSvDnfBF82FY4TYQr2UIM5X6Dzi7F98_-a1XHW1XnS51Lw4huEXlHT2P6LDe0wcXvHYlcjVqiig7pvnkho7B_IWrgPGNzEU/s1600/Calabashsoyinka.JPG"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhVmYocVkc1ueeXVT26EyuZ4H-V1g_1n1aCC8gTW-06wMxkSvDnfBF82FY4TYQr2UIM5X6Dzi7F98_-a1XHW1XnS51Lw4huEXlHT2P6LDe0wcXvHYlcjVqiig7pvnkho7B_IWrgPGNzEU/s320/Calabashsoyinka.JPG" alt="" id="BLOGGER_PHOTO_ID_5477854041508454034" border="0" /></a><br /><span style="font-size:78%;">Lion in Winter, Wole Soyinka...</span><br /><br />Bereft of<a href="http://caribbeanreviewofbooks.com/2010/06/01/treasure-beach-tales/"> my usual techie Calabashmates</a> who all decided to take a break this year, and staying at less than Lyric-al lodgings, I was apprehensive about how this tenth staging of Calabash would treat me. I needn't have worried, it turned out to be the best one i can remember attending in a long time. The programme was tight and well-put together and the quality of the writers more even than in previous years.<br /><br />The organizers seemed determined not to mention the turbulent times the country had just been through but of course individual authors felt no such compunction and on Friday evening Diana Macaulay read out a 'non-poem' called Open Mouths she had produced in response to the blood-letting in Tivoli.<br /><span style="font-size:78%;"></span><span style="font-style: italic;" class="fw_sanitized"><p>...<br /></p><p>on the other side of the barricades<br />well thinking Jamaicans listen to radios<br />as they do when the open mouth of a hurricane threatens<br />waiting for bulletins<br />will the storm turn away this time?<br /></p><p>the city is tense<br />the city is in lock down<br />the travel advisories are issued<br />the airport road is open for now<br />the open mouths on the verandahs are silenced by seclusion</p></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaRSRhQsN1uNBqnQS5I1ZEGL1oc-52PVWhUajWAZ2R4BJ6mGtyaxbXMTX1VSUunVQSMTbQdSMA5BZT72cc5WdghSX5kUugQeorIvAB8chPNi_EuTTl2VhRPeW0SmROn-MhTgabc0XocYg/s1600/Calabashdiana.JPG"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaRSRhQsN1uNBqnQS5I1ZEGL1oc-52PVWhUajWAZ2R4BJ6mGtyaxbXMTX1VSUunVQSMTbQdSMA5BZT72cc5WdghSX5kUugQeorIvAB8chPNi_EuTTl2VhRPeW0SmROn-MhTgabc0XocYg/s320/Calabashdiana.JPG" alt="" id="BLOGGER_PHOTO_ID_5477854035126811378" border="0" /></a><br /><span style="font-size:78%;">Diana Macaulay</span><br /><br />Banton, one of my Calabash companions this year, had actually been shot at downtown by the armed forces who saw him peeping out from the Red Stripe Brewery where Roktowa is located. He had never been to Treasure Beach he said, could he come along? He proved to be invaluable, regaling us with stories about the different, wondrously named snappers (fish) to be found at Greenwich Farm. The God Bless Snapper, so called because 'you see which part Jesus finger print one side a him' and the Dogfeet Snapper which you steam 'coz im gummy, you don't fry dat fish deh.' He also told us about a band of 'robber police' called Four the Hard Way who used to terrorize the residents of various downtown communities.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg99xMdOt_vztMmhN7-7MrHw_SHYFG3P_ZSvqZIE4PnC7Ho_Z_Z5ithuH0PRHemCcq7HJoNtVMpCLR10lH_eeVKDD5vO2Qj4bxdE9u_IwpTW1-k251NnTQG91IhLYeUAlmgtB4K8g6wC84/s1600/Calabashkim.JPG"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg99xMdOt_vztMmhN7-7MrHw_SHYFG3P_ZSvqZIE4PnC7Ho_Z_Z5ithuH0PRHemCcq7HJoNtVMpCLR10lH_eeVKDD5vO2Qj4bxdE9u_IwpTW1-k251NnTQG91IhLYeUAlmgtB4K8g6wC84/s320/Calabashkim.JPG" alt="" id="BLOGGER_PHOTO_ID_5477854038307207842" border="0" /></a><br /><span style="font-size:78%;">Liming at Jack Sprat's w Kim-Marie and Banton</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzu86YrerAr4Fu3FmzVVIpF8oblSgNoZBmK-14EaL-ksbOUrLWx8BLffCPbSkTvxUezzIe5MzO9h3sjKPfs9js4qRLYsIEHuprvefm1s7ptZMBZdtzMlMjfAv48BTsG95o_d4IwaueaMg/s1600/Calabashtrio.JPG"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzu86YrerAr4Fu3FmzVVIpF8oblSgNoZBmK-14EaL-ksbOUrLWx8BLffCPbSkTvxUezzIe5MzO9h3sjKPfs9js4qRLYsIEHuprvefm1s7ptZMBZdtzMlMjfAv48BTsG95o_d4IwaueaMg/s320/Calabashtrio.JPG" alt="" id="BLOGGER_PHOTO_ID_5477854019790829810" border="0" /></a><br /><span style="font-size:78%;">My Calabash 2010 crew</span>--<span style="font-size:78%;">Hubert Neal Jr and Banton</span>. <span style="font-size:78%;">All the photos<br />in this post, save the very first one which i took, are by Hubert Neal.</span><br /><br />Back to Calabash proper, Wole Soyinka was asked by Paul Holdengräber why he had once compared Kingston to Lagos. Had he noticed the mini-insurrection in Kingston organized to welcome him? Soyinka talked about his association with <a href="http://www.blogger.com/:%20%09http://www.yardedge.net/drama/the-area-youth-foundation-transforming-lives">Sheila Graham's Area Youth Foundation</a> among other things and the arbitrary mapping of Africa by Europeans saying sardonically "What white people have put together let no black man put asunder." <div><br /></div><div>He recited several poems including "Your logic frightens me, Mandela" a few excerpts from which i present below.<br /><br /><span style="font-style: italic;">"...Not for you the olive branch that sprouts</span><br /><span style="font-style: italic;">Gun muzzles, barbed-wire garlands, tangled thorns</span><br /><span style="font-style: italic;">To wreathe the brows of black, unwilling Christs. </span><br /><br /><span style="font-style: italic;">"Your patience grows inhuman, Mandela.</span><br /><span style="font-style: italic;">Do you grow food? Do you make friends</span><br /><span style="font-style: italic;">Of mice and lizards? Measure the growth of grass</span><br /><span style="font-style: italic;">For time’s unhurried pace?</span><br /><span style="font-style: italic;">Are you now the crossword puzzle expert?</span><br /><span style="font-style: italic;">Chess? Ah, no! Subversion lurks among</span><br /><span style="font-style: italic;">Chess pieces. Structured clash of black and white,</span><br /><span style="font-style: italic;">Equal ranged and paced? An equal board? No!</span><br /><span style="font-style: italic;">Not on Robben Island. Checkers? Bad to worse.</span><br /><span style="font-style: italic;">That game has no respect for class or king-serf</span><br /><span style="font-style: italic;">Ordered universe. So, scrabble?</span><br /><br /><span style="font-style: italic;">"Tell me Mandela,</span><br /><span style="font-style: italic;">That guard, is he your prisoner?"</span><br /><br />Soyinka also talked about the 'Ogun element' saying he didn't believe in 'good' and 'evil' beings; everyone has a bit of the Ogun element in them; Ogun is a protagonist who uses violence when necessary. Soyinka was a closet glutton for peace he said, but not a pacifist.<br /><br />Lean and elegant, with his white mane and sonorous voice, Wole Soyinka was probably the highlight of Calabash 2010.<br /><br />Another highlight was the reading from <span style="font-style: italic;">The Last Enchantment</span> by Neville Dawes, father of Kwame Dawes the Programme Director of Calabash. Winston “Bello” Black launched the reading by gesturing towards the recent warfare in the country when he said, "We are in a new Jamaica where there are no born JLPs or born PNPs, we are all born Jamaicans." Leonie Forbes followed with a sparkling reading, her acting abilities allowing her to inhabit the various voices with aplomb. Minister of Agriculture Christopher Tufton started his segment by saying that on behalf of himself and "Peter Bunting, the only other parliamentarian brave enough to be here today: We promise to do better." Bunting is the General Secretary of the Opposition Party. Surprisingly Tufton was also very good at animating the voice of Anansi and the entire reading was quite memorable.<br /><br />Regrettably I missed many of the poets; poet Sudeep Sen, who was flown in from Delhi, was nervous about following in the wake of the hugely popular Billy Collins but held his own, with his <a href="http://caribbeanreviewofbooks.com/2010/06/01/treasure-beach-tales/">"brand of simplicity and unfussy, musical words"</a> to quote William Abbott.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqz4Bd7jSegJvz5X0diDyT2pPusYSo6dWv0USXru4BPcoOoBvEH_w-K3wzH0OfpWclWXsQbZ9ugVnpVFVmb-OhOSNZ_fyucAAIiBgXGeTd6oxT-V9sq2h4FDxN6PlhJ-0e8sGOiNFGvw8/s1600/Calabashsudeep.JPG"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqz4Bd7jSegJvz5X0diDyT2pPusYSo6dWv0USXru4BPcoOoBvEH_w-K3wzH0OfpWclWXsQbZ9ugVnpVFVmb-OhOSNZ_fyucAAIiBgXGeTd6oxT-V9sq2h4FDxN6PlhJ-0e8sGOiNFGvw8/s320/Calabashsudeep.JPG" alt="" id="BLOGGER_PHOTO_ID_5477854027222431794" border="0" /></a><br /><span style="font-size:78%;">Sudeep Sen and moi</span><br /><span style="font-size:100%;"><br /><span style="font-size:100%;">Alas, I also missed the live performance by Freddie McGregor and Etanna the first night, as well as Russell Banks and </span></span><span style="font-size:100%;">Sharon Olds' readings which i heard were excellent. I did however manage to catch the huge non-clash between Colin Channer and Mutabaruka on Saturday night, a musical healing that truly rubbed the pain of the previous week away. It was astonishing how many of the songs both Muta</span><span style="font-size:100%;"><span style="font-size:100%;"><span style="font-size:100%;"> and Colin played really 'spoke' to the bloodletting in Kingston of the week before.<br /><br />The closing performance/reinterpretion by the Calabash Musical Ensemble (Wayne Armond, Seretse Small, Stevie Golding and others) of Marley's album Uprising released thirty years ago was also exceptional, with the words to songs like 'We no know how we and dem ago work it out' this out or 'WE...CAN MAKE IT WORK' seeming eerily of the moment.<br /><br />Calabash 2010 rocked, it really did. This literary festival provides a neat model for similar ventures that could showcase the best that Jamaica has to offer. Congratulations are due to Colin Channer, Justine Henzell and Kwame Dawes. May a thousand Calabashes bloom.</span><br /><br /></span><br /></span></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com5tag:blogger.com,1999:blog-3953848556540874315.post-70550257339821710952010-05-27T05:03:00.001-07:002010-05-27T07:14:23.054-07:00The Don of a New Era Part 2: The Gideon continues<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbc6C9Zsy4nRSJi66PAMHIh8PeW9UTrIxF7gGAdDgFaD89HAo7O3nG8XaODIN_FIpI3GD7chcTAbHDdKONhxlXSZuqktpfLSthlCBgvJ9nKiNhj4vlx1wWI9pOuTCSCE-2JYIoEf9TvkQ/s1600/dudus-jamaica-barbados-support.jpg"><img style="cursor: pointer; width: 250px; height: 285px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbc6C9Zsy4nRSJi66PAMHIh8PeW9UTrIxF7gGAdDgFaD89HAo7O3nG8XaODIN_FIpI3GD7chcTAbHDdKONhxlXSZuqktpfLSthlCBgvJ9nKiNhj4vlx1wWI9pOuTCSCE-2JYIoEf9TvkQ/s320/dudus-jamaica-barbados-support.jpg" alt="" id="BLOGGER_PHOTO_ID_5475919518175788882" border="0" /></a><br /><span style="font-size:78%;">Sign in Barbados</span><br /><br />Well, the Gideon (local slang for Armageddon) continues. Last night it seemed as if things in Kingston had simmered down but this morning i checked into Twitter to hear that the armed forces were lobbing grenades and perhaps bombs at a house in E. Kirkland Heights, a very upscale neighbourhood in Red Hills, Kingston. <span style="font-style: italic;">“The template of violence in jamaica has changed ova d las week. Its now an insurgency with all the relevant weaponry”</span> tweeted one of the people i follow. <span style="font-style: italic;">“I wanna see the police deny this one. Grenades an bombs are the new weapon of choice for the state now.”</span><br /><br />No idea whether the Police suspect that Dudus is holed up in there or some other Don. Things unravelled very quickly. On May 17th Prime Minister Bruce Golding addressed the nation saying apologetically that he was finally giving the go-ahead for the signing of the papers to extradite Dudus to the US, something he had resisted for 9 months. To many of us it was clear that the US had made him an offer he couldn’t refuse; pressure from the local media, business and other interest groups had also mounted in the weeks leading up to this astonishing about-face.<br /><br />As i said before Dudus’ lawyer Tom Tavares-Finson was furious. He would take the matter to court the next day he said but the following day we heard that he had removed himself from the team representing Dudus due to conflict of interest issues; issues however that had always existed. <span style="font-style: italic;">All I can say is, do not use this as an excuse to slaughter innocents in Tivoli</span>, an angry Finson was heard saying in interview after interview on radio and tv. His words would prove prophetic.<br /><br />The day after Golding’s speech it was announced that a warrant had been issued for Dudus’s arrest. That would have been on May 18th. The rest of the week was tense with everyone expecting the Police and Army to invade Tivoli at any minute but the armed forces seemed unusually tolerant, waiting patiently for Dudus to turn himself in. Actually they were waiting till the weekend of the 21st, a long weekend with the 24th being a holiday in Jamaica--Labour Day--to make their move.<br /><br />On the 23rd a number of colleagues and i were at the airport waiting to catch a flight to Barbados to attend the Caribbean Studies’ Association's 35th annual conference presciently titled “The Everyday Occurrence of Violence in the Cultural Life of the Caribbean” when i saw a tweet saying that shots were being fired in the vicinity of Tivoli. <span style="font-style: italic;">It’s going down</span> i said to one of my colleagues, a leading Jamaican criminologist,<span style="font-style: italic;"> the war is beginning</span>.<br /><br />I wouldn’t say so he said calmly, assuring us that his information was that Dudus was willing to turn himself in to the US authorities and was expected to do so any minute now. Well, that turned out to be misinformation of the highest quality. By the time we reached Barbados we heard that a state of emergency had been imposed and I’ve literally been glued to Twitter and online media ever since.<br /><br />In fact I’m happy to report that my tweets were actually picked up by the New York Times blog The Lede in an article called <a href="http://thelede.blogs.nytimes.com/2010/05/25/following-jamaicas-state-of-emergency-online/">Following Jamaica’s State of Emergency Online</a>. Channel 4 in London contacted me to see if i could write a piece for them on Dudus which i did. My comments appeared in their story <a href="http://www.channel4.com/news/articles/world/americas/jamaica%20death%20toll%20rises%20as%20unrest%20continues/3660512">Jamaica death toll rises as unrest continues. </a><br /><br />Here is an excerpt from it:<br /><br /><span style="font-style: italic;">Dudus has been an extraordinary provider for the </span><a style="font-style: italic;" href="http://www.channel4.com/news/articles/world/americas/jamaica+unrest+grows+amid+aposdrug+lordapos+battle/3659287"><span style="color: rgb(0, 133, 230); text-decoration: underline;">inhabitants of Tivoli</span></a><span style="font-style: italic;">.</span><br /><br /><span style="font-style: italic;">What makes him exceptional is that he has also managed to forge coalitions between gangs across party lines and across the country when needed because of the respect he commands. His reach extends beyond his immediate community across all kinds of borders and is a testament to his abilities as an astute leader.</span><br /><br /><span style="font-style: italic;">Had he been legit and able to run for election he would have probably created a modern, efficient Jamaica the likes of which have yet to be seen, but of course one where personal freedoms may have been more circumscribed than they are today.</span><br /><br /><span style="font-style: italic;">The problem is his links to the underworld do not permit the state to continue the tacit alliance with him and others like him that have persisted to this day.</span><br /><br /><span style="font-style: italic;">The question is how do you take the milk out of the coffee once the two have been mixed. That is the predicament Jamaica finds itself in.</span><br /><br />Meanwhile the Gideon continues and while many of us would like to comfort ourselves by thinking that this is a necessary bloodletting, a purge of the criminal elements in society, the truth is otherwise. Discriminating between criminals and law-abiding citizens is not as easy as we think particularly for the Police force, members of which are known to wield their ‘license to kill’ with wanton disregard. i received a heartbreaking message from a friend about the execution of a young man she personally knew, by the police, a story which was reported in the media under the headline “<a href="http://www.jamaicaobserver.com/latestnews/Cops-kill-three-men-in-Back-Bush">Cops kill three men in Back Bush</a>.”<br /><br />One of the men was well-known to my friend and no criminal. Here is part of the heartbreaking message i received from her this morning:<br /><br /><span style="font-style: italic;">"Picked up one of my neighbours on the road only to hear that Ian Gordon, a sweet young dread who ran a little "venue" in Irish Town square was killed by the police. Hard to believe he would be involved in anything - he would always ask me if I had dominos, or other games, that I could give him because he liked to have lots of games for people coming to his place. On Sundays I would sometimes take him down to town and he always said he was going to visit his 2 daughters. He had a lovely girlfriend, also a dread, and it was a joke in Irish Town how they were always together. Anyway I'm sure this Observer story of how he died is accurate, and this is probably happening to young men all over Kingston. Very depressing. "</span><br /><br />It turns out also that the early morning raid on Red Hills i mentioned earlier was in pursuit of Dudus who was believed to be holed up in a house there. In the process of flushing him out the armed forces have killed another innocent man, Keith Clarke, the brother of former minister Claude Clarke, who lived nearby, by mistake.<br /><br /><span style="text-decoration: underline;">Mr. Seaga, former Prime Minister is also concerned about the safety of the residents of Tivoli Gardens, his former constituents </span>and has <a href="http://www.jamaica-gleaner.com/gleaner/20100527/lead/lead1.html">broken his silence</a>. I conducted an interview with him in January this year in which i asked him about his relationship with Dudus and the fact that he had once placed him at the top of a list of wanted men that he provided the Police with in 1994. I'll post relevant portions of the interview later.<br /><br />Time doesn’t permit for me to write much more right now. I’m still at the conference in Barbados but will end with two lighthearted takes on what is a truly dread situation back home, (to use Jamaican parlance).<br /><br />The photo posted at the top of this blog is actually a piece of graffiti seen in Barbados on the day the armed forces went into Tivoli Gardens in pursuit of Christopher Lloyd Coke--Dudus. <a href="http://barbadosfreepress.wordpress.com/2010/05/25/barbados-roadsign-shows-support-for-jamaicas-dudus-coke/">The blog that carried it</a> said “This sign was seen today (Monday May 24 Bank Holiday) on the left-hand side of Collymore Rock Road going towards Wildey from Bridgetown.” Dudus's reach clearly extends beyond Jamaican shores.<br /><br />And of course Jamaicans being Jamaican still have a mordant sense of humour. The following dance poster was making the rounds on email and facebook.<br /><br /><a id="myphotolink" href="http://www.facebook.com/photo.php?pid=566934&id=1043277986"><img src="http://sphotos.ak.fbcdn.net/hphotos-ak-snc3/hs525.snc3/29873_1429627894378_1043277986_1271107_3121256_n.jpg" id="myphoto" height="279" width="333" /></a>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com4tag:blogger.com,1999:blog-3953848556540874315.post-14825212171107896452010-05-17T21:10:00.000-07:002010-05-17T21:42:34.726-07:00Bradygate continued...Update: Today was the most unsettling exciting day in the last decade or so. Around 3 pm started to hear rumours that 'war' was going to break out because the Prime Minister was going to announce that the extradition proceedings agaist 'Dudus' Coke were going forward. A feeling of panic began to spread and there was a stampede to get out of downtown where the rumours started circulating around 11 in the morning. By mid-afternoon everyone was on the road trying to reach a safe place. <a href="http://www.mentalspace.biz/blog.php?wh=2010-05-17+19%3A24%3A35">Top 10 ways to get home quickly proclaimed a blog...</a><br /><br />The most interesting thing was that the US Embassy sent out an announcement saying a talk it had planned to hold at the Institute of Jamaica tomorrow was being postponed. I found the title of the talk interesting. It was called <strong><span style=";font-family:";" >“Congress and the President: An Invitation to Conflict” <span style="font-weight: normal;font-family:georgia;" >and should have been delivered by one Don Baker. hmmmmmmmm. Doesn't Bruce own a bakery?</span><br /></span></strong><strong style="font-weight: normal;"><span style=";font-family:";" ><br /><span style="font-family:georgia;">At the appointed hour Bruce Golding addressed the nation looking suitably contrite and apologizing profusely. Then he announced that the Attorney General was going to sign the relevant papers so that the extradition could proceed.</span> <span style="font-family:georgia;">Dudus' lawyer, Tom Tavares-Finson was reputed to be livid with anger; he would defend his client in court he said.<br /><br /></span><span style="font-family:georgia;">More on the runnings tomorrow.</span></span></strong> Time for bed now... <strong><span style=";font-family:";" ><br /></span></strong>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com5tag:blogger.com,1999:blog-3953848556540874315.post-87476743175713454252010-05-14T08:36:00.000-07:002010-05-16T19:40:51.492-07:00Bradygate...The Don of a New Era, Part 1<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_b_RxMAvMj8q04-Nmp2vebdrAduD7gXumgcZNAbzFPwj6KzG_j4sIysWOXGg3T-rQADJpRY0dhk8-aQc9V7ZImJajlWxuj2BWzrTnbU_fgt_afjMj-gEMHpoa1kbEW_23acOAzwrbjwE/s1600/bruce-golding-jama_1637844c.jpg"><img style="cursor: pointer; width: 320px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_b_RxMAvMj8q04-Nmp2vebdrAduD7gXumgcZNAbzFPwj6KzG_j4sIysWOXGg3T-rQADJpRY0dhk8-aQc9V7ZImJajlWxuj2BWzrTnbU_fgt_afjMj-gEMHpoa1kbEW_23acOAzwrbjwE/s320/bruce-golding-jama_1637844c.jpg" alt="" id="BLOGGER_PHOTO_ID_5472062383260392178" border="0" /></a><br /><br /><div class="imageExtras" style="width: 460px;"> <span class="caption"><span style="font-size:78%;">Mr Go</span><span style="font-size:78%;">lding has now admitted to parliament that he authorised the hiring of a law firm to lobby senior US State Department officials on Mr Coke's behalf</span></span><span style="font-size:78%;"> <span class="credit">Photo: AFP/GETTY (Daily Telegraph UK)</span></span> </div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxf5w_VfDYg50W0HSKOFgzhYRhO2hkVQok8iWO8lrgiB8xlZ5xFJVq8zSL3h6Pmn9tSE6H7mUUSdxlwN_BNzCWWel4A8YzUF2q03GrBHCBf0Oab2HEAoD5TwkuAP4SEEiFPjk3a5r88WE/s1600/The+Two+Bruces.jpg"><img style="cursor: pointer; width: 320px; height: 233px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxf5w_VfDYg50W0HSKOFgzhYRhO2hkVQok8iWO8lrgiB8xlZ5xFJVq8zSL3h6Pmn9tSE6H7mUUSdxlwN_BNzCWWel4A8YzUF2q03GrBHCBf0Oab2HEAoD5TwkuAP4SEEiFPjk3a5r88WE/s320/The+Two+Bruces.jpg" alt="" id="BLOGGER_PHOTO_ID_5472037104607476770" border="0" /></a><br /><span style="font-size:78%;">Las May, Daily Gleaner, 15 May 2010</span> <span style="font-size:78%;">(our cartoonists are world class)</span><br /><a href="http://www.jamaicaobserver.com/news/-Dudus--goes-global"><br />I feel it for Bruce Golding</a>. Who could have predicted the woes that would befall his first two years as Crime Minister, er, oh, LOL, i mean Prime Minister. I know what his wife Lorna means when she says we must read between the lines because he isn't free to disclose everything. My first reaction when i heard that <a href="http://www.telegraph.co.uk/news/worldnews/centralamericaandthecaribbean/jamaica/7730461/Jamaican-PM-accused-of-blocking-drug-lord-trial.html">he had admitted sanctioning the Manatt, Phelps 'initiative'</a> from the get-go was that someone or something had forced his hand. Only something far worse staring him in the face could have made owning up to having played fast and loose with the truth seem like the better alternative.<br /><br />And i feel it for him because this turn of events has nothing to do with him personally, or the Jamaica Labour Party for that matter. It's just the way the cookie crumbles in countries that are well on their way to being narco-democracies. I'm amazed at the amount of moral indignation being directed at the PM by members of the media. C'mon! It's not a matter of morality is it? It's a matter of how to decriminalize a country. Not easily done. The Colombians might have a tip or two and the Haitians. Forget about decriminalizing ganja or gay-ness, this is an entire country that has been hijacked by criminality. How is a government to cope?<br /><br />Granted the PM could have handled the entire matter differently from the beginning. But he was playing by the old rules like all politicians have done so far. And he's been jerked to reality by the powers-that-be. This is a power struggle. That's what we have to realize. And to win this power struggle we need the new, the young, the strong and the able...because only they know how to negotiate the new rules that are now in effect. Alas, our criminals too are world-class and internationally competitive.<br /><br />In the meantime a spurious facebook page purporting to be that of Dudus Coke is making the rounds in cyberspace. It's a no holds barred version so if you're under 15 or an Ayatollah or a member of Jamaica's Moral Majority you might want to make a hasty switch to a less profane website.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtmzM9xSiOsOtX6aVeqMVBLr_3af6XI1FaeLm10MZOfbn6rZT0WunXHpg5HjYiVRo6aU6CofyK5MdhIWJT4UP-eYW8ok615oxu81s19VqmI26p2rbqAU-UORKc4Jh0KR0ROjLvA15GOF8/s1600/Dudus+Coke+Facebook"><img style="cursor: pointer; width: 428px; height: 350px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtmzM9xSiOsOtX6aVeqMVBLr_3af6XI1FaeLm10MZOfbn6rZT0WunXHpg5HjYiVRo6aU6CofyK5MdhIWJT4UP-eYW8ok615oxu81s19VqmI26p2rbqAU-UORKc4Jh0KR0ROjLvA15GOF8/s320/Dudus+Coke+Facebook" alt="" id="BLOGGER_PHOTO_ID_5472042102483060818" border="0" /></a><br /><br />Finally, take a look at National Dish by Michael 'Flyn' Elliott below. As a painted image it pretty much captures our predicament as a society. And for a variety of innovative takes or interpretations of the state we're in you must visit the National Gallery's Young Talent V which opened today. It is an exciting show that signals the resurgence of the visual art scene here. Here is <a href="http://www.facebook.com/annie.paul?v=wall&story_fbid=111348848908358#%21/album.php?aid=57888&id=1043277986&ref=mf">a link to my photos from the opening.<br /><br /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHYVgbbxuobjFvN6yrTcFS0yBvECWRHPEPjP_eYBZWs_ILaEb-ojBeswBWCNEc_ekE3xdjDH3jfv4ytRTC3hqioa_yXm4dCPynQoG4vqsPMRcKIVQ0smFHgw-SWM4ai8wD3pbMc3JOsG0/s1600/+National+Dish.JPG"><img style="cursor: pointer; width: 320px; height: 245px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHYVgbbxuobjFvN6yrTcFS0yBvECWRHPEPjP_eYBZWs_ILaEb-ojBeswBWCNEc_ekE3xdjDH3jfv4ytRTC3hqioa_yXm4dCPynQoG4vqsPMRcKIVQ0smFHgw-SWM4ai8wD3pbMc3JOsG0/s320/+National+Dish.JPG" alt="" id="BLOGGER_PHOTO_ID_5472037116491553170" border="0" /></a><br /><span style="font-size:78%;">National Dish by Michael 'Flyn' Elliott</span>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com7tag:blogger.com,1999:blog-3953848556540874315.post-63461683873329901452010-04-27T06:53:00.000-07:002010-04-29T19:16:29.875-07:00MY Dad, IIMA and CK Prahalad<p style="margin: 0px; font: 12px Helvetica;"><span class="Apple-style-span" style=";font-family:Georgia,serif;font-size:16px;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO-VMqVMcB2J-U7f4Geiqm9JbAD7plGcXcoQGK4wuPkO3HxX41j22XFuH6gHgTHeb-a8AWcoJ99GaTy4CXQbGtBFbICjQLMEfdosY61IZPTN4czMhe3187K8OzOfWGuD2FvFyZVR5zR2A/s1600/IMG_0420.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO-VMqVMcB2J-U7f4Geiqm9JbAD7plGcXcoQGK4wuPkO3HxX41j22XFuH6gHgTHeb-a8AWcoJ99GaTy4CXQbGtBFbICjQLMEfdosY61IZPTN4czMhe3187K8OzOfWGuD2FvFyZVR5zR2A/s320/IMG_0420.jpg" alt="" id="BLOGGER_PHOTO_ID_5464816056055290818" style="cursor: pointer; width: 240px; height: 320px;" border="0" /></a></span></p><p style="margin: 0px; font: 12px Helvetica;"><span class="Apple-style-span" style="font-family:Georgia,serif;"><span class="Apple-style-span" style="font-size:x-small;">The parents trying to beat their rivals, the rat bats, </span></span></p><p style="margin: 0px; font: 12px Helvetica;"><span class="Apple-style-span" style="font-family:Georgia,serif;"><span class="Apple-style-span" style="font-size:x-small;">to the fruit of this chikoo or naseberry tree.</span></span></p><p style="margin: 0px; font: 12px Helvetica;"><br /></p><p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">The parents were just here on a visit. This was probably their ninth or tenth time here and they spent two and a half weeks during which my Dad celebrated his 80th birthday. It’s quite amazing having your parents depend on you for a change, however briefly. Well, of course, assuming that you aren’t normally one of their main sources of support. One of my friends, all of 25 years old, is putting his Mom through university. Seriously. Not for nothing is he known as Biggy.</span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">My parents, on the contrary, like most Indian parents, want to look after us from the cradle to the grave, if possible. Try telling them that you CAN cross a road alone by now or that you figured out how to use the toilet without their help some decades ago. They just won’t buy it, they’re still in instructional mode. Do this, don’t do that, if you do this remember that etc...What is your cholesterol level, they demand and your bank balance. I mean one can’t complain especially if they’re given to enhancing the latter from time to time.</span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">At the age of 80 my father is moving like a 60-yr old. Resident in Bangalore he was in Turkey the week before leaving for Jamaica and in Manila the month before--on work, no less. In fact the parents arrived bearing Turkish Baklava among other things, a delightful way to gain weight, if you must. </span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><br /></p><p style="margin: 0px; font: 12px Helvetica; min-height: 14px;">Unfortunately for them it wasn’t just my son and me who were delighted to receive the parents; a flotilla of mosquitoes also arrived to meet and greet them, extending their visit to the duration of their stay. Even the heat waved at my parents though on my father’s birthday, April 11, the drought finally broke. Everything is now satisfactorily green and the water shortage has briefly abated.</p><span class="Apple-style-span" style=";font-family:Helvetica,serif;font-size:85%;"><span class="Apple-style-span"><span style="font-family:arial;"></span> </span></span><div><br /></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB6rWcbpWO1H5wEurjL0EHjhJCgZTM2jR2d4Y12jyDVbJCGQgk8ZYLQBfa0kvMTi0bTDE-zOC10CftxtAEp_uR_zvntUW-XKb-nEFZvQEiwIedhoZztqNe1i5DqROOvKfOTTlVgihZ2j8/s1600/treeoflife1.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB6rWcbpWO1H5wEurjL0EHjhJCgZTM2jR2d4Y12jyDVbJCGQgk8ZYLQBfa0kvMTi0bTDE-zOC10CftxtAEp_uR_zvntUW-XKb-nEFZvQEiwIedhoZztqNe1i5DqROOvKfOTTlVgihZ2j8/s320/treeoflife1.jpg" alt="" id="BLOGGER_PHOTO_ID_5464815556403845698" style="cursor: pointer; width: 320px; height: 240px;" border="0" /></a></div><div><br /></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOYwhS7_Pt67GdZOIclhG21c4ccHa61YnF9rE2f2B1QZw-WF6Jfrhqm79V0YdnL9lHlwaTwD2xCJ7TBbmeZSn7wiR4TULeEsmsWNYr7-EZGCd3LNaDWC9qzEVu_hw_YrA1njB3tF3xDbc/s1600/treeoflife3.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOYwhS7_Pt67GdZOIclhG21c4ccHa61YnF9rE2f2B1QZw-WF6Jfrhqm79V0YdnL9lHlwaTwD2xCJ7TBbmeZSn7wiR4TULeEsmsWNYr7-EZGCd3LNaDWC9qzEVu_hw_YrA1njB3tF3xDbc/s320/treeoflife3.jpg" alt="" id="BLOGGER_PHOTO_ID_5464815563991380098" style="cursor: pointer; width: 320px; height: 240px;" border="0" /></a></div><div><br /></div><div><p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">One of the things i had asked my parents to bring me from their home in Bangalore was a beautiful rosewood plaque my Dad was given by the Indian Institute of Management, Ahmedabad (IIMA) (see above), when he retired from there in 1984. The plaque is a replica in silver and rosewood of the stunning Siddi Saiyad Jaali, one of the screen windows at the Siddi Saiyad mosque in the centre of the old city. The arched, semicircular window portrays a beautiful Peepal tree with curving, sinuous, intertwined branches, intricately carved out of yellow stone to give the effect of filigree. There is also a palm tree in the centre. It is a stunning example of sixteenth-century stone tracery decorating a mosque built in 1573 by a Siddi General. The Siddis are Africans who have been living in India for centuries. More on them in a future post.<br /></span></p><p style="margin: 0px; font: 12px Helvetica;"><br /></p><div><span class="Apple-style-span" style=";font-family:Helvetica,serif;font-size:100%;"><span class="Apple-style-span" style="font-size:12px;"><span class="Apple-style-span" style=";font-family:Georgia,serif;font-size:16px;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL1EpavRhT1_TmIveeQ4qHVYkJbWQev4eaeW2BoKAmnRebQZ_iU3wzrfEmvPKMdSDXSu839PueOgN-uIL854v1eqPRO2AJCkraDFff9fjYWqLyF3GrvVGm_i2OSBN_GxAKhyphenhyphen3f4VZPVnk/s1600/SidiSaiyadwindow.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL1EpavRhT1_TmIveeQ4qHVYkJbWQev4eaeW2BoKAmnRebQZ_iU3wzrfEmvPKMdSDXSu839PueOgN-uIL854v1eqPRO2AJCkraDFff9fjYWqLyF3GrvVGm_i2OSBN_GxAKhyphenhyphen3f4VZPVnk/s320/SidiSaiyadwindow.jpg" alt="" id="BLOGGER_PHOTO_ID_5464815571766470194" style="cursor: pointer; width: 320px; height: 236px;" border="0" /></a></span></span></span></div><div><br /></div><div><p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">When IIMA was set up in collaboration with the Harvard Business School in the early 60s its logo incorporated a simplified version of the Sidi Saiyad Jaali. I wish i knew who the designer was. Whoever it was I’m grateful to them for presenting me as a child with this fine exemplar of graphic design, this ingenious conversion of a centuries old emblem of vernacular visual culture into a twentieth century symbol or trademark. It signalled the best possible use of India’s iconic ancient heritage, yoking it with modern typography to produce a memorable brandmark for one of India’s most avant garde institutions. To this day the IIMA logo remains a most elegant and sophisticated trademark, an ingenious marriage of the Oriental, the Islamic and the modern.</span></p></div><div><span class="Apple-style-span" style=";font-family:Helvetica,serif;font-size:100%;"><span class="Apple-style-span" style="font-size:12px;"><br /></span></span></div></div><div><span class="Apple-style-span" style=";font-family:Helvetica,serif;font-size:12px;"></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_acTX5XvRDAVKKDqJqOzcVF6QVfRd7rQfemz3yINrayxVBtx10wjkzxnSCKZqfph-hjiIL4bRB1t56YM2XVIPwLSsL6Bnb8eZ8D6HbK1omRjGPkjLKpW-3yvi2SrhDA-hZmKbVxWwIOg/s1600/IIMlogo.jpg"><span class="Apple-tab-span" style="white-space: pre;"> </span><img style="cursor: pointer; width: 94px; height: 94px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_acTX5XvRDAVKKDqJqOzcVF6QVfRd7rQfemz3yINrayxVBtx10wjkzxnSCKZqfph-hjiIL4bRB1t56YM2XVIPwLSsL6Bnb8eZ8D6HbK1omRjGPkjLKpW-3yvi2SrhDA-hZmKbVxWwIOg/s320/IIMlogo.jpg" alt="" id="BLOGGER_PHOTO_ID_5464817794088216674" border="0" /></a></div><div><br /></div><div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZsKykpNxb_02m4dABDgaiwVlWWUu5W5nzRFLwX0lzuMpkgYFY-u5qxCIQTV-EHvWZmusAd3pyoauvwfeAwXLsDVcRvgsYsfWtHdYhW4vSq_A0wQEkzaCKNc2kG6muQW8nHqDQvdUnko/s1600/Sidi-Saiyyed-Jaali-Ahmedabad.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZsKykpNxb_02m4dABDgaiwVlWWUu5W5nzRFLwX0lzuMpkgYFY-u5qxCIQTV-EHvWZmusAd3pyoauvwfeAwXLsDVcRvgsYsfWtHdYhW4vSq_A0wQEkzaCKNc2kG6muQW8nHqDQvdUnko/s320/Sidi-Saiyyed-Jaali-Ahmedabad.jpg" alt="" id="BLOGGER_PHOTO_ID_5464815580871195666" style="cursor: pointer; width: 320px; height: 241px;" border="0" /></a></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZsKykpNxb_02m4dABDgaiwVlWWUu5W5nzRFLwX0lzuMpkgYFY-u5qxCIQTV-EHvWZmusAd3pyoauvwfeAwXLsDVcRvgsYsfWtHdYhW4vSq_A0wQEkzaCKNc2kG6muQW8nHqDQvdUnko/s1600/Sidi-Saiyyed-Jaali-Ahmedabad.jpg"></a><span class="Apple-style-span" style="line-height: 72px;font-family:sans-serif,serif;font-size:78%;"><span class="Apple-style-span">Sidi Saiyeed Mosque in Ahmedabad, India, </span><a href="http://commons.wikimedia.org/wiki/User:Nichalp" title="User:Nichalp" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none;"><span class="Apple-style-span">Nichalp</span></a><span class="Apple-style-span">, 28-Jan-2006</span></span></div></div><div><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKMy0TGLaZK8j0q6mgV4aWRwPywpb91y8TbHy-Pd8Q8WW8OZhDOYlIF7RIJ1X8Frcw8z1d9eiXDsPVb4LMbcXj1P8dlPl2CdnGH5q9x6LIXDi3M96VoMMBc7bnQdhG3JiNDE3Alb5k7w0/s1600/iima1.jpg"><img style="cursor: pointer; width: 320px; height: 141px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKMy0TGLaZK8j0q6mgV4aWRwPywpb91y8TbHy-Pd8Q8WW8OZhDOYlIF7RIJ1X8Frcw8z1d9eiXDsPVb4LMbcXj1P8dlPl2CdnGH5q9x6LIXDi3M96VoMMBc7bnQdhG3JiNDE3Alb5k7w0/s320/iima1.jpg" alt="" id="BLOGGER_PHOTO_ID_5464816046632240866" border="0" /></a><br /><span style=";font-family:arial;font-size:78%;" class="Apple-style-span">Louis Kahn designed the IIMA campus see above; note the arched </span></div><div><span style=";font-family:arial;font-size:78%;" class="Apple-style-span">windows echoing the <span class="Apple-style-span" style=" ;font-family:Georgia, serif;">numerous arches to be found in traditional Ahmedabad architecture.</span></span></div><div><br /></div><div><p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">I had the good fortune to grow up in Ahmedabad, specifically on the campus of the Louis Kahn-designed IIMA where my father worked from 1963 to 1984. “According to <a href="http://wapedia.mobi/en/The_Economist"><span style="text-decoration: underline;">the Economist</span></a>'s survey of global business schools in 2009, IIMA is considered to be the "toughest in the world to get into" as over 600 people compete for every seat.” One of its earliest graduates, Batch of ’66, was CK Prahalad whose untimely demise last week shocked management circles all over the world. Dr. Prahalad was the author of the New York Times bestseller, </span><span style="font: 85% arial; letter-spacing: 0px;"><span class="Apple-style-span">"The Fortune at the Bottom of the Pyramid: Eradicating Poverty through Profits"</span></span><span style="font: 85% arial; letter-spacing: 0px;">.</span></p> <p style="margin: 0px; font: 13px Arial; min-height: 15px;"><span style="letter-spacing: 0px;"></span><br /></p><p style="margin: 0px; font: 13px Arial; min-height: 15px;"><span class="Apple-style-span" style=";font-family:Georgia,serif;font-size:16px;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIlbFlMBMMZ66z_1lEZKnESogyGxbrpmxXajtoR99hVTZo795sjxvTsHSuylXQO66uOqFSyXjDoKBm_RckwYW9EDtRjIGWdcS20a-r0Fst5h0MBPVmAI1r9zQpKIte44RqRtGJvGjN-2c/s1600/f-CK+PRAHALAD-WEF.jpg"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIlbFlMBMMZ66z_1lEZKnESogyGxbrpmxXajtoR99hVTZo795sjxvTsHSuylXQO66uOqFSyXjDoKBm_RckwYW9EDtRjIGWdcS20a-r0Fst5h0MBPVmAI1r9zQpKIte44RqRtGJvGjN-2c/s320/f-CK+PRAHALAD-WEF.jpg" alt="" id="BLOGGER_PHOTO_ID_5465197846035852994" style="cursor: pointer; width: 320px; height: 213px;" border="0" /></a></span></p> <p style="margin: 0px; font: 12px Helvetica;"><span class="Apple-style-span" style="color: rgb(17, 140, 185);font-family:Arial,Helvetica,sans-serif;font-size:78%;">Source: <a href="http://www.the-south-asian.com/Feb%202003/Davos%202003-South%20Asian%20voice.htm" target="_blank" class="BL12" style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; text-decoration: none; font: 12px Arial,Helvetica,sans-serif; color: rgb(17, 140, 185);">http://www.the-south-asian.com/Feb%202003/Davos%202003-South%20Asian%20voice.htm</a></span></p><p style="margin: 0px; font: 12px Helvetica;"><span class="Apple-style-span" style="font-size:x-small;">Professor CK </span><span class="Apple-style-span" style="font-family:Verdana,serif;"><span class="Apple-style-span" style="font-size:x-small;">Prahalad</span></span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">As the <a href="http://www.thehindu.com/2010/04/18/stories/2010041861961400.htm">Hindu</a> put it:</span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px 0px 11px; font: 11px Verdana;"><span style="letter-spacing: 0px;"><i>Coimbatore Krishnarao Prahalad, 68, Distinguished Professor in the Ross School of Business at the University of Michigan, and a world authority on management thought, passed away on Friday in San Diego after a brief illness. He was known for his work specialising in corporate strategy focussing on top management in large, diversified, multinational corporations.</i></span></p> <p style="margin: 0px 0px 11px; font: 11px Verdana;"><span style="letter-spacing: 0px;"><i>Professor Prahalad's seminal work, alongside Gary Hamel in the 1990s, on the concept of “core competence” of companies won the McKinsey Prize and sold the maximum number of reprints in the entire 80-odd years of history of its publisher, the prestigious Harvard Business Review.</i></span></p> <p style="margin: 0px 0px 11px; font: 11px Verdana;"><span style="letter-spacing: 0px;"><i>In his paper with Hamel, he urged corporate leaders to think of diversified company as a tree: “The trunk and major limbs as core products, smaller branches as business units, leaves and fruit as end products. Nourishing and stabilising everything is the root system: core competencies.”</i></span></p> <p style="margin: 0px 0px 11px; font: 11px Verdana;"><span style="letter-spacing: 0px;"><i>He was also known widely for his interest in the “Fortune at the Bottom of the Pyramid” and his book on the subject is considered an authoritative exposition of the potential for large corporations to improve the conditions of the poor in countries such as India. They could do so, he argued, by “mobilising investment capacity [along with] the commitment of NGOs and the communities that need help.” The poor must become active, informed and involved consumers, he urged.</i></span></p> <p style="margin: 0px 0px 11px; font: 11px Verdana;"><span style="letter-spacing: 0px;"><i>Yet Professor Prahalad's illustrious career was not restricted to academe: he equally established his reputation as a corporate consultant par excellence, working with a wide cross-section of companies from the CEOs of the top 30 Fortune 200 firms to Hindustan Lever Limited and Microsoft Corporation, India.</i></span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;">Very few people know that CK was my Dad’s student and protege in those early years at IIMA. By the time he graduated CK had impressed his professors enough for them to arrange for him to proceed to Harvard to get a Ph. D in Business Administration. IIMA underwrote the expenses on condition that CK return to teach there for a minimum of five years when he obtained his doctorate. </p><p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><br /></p><p style="margin: 0px; font: 12px Helvetica; min-height: 14px;">As agreed CK came back to teach at IIMA in the mid-seventies; by then my father was director of the Institute. Soon after returning CK received an offer from University of Michigan to teach there, an offer he apparently couldn’t refuse. He left IIMA before serving the full five years of his bond, a fact the Ahmedabad newspapers made a lot of at the time, with headlines such as “IIM Professor leaves country like a thief in the night.” </p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">For years after that when i heard news of CK’s successes in the US I would relay it to my Dad but he would make a wry face and turn away. He had been sorely disappointed by CK’s premature departure from IIMA and never quite forgave him. But when i told him on the morning of April 17th after checking my twitter feed that CK had passed away in San Diego the day before he was visibly shocked and sorrowful. </span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">Although he didn’t complete his tenure at IIMA CK Prahalad did repay the money that had been spent on his Harvard education. And with his stellar career, his championing of the poor and India and the mark he left on the world CK more than repaid his debt both to IIMA and the country i think.</span></p> <p style="margin: 0px; font: 12px Helvetica; min-height: 14px;"><span style="letter-spacing: 0px;"></span><br /></p> <p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;">It was an eventful two weeks while my parents were here. The day after news of CK’s death broke came news of Shashi Tharoor’s resignation from the Indian cabinet. Again i caught it on Twitter as it happened. Tharoor may have left national politics but he will be back, trust me. ST was at St. Stephens’ College when i was at Lady Sri Ram College at Delhi University from 73-76 and he was already a personality then. He topped his batch at DU and became President of St Stephens’, then a 'men only' college. His class notes were greatly in demand and being the consummate politician he seems to be, he never turned down a request for his famous notebooks, generously turning them over to those who requested them. It was discovered much later that he had two sets of notes; one set especially prepared as a loaner for circulation and his own private notes, never circulated, with which he aced his exams. A man like that doesn’t quit in the first round, even if he suffers periodically from irrational exuberance. He will be back, whether in politics or some other arena.</span></p><p style="margin: 0px; font: 12px Helvetica;"><span style="letter-spacing: 0px;"><br /></span></p> <p style="margin: 0px; font: 11px arial; color: rgb(51, 50, 51);"><span style="font: 12px Helvetica; letter-spacing: 0px;">Finally, Twitter was abuzz last week with Arundhati Roy’s recent entry into the tweeting classes. Calling herself<span class="Apple-style-span" style="font-size:small;"> @</span></span><span style="letter-spacing: 0px;"><b><span class="Apple-style-span" style="font-size:small;">Arundhati_Roy </span></b><span class="Apple-style-span" style="font-size:85%;">the author of The God of Small Things surefootedly negotiated Twitter, charming journalists such as </span></span><span class="Apple-style-span" style="font-size:85%;">@</span><span style="font-size:85%;"><a href="http://twitter.com/KanchanGupta"><span style="text-decoration: underline;"><span class="Apple-style-span">KanchanGupta</span></span></a></span><span style="font: 85% Helvetica; letter-spacing: 0px;"><span class="Apple-style-span"> <span style="font-size:100%;">who had been cursing her only the week before.</span></span></span><span style="letter-spacing: 0px;font-size:85%;"><span class="Apple-style-span"> </span></span><span class="Apple-style-span" style="font-size:85%;"><i>@</i></span><span style="font-size:85%;"><a href="http://twitter.com/KanchanGupta"><span style="text-decoration: underline;"><span class="Apple-style-span"><i>KanchanGupta</i></span></span></a></span><span class="Apple-style-span" style="font-size:85%;"><span style="font-size:85%;"> purred @</span><span class="Apple-style-span" style="font-size:11px;"><span style="letter-spacing: 0px;"><b><span class="Apple-style-span" style="font-size:small;"><span style=";font-family:arial;font-size:85%;">Arundhati_Roy. </span><span class="Apple-style-span" style="font-weight: normal;font-size:11px;"><span class="Apple-style-span" style="font-size:85%;"><i>We must. You look like a dark liquor on the rocks kind of man...</i></span></span></span></b></span></span><br /></span></p><p style="margin: 0px; font: 11px arial; color: rgb(51, 50, 51);"><span class="Apple-style-span" style="font-size:85%;"><br /></span></p><p style="margin: 0px; font: 11px arial; color: rgb(51, 50, 51);"><span class="Apple-style-span" style="font-size:85%;">People seemed to doubt that it was really her but i didn’t need persuading, I recognized her voice immediately. <i>“</i></span><span style="letter-spacing: 0px;font-size:85%;"><span class="Apple-style-span"><i>Flags are bits of coloured cloth that governments use to first, shrink wrap people's brains and then as ceremonial shrouds to bury the dead.”</i></span></span><span style="font: 85% 'Lucida Grande'; letter-spacing: 0px;"><span class="Apple-style-span"><i> “</i></span></span><span style="letter-spacing: 0px;font-size:85%;"><span class="Apple-style-span"><i>Little events, ordinary things, smashed and reconstituted. Imbued with new meaning. Suddenly they become the bleached bones of a story.</i></span></span><span style="font: 85% 'Lucida Grande'; letter-spacing: 0px;"><span class="Apple-style-span"><i>”</i></span></span><span style="letter-spacing: 0px;font-size:85%;"><span class="Apple-style-span"> And something i profoundly agree with her on: <i>“Democracy is the biggest scam in the world.”</i> </span></span><span class="Apple-style-span" style="font-size:85%;">Last week Thursday Roy only had 75 or so followers, today its 905. Let’s see how many more she attracts by the time she really gets going.</span></p> <p style="margin: 0px; font: 11px arial;"><span class="Apple-style-span" style="font-size:85%;"><span style="letter-spacing: 0px;"></span><br /></span></p> <p style="margin: 0px; font: 11px arial; color: rgb(51, 50, 51);"><span style="letter-spacing: 0px;font-size:85%;"><span class="Apple-style-span">With the exception of Prahlad, all the principals in this blogpost are from Kerala, India’s most unique state, a state that you must look out for, the first state in the world to freely elect a communist government, a state that is maddening and inspiring all at once and where i happen to have been born and where my roots lie. It is a state like Jamaica that exports its people far and wide, while welcoming people from around the world to the self-titled splendours of God's Own Country. </span></span></p><p style="margin: 0px; font: 11px Helvetica; color: rgb(51, 50, 51);"><span class="Apple-style-span" style="font-size:100%;"><br /></span></p><p style="margin: 0px; font: 11px Helvetica; color: rgb(51, 50, 51);"><span class="Apple-style-span" style="font-size:100%;"><br /><embed allowscriptaccess="never" wmode="transparent" src="http://www.democracynow.org/images/player.swf?file=http://www.democracynow.org/show_chapter_list/3662/2&playlist=none&autostart=false&bufferlength=4&quality=high&item=0&repeat=list&streamer=lighttpd&image=http://www.democracynow.org/images/dntv.jpeg" type="application/x-shockwave-flash" width="480" height="415"></embed> </span></p><div style="font-size: 0.9em;"><br /><a href="http://vodpod.com/watch/3287388-arundhati-roy-on-obamas-wars-india-and-why-democracy-is-the-biggest-scam-in-the-world">Arundhati Roy on Obama’s Wars, India and Why Democracy Is “The Biggest Scam in the World”</a><br />- Watch more <a href="http://vodpod.com/">Videos</a> at Vodpod.</div><p style="margin: 0px; font: 11px Helvetica;"><span class="Apple-style-span" style=";font-family:Georgia,serif;font-size:130%;"><span class="Apple-style-span" style="font-size:16px;"><span class="Apple-style-span" style=";font-family:Helvetica,serif;font-size:100%;"><span class="Apple-style-span" style="font-size:11px;"><span class="Apple-style-span" style=";font-family:Georgia,serif;font-size:130%;"><span class="Apple-style-span" style="font-size:16px;"><br /></span></span></span></span></span></span><span style="letter-spacing: 0px;"></span></p></div></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com16tag:blogger.com,1999:blog-3953848556540874315.post-11435502800388935932010-04-05T06:30:00.000-07:002010-04-05T09:47:03.489-07:00The LGBT Community and Rhetorical Rastas/DJs<div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Its the last day of a long weekend which began on Thursday evening with a really special experience for me. I was invited to be part of a forum in San Francisco. For details see the poster below where i'm listed as 'Prof' Annie Paul (chuckle).</span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style=" ;font-family:Georgia, serif;"><a href="http://www.smileyvault.com/" title="No Title"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><img src="http://www.smileyvault.com/albums/userpics/10981/onion-head-smiley-00003.gif" border="0" alt="No Title" title="No Title" /></span></span></a></span></span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">The comments below the poster were borrowed from </span></span><a href="http://www.yardedge.net/"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Yardedge.net</span></span></a><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">, a great site for news on the entertainment and cultural scene in Jamaica.</span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style=" line-height: 13px; "><h1 style="margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; font-weight: bold; "><a href="http://www.yardedge.net/happening-on-the-edge-2010/reggay-forumsimulcast-between-kingston-and-san-francisco" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; color: rgb(51, 153, 17); text-decoration: none; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Reggay Forum/Simulcast Between Kingston and San Francisco</span></span></a></h1><h2 style="margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- font-style: italic; font-weight: normal; background-position: initial initial; font-size:13px;color:transparent;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><a href="http://www.yardedge.net/category/happening-on-the-edge-2010" title="View all posts in Happening on the Edge 2010" rel="category tag" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; color: rgb(51, 153, 17); text-decoration: none; ">Happening on the Edge 2010</a></span></span></h2><h2 color="transparent" style="margin-top: 0px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border- outline-width: 0px; outline-style: initial; outline- vertical-align: baseline; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- font-style: italic; font-weight: normal; "><img style="cursor:pointer; cursor:hand;width: 206px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr6EKsV9tUvpBMfmFOh5Pz9QkHSJBMgEexieZJtobpf9mAf5IeV6vClFSC_cXwLRYc_mQWcwJXWDNVTLJDwgXU9vS5Frz29zq1AficLk8Q0Ljdnl_E44PNd5AWUfzmk2jVbCJD_Ug93Lo/s320/reggayFORUM.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5456692104160240418" /></h2></span></div><div><span class="Apple-style-span" style="font-size:medium;"></span><p style="margin: 0.0px 0.0px 10.0px 0.0px; line-height: 13.0px; font: 12.0px Georgia"><span style="letter-spacing: 0.0px"><i>Here’s an interesting forum happening next week on the dancehall music/culture scene- a simulcast between gay and straight folks in the San Francisco area and Kingston.<br /><br />The forum will be addressing relevant issues including a proposal to initiate a BUYCOTT of artists, instead of BOYCOTT of artists. The “bUycott” is being put forward as a socio-politically conscious economic initiative in which LGBT-allied consumers (lesbian, gay, bisexual, transgender people) offer their business to Jamaican recording artistes, small exporters, international brands, tourist destinations, etc, with demonstrated progressive human rights attitudes and practices. The forum will explore some ideas and strategies for organizing and undertaking the LGBT-allied Jamaica bUycott. The idea is to basically to reward artists who are promoting non-violent, positive vibes.</i></span></p> <p style="margin: 0.0px 0.0px 10.0px 0.0px; line-height: 13.0px; font: 12.0px Georgia"><span style="letter-spacing: 0.0px"><i>The forum will take place at the Hall Of Culture, African-American Art & Cultural Complex in SF. Contact </i><a href="mailto:ajawowheel@gmail.com"><span style="text-decoration: underline ; letter-spacing: 0.0px color:#191aa3;"><i>ajawowheel@gmail.com</i></span></a><i> for the Kingston location information.</i></span></p> <p style="margin: 0.0px 0.0px 10.0px 0.0px; line-height: 13.0px; font: 12.0px Georgia"><span style="letter-spacing: 0.0px"><i>The forum hopes to encourage progressive dialogue and partnership between Jamaicans and people abroad as well as to raise U.S. awareness about dancehall music’s current role in Jamaican culture and society and to present the music in a broader context for the San Francisco audience</i>.</span></p><p style="margin: 0.0px 0.0px 10.0px 0.0px; line-height: 13.0px; font: 12.0px Georgia"><br /></p> <p style="margin: 0.0px 0.0px 10.0px 0.0px; line-height: 13.0px; font: 12.0px Georgia"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style=" ;font-size:16px;"><img style="cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjrfBjkGK_GmoRXmpI0NBy6fkAntw6qFOTQvqHS0z_SM2PR3KFjwUOlVN4FDLYiQpfgVbSj2wbd_kW_Qqj6FP7635qZ8ItI4MQg-RUgksJPXwGAtt1FQidsIyUr24gfXR1GGqVog0w9GE/s320/buju+meets+with+lgbt+008.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5456663133240536130" /></span></span></p><p style="margin: 0.0px 0.0px 10.0px 0.0px; line-height: 13.0px; font: 12.0px Georgia"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">So it was really cool linking with the folks in San Francisco from my living room in Kingston. I was on for the full two hours and a thorough discussion was had along the lines described by Yardedge above. One of the other participants was Andrea Shorter, the woman with locks in the top centre of the infamous photograph above. She was a bit of a tough customer but Nic Ming, a Jamaican self-styled LGBT, moderated us out of troubled waters with engaging calm and wisdom.</span></span></p><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">I made several points that evening. One that if the homophobic rhetoric in Jamaican music was really taken seriously by the people who consume it there wouldn't be a single gay person left alive in the island. On the contrary a number of very high profile individuals who occupy the highest positions in this society are homosexual, although they cannot publicly admit this. And therein lies the rub. Jamaicans really don't have a problem with homosexuals as long as they remain in the closet. And older generations of gay men and women have generally obliged.</span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Today however there are younger gay men and women who are not willing to live closeted lives. They want to be out--dressing effeminately if they choose, or not, but letting everyone know who and what they are. I made the point that a few years ago there was a local hit called Out and Bad by Elephant Man (first heard Agostinho Pinnock refer to the song in this context) which though not explicitly referencing being gay--it was a celebration of the dance scene and the latest dance at the time--the Willie Bounce--could nevertheless be read to be a defiant assertion by the very gay-appearing dancers who populate Kingston's street dances. </span></span><i><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Dance will never die/Out and bad so badly bad/It a get intensify</span></span><span class="Apple-style-span" style="font-style: normal; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">/...</span></span></span></i></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">The other thing i pointed out and i'm by no means the first to do so, is that the pressures of globalization, that is, the huge cultural changes that have taken place here and all over the world in response to the forces of economic globalization, are somehow mapped onto the body of the homosexual. He/she embodies, even personifies, the negative influences seen as penetrating society from the outside, from 'foreign'. "Keep us free from evil powers" goes a line in the Jamaican national anthem and i would argue that gays/homosexuals are seens as the emissaries of unnamed 'evil powers'.</span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">This in turn has to do with the power relations undergirding the battle for space and legitimacy by the LGBT community. LGBTs often claim that their struggle for recognition and equal rights is no different from similar struggles by other once disenfranchised groups--Black people's continuing fight against racism, women's struggles against gender discrimination, the war by the colonized against the colonial yoke, the fight for freedom from slavery and so on. But as i pointed out there is one major difference between all these groups and the LGBT lobby and that is this: the LGBT lobby has power, it has economic power, and is able not only to flex its muscles but to cause severe damage as it has shown in recent years with the ongoing targeting of so-called murder music by Jamaican DJs. The marginalized groups previously mentioned were all waging wars from below; the campaign waged by Tatchell and others is, like the US embargo against Cuba, one that is fought from a position of power. And like the Cuban embargo, i maintain, it will have limited success and the people who suffer the consequences will be the very people on whose behalf you're mobilizing. </span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">By exclusively targeting Jamaican DJs, whose constituencies are the poor and marginalized, the 'wretched of the earth', LGBTs are re-inforcing the underlying power imbalance. They are now seen as representing not merely 'evil powers' but rich and powerful evil powers. And this is the message not only from Dancehall music but from the pulpit and parliament. As Tara Atluri pointed out in a groundbreaking paper titled "When the Closet is a region: Homophobia, Heterosexism and Nationalism in the Commonwealth Caribbean" some years ago, this is not a Jamaican problem only:</span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><i><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">...From popular culture to constitutional inequity, homosexuality is dismissed, loathed and ignored by mainstream Caribbean culture. I feel that this fear of homosexuality keeps gender roles sharply intact, thereby normalizing sexism. Furthermore I feel that homophobia and heterosexism are reinforced by Caribbean nation states, based on a discriminatory nationalism that uses both religious conformity and conformity to capitalist patriarchy as a basis for inclusion. </span></span></i></div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Atluri remarked on the difficulty of finding material, research or willing interlocutors on the subject of homophobia. On the subject of dancehall music and offensive lyrics she made an interesting observation:</span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><i><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Silence and shame guard Caribbean homosexuality. Therefore, i have found few avenues upon which to form an analysis of heterosexism and homophobia in the region. Popular culture, in the form of dancehall and reggae seems to be some of the only and concrete cultural discourses in which attitudes towards homosexuality are expressed outright. While dancehall and reggae lyrics have come under fire for their crude portrayal of sexual politics, they offer an opening. They are explicit. And while they may be explicitly prejudiced, they do what respectable silences do not. They start the conversation.</span></span></i></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">I couldn't have put it more eloquently. I'm glad that I was invited to to put in my two paisa worth in that forum in San Francisco. I'm glad that discussions such as this are taking place. And I don't mean to close this conversation on an unpleasant note but the video below is extremely pertinent to the subject we've been examining in this post. It may make us want to tear our hair out but in this South African interview Sizzla clearly articulates a widespread set of attitudes in Jamaica. To combat such views nothing less than the most informed and sophisticated strategy of engagement is required. </span></span></div><div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><h1 id="article_headline" style="font-weight: 600; color: rgb(0, 0, 0); margin-top: 0px; margin-bottom: 3px; "><a href="http://www.mg.co.za/multimedia/2010-03-31-rhetorical-rasta"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:large;">Rhetorical Rasta</span></span></a></h1><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); line-height: 25px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">"Controversial reggae musician Sizzla Kalonji speaks to the Mail & Guardian about homosexuality, his music and Zimbabwe president Robert Mugabe whom he recently met while performing at his birthday celebrations in Bulawayo during his African tour."</span></span></span></div><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">(Unfortunately there was no means to embed this video in my blog so you will have to click on the link to get it.)</span></span></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com8tag:blogger.com,1999:blog-3953848556540874315.post-67230531195115938332010-03-29T06:10:00.000-07:002010-03-30T08:56:10.976-07:00Aid for Haiti: The Martha Machado Artistic Brigade and the Roktowa Haitian 'Trembling Heart' Residency<span style="font-size:85%;"><object style="font-family: georgia;" width="400" height="225"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9452360&server=vimeo.com&show_title=0&show_byline=0&show_portrait=0&color=&fullscreen=1"><embed src="http://vimeo.com/moogaloop.swf?clip_id=9452360&server=vimeo.com&show_title=0&show_byline=0&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"></embed></object></span><p style="font-family:georgia;"><span style="font-size:85%;"><span style="font-size:78%;"><a href="http://vimeo.com/9452360"><span class="Apple-style-span">HELP THY NEIGHBOR</span></a></span><span class="Apple-style-span" style="font-size:78%;"> from </span><span style="font-size:78%;"><a href="http://vimeo.com/above"><span class="Apple-style-span">ABOVE</span></a></span><span class="Apple-style-span" style="font-size:78%;"> on </span><span style="font-size:78%;"><a href="http://vimeo.com/"><span class="Apple-style-span">Vimeo</span></a></span><span class="Apple-style-span" style="font-size:78%;">. The innovative artwork directly above is by street artist Above. For </span><span style="font-size:78%;"><a href="http://arrestedmotion.com/2009/04/interview-above-street-art-arrow-mobile-stencil-word-play-releases-union-jack-arrows/"><span class="Apple-style-span">an interview with him click here.</span></a></span><span class="Apple-style-span">
<br /></span></span></p><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 12"><meta name="Originator" content="Microsoft Word 12"><link style="font-family: georgia;" rel="File-List" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"><link style="font-family: georgia;" rel="Edit-Time-Data" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_editdata.mso"><!--[if !mso]> <style> v\:* {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);} </style> <![endif]--><link style="font-family: georgia;" rel="themeData" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"><link style="font-family: georgia;" rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-JM</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> <w:splitpgbreakandparamark/> <w:dontvertaligncellwithsp/> <w:dontbreakconstrainedforcedtables/> <w:dontvertalignintxbx/> <w:word11kerningpairs/> <w:cachedcolbalance/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathpr> <m:mathfont val="Cambria Math"> <m:brkbin val="before"> <m:brkbinsub val="--"> <m:smallfrac val="off"> <m:dispdef/> <m:lmargin val="0"> <m:rmargin val="0"> <m:defjc val="centerGroup"> <m:wrapindent val="1440"> <m:intlim val="subSup"> <m:narylim val="undOvr"> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <w:lsdexception locked="false" priority="39" name="toc 1"> <w:lsdexception locked="false" priority="39" name="toc 2"> <w:lsdexception locked="false" priority="39" name="toc 3"> <w:lsdexception locked="false" priority="39" name="toc 4"> <w:lsdexception locked="false" priority="39" name="toc 5"> <w:lsdexception locked="false" priority="39" name="toc 6"> <w:lsdexception locked="false" priority="39" name="toc 7"> <w:lsdexception locked="false" priority="39" name="toc 8"> <w:lsdexception locked="false" priority="39" name="toc 9"> <w:lsdexception locked="false" priority="35" qformat="true" name="caption"> <w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <w:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <w:lsdexception locked="false" unhidewhenused="false" name="Revision"> <w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><style> <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Georgia; panose-1:2 4 5 2 5 4 5 2 3 3; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:647 0 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-noshow:yes; mso-style-priority:99; color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:purple; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} p {mso-style-noshow:yes; mso-style-priority:99; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} p.wp-caption-text, li.wp-caption-text, div.wp-caption-text {mso-style-name:wp-caption-text; mso-style-unhide:no; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:10.0pt; line-height:115%;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} </style> <![endif]--> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;font-family:georgia;"><span style="font-size:85%;"><o:p></o:p><span class="Apple-style-span"><span class="Apple-style-span">This blog is inspired by a young artist friend who keeps coming to me with half-baked ideas for a pro-Haiti Jamaican art initiative. A few days after the Haiti earthquake I received the message below from him in the form of a chat. I reproduce our brief exchange below.</span></span><span class="Apple-style-span">
<br />
<br /></span><!--[if !supportLineBreakNewLine]--><!--[endif]--></span><span style="font-size:85%;"><span class="Apple-style-span"><o:p></o:p></span></span></p> <meta equiv="Content-Type" content="text/html; charset=utf-8"> <!--[if gte mso 9]><xml> <u1:worddocument> <u1:view>Normal<u1:zoom>0<u1:trackmoves/> <u1:trackformatting/> <u1:punctuationkerning/> <u1:validateagainstschemas/> <u1:saveifxmlinvalid>false<u1:ignoremixedcontent>false<u1:alwaysshowplaceholdertext>false<u1:donotpromoteqf/> <u1:lidthemeother>EN-JM<u1:lidthemeasian>X-NONE<u1:lidthemecomplexscript>X-NONE<u1:compatibility> <u1:breakwrappedtables/> <u1:snaptogridincell/> <u1:wraptextwithpunct/> <u1:useasianbreakrules/> <u1:dontgrowautofit/> <u1:splitpgbreakandparamark/> <u1:dontvertaligncellwithsp/> <u1:dontbreakconstrainedforcedtables/> <u1:dontvertalignintxbx/> <u1:word11kerningpairs/> <u1:cachedcolbalance/> <u2:mathpr> <u2:mathfont val="Cambria Math"> <u2:brkbin val="before"> <u2:brkbinsub val="--"> <u2:smallfrac val="off"> <u2:dispdef/> <u2:lmargin val="0"> <u2:rmargin val="0"> <u2:defjc val="centerGroup"> <u2:wrapindent val="1440"> <u2:intlim val="subSup"> <u2:narylim val="undOvr"> </u2:narylim> </u2:intlim> </u2:wrapindent> </u2:defjc> </u2:rmargin> </u2:lmargin> </u2:smallfrac> </u2:brkbinsub> </u2:brkbin> </u2:mathfont> </u2:mathpr> </u1:compatibility> </u1:lidthemecomplexscript> </u1:lidthemeasian> </u1:lidthemeother> </u1:alwaysshowplaceholdertext> </u1:ignoremixedcontent> </u1:saveifxmlinvalid> </u1:zoom> </u1:view> </u1:worddocument> </xml><![endif]--><!--[if gte mso 9]><xml> <u3:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <u3:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <u3:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <u3:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <u3:lsdexception locked="false" priority="39" name="toc 1"> <u3:lsdexception locked="false" priority="39" name="toc 2"> <u3:lsdexception locked="false" priority="39" name="toc 3"> <u3:lsdexception locked="false" priority="39" name="toc 4"> <u3:lsdexception locked="false" priority="39" name="toc 5"> <u3:lsdexception locked="false" priority="39" name="toc 6"> <u3:lsdexception locked="false" priority="39" name="toc 7"> <u3:lsdexception locked="false" priority="39" name="toc 8"> <u3:lsdexception locked="false" priority="39" name="toc 9"> <u3:lsdexception locked="false" priority="35" qformat="true" name="caption"> <u3:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <u3:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <u3:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <u3:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <u3:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <u3:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <u3:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <u3:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <u3:lsdexception locked="false" unhidewhenused="false" name="Revision"> <u3:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <u3:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <u3:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <u3:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <u3:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <u3:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <u3:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <u3:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <u3:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <u3:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <u3:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <u3:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <u3:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <u3:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <u3:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <u3:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <u3:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <u3:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <u3:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <u3:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <u3:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <u3:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <u3:lsdexception locked="false" priority="37" name="Bibliography"> <u3:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:lsdexception> </u3:latentstyles> </xml><![endif]--> <p class="MsoNormal" style="line-height: normal;font-family:georgia;"> <span style="font-size:85%;"><b><span><!--[if gte mso 9]><xml> <u4:worddocument> <u4:view>Normal<u4:zoom>0<u4:trackmoves/> <u4:trackformatting/> <u4:punctuationkerning/> <u4:validateagainstschemas/> <u4:saveifxmlinvalid>false<u4:ignoremixedcontent>false<u4:alwaysshowplaceholdertext>false<u4:donotpromoteqf/> <u4:lidthemeother>EN-JM<u4:lidthemeasian>X-NONE<u4:lidthemecomplexscript>X-NONE<u4:compatibility> <u4:breakwrappedtables/> <u4:snaptogridincell/> <u4:wraptextwithpunct/> <u4:useasianbreakrules/> <u4:dontgrowautofit/> <u4:splitpgbreakandparamark/> <u4:dontvertaligncellwithsp/> <u4:dontbreakconstrainedforcedtables/> <u4:dontvertalignintxbx/> <u4:word11kerningpairs/> <u4:cachedcolbalance/> <u5:mathpr> <u5:mathfont val="Cambria Math"> <u5:brkbin val="before"> <u5:brkbinsub val="--"> <u5:smallfrac val="off"> <u5:dispdef/> <u5:lmargin val="0"> <u5:rmargin val="0"> <u5:defjc val="centerGroup"> <u5:wrapindent val="1440"> <u5:intlim val="subSup"> <u5:narylim val="undOvr"> </u5:narylim> </u5:intlim> </u5:wrapindent> </u5:defjc> </u5:rmargin> </u5:lmargin> </u5:smallfrac> </u5:brkbinsub> </u5:brkbin> </u5:mathfont> </u5:mathpr> </u4:compatibility> </u4:lidthemecomplexscript> </u4:lidthemeasian> </u4:lidthemeother> </u4:alwaysshowplaceholdertext> </u4:ignoremixedcontent> </u4:saveifxmlinvalid> </u4:zoom> </u4:view> </u4:worddocument> </xml><![endif]--><!--[if gte mso 9]><xml> <u6:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <u6:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <u6:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <u6:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <u6:lsdexception locked="false" priority="39" name="toc 1"> <u6:lsdexception locked="false" priority="39" name="toc 2"> <u6:lsdexception locked="false" priority="39" name="toc 3"> <u6:lsdexception locked="false" priority="39" name="toc 4"> <u6:lsdexception locked="false" priority="39" name="toc 5"> <u6:lsdexception locked="false" priority="39" name="toc 6"> <u6:lsdexception locked="false" priority="39" name="toc 7"> <u6:lsdexception locked="false" priority="39" name="toc 8"> <u6:lsdexception locked="false" priority="39" name="toc 9"> <u6:lsdexception locked="false" priority="35" qformat="true" name="caption"> <u6:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <u6:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <u6:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <u6:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <u6:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <u6:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <u6:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <u6:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <u6:lsdexception locked="false" unhidewhenused="false" name="Revision"> <u6:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <u6:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <u6:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <u6:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <u6:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <u6:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <u6:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <u6:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <u6:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <u6:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <u6:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <u6:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <u6:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <u6:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <u6:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <u6:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <u6:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <u6:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <u6:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <u6:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <u6:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <u6:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <u6:lsdexception locked="false" priority="37" name="Bibliography"> <u6:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:lsdexception> </u6:latentstyles> </xml><![endif]--><span class="Apple-style-span"><span class="Apple-style-span">12:45pm Jamaican artist</span></span></span></b></span><span style="font-size:85%;"><a href="http://www.facebook.com/profile.php?id=682858704"><b><span class="Apple-style-span"><span class="Apple-style-span"> </span></span></b></a></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <span class="Apple-style-span" style=";font-family:arial;font-size:85%;" ><span class="Apple-style-span"><u7:p></u7:p> </span></span><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">i had an idea that some of our artists could also do a couple of mural sized banners as art pieces which would be placed strategically in the disaster zone. This would also help to boost morale among the Haitians and send a message of Jamaica's support for them</span></span></span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;font-family:georgia;"><span class="Apple-style-span" style="font-size:85%;"><span class="Apple-style-span">
<br /></span></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><u7:p></u7:p> </span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;font-family:georgia;"><span style="font-size:85%;"><o:p><span class="Apple-style-span"><span class="Apple-style-span"> </span></span></o:p></span></p> <p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><b><span><span class="Apple-style-span"><span class="Apple-style-span">12:45pm Annie</span></span></span></b></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <span class="Apple-style-span" style=";font-family:arial;font-size:85%;" ><span class="Apple-style-span"><u7:p></u7:p> </span></span><p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">banners portraying what?</span></span></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <span class="Apple-style-span" style=";font-family:arial;font-size:85%;" ><span class="Apple-style-span"><u7:p></u7:p> </span></span><p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><b><span><span class="Apple-style-span"><span class="Apple-style-span">12:46pm Jamaican artist</span></span></span></b></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <span class="Apple-style-span" style=";font-family:arial;font-size:85%;" ><span class="Apple-style-span"><u7:p></u7:p> </span></span><p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">well as to the exact content I dont know yet, it could be something abstract, something that suggests hope, there could be text involved or a blend of ideas including sumbolism.</span></span></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="line-height: normal;font-family:georgia;"> <span style="font-size:85%;"><b><span><!--[if gte mso 9]><xml> <u8:worddocument> <u8:view>Normal<u8:zoom>0<u8:trackmoves/> <u8:trackformatting/> <u8:punctuationkerning/> <u8:validateagainstschemas/> <u8:saveifxmlinvalid>false<u8:ignoremixedcontent>false<u8:alwaysshowplaceholdertext>false<u8:donotpromoteqf/> <u8:lidthemeother>EN-JM<u8:lidthemeasian>X-NONE<u8:lidthemecomplexscript>X-NONE<u8:compatibility> <u8:breakwrappedtables/> <u8:snaptogridincell/> <u8:wraptextwithpunct/> <u8:useasianbreakrules/> <u8:dontgrowautofit/> <u8:splitpgbreakandparamark/> <u8:dontvertaligncellwithsp/> <u8:dontbreakconstrainedforcedtables/> <u8:dontvertalignintxbx/> <u8:word11kerningpairs/> <u8:cachedcolbalance/> <u9:mathpr> <u9:mathfont val="Cambria Math"> <u9:brkbin val="before"> <u9:brkbinsub val="--"> <u9:smallfrac val="off"> <u9:dispdef/> <u9:lmargin val="0"> <u9:rmargin val="0"> <u9:defjc val="centerGroup"> <u9:wrapindent val="1440"> <u9:intlim val="subSup"> <u9:narylim val="undOvr"> </u9:narylim> </u9:intlim> </u9:wrapindent> </u9:defjc> </u9:rmargin> </u9:lmargin> </u9:smallfrac> </u9:brkbinsub> </u9:brkbin> </u9:mathfont> </u9:mathpr> </u8:compatibility> </u8:lidthemecomplexscript> </u8:lidthemeasian> </u8:lidthemeother> </u8:alwaysshowplaceholdertext> </u8:ignoremixedcontent> </u8:saveifxmlinvalid> </u8:zoom> </u8:view> </u8:worddocument> </xml><![endif]--><!--[if gte mso 9]><xml> <u10:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <u10:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <u10:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <u10:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <u10:lsdexception locked="false" priority="39" name="toc 1"> <u10:lsdexception locked="false" priority="39" name="toc 2"> <u10:lsdexception locked="false" priority="39" name="toc 3"> <u10:lsdexception locked="false" priority="39" name="toc 4"> <u10:lsdexception locked="false" priority="39" name="toc 5"> <u10:lsdexception locked="false" priority="39" name="toc 6"> <u10:lsdexception locked="false" priority="39" name="toc 7"> <u10:lsdexception locked="false" priority="39" name="toc 8"> <u10:lsdexception locked="false" priority="39" name="toc 9"> <u10:lsdexception locked="false" priority="35" qformat="true" name="caption"> <u10:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <u10:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <u10:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <u10:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <u10:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <u10:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <u10:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <u10:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <u10:lsdexception locked="false" unhidewhenused="false" name="Revision"> <u10:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <u10:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <u10:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <u10:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <u10:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <u10:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <u10:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <u10:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <u10:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <u10:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <u10:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <u10:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <u10:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <u10:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <u10:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <u10:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <u10:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <u10:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <u10:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <u10:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <u10:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <u10:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <u10:lsdexception locked="false" priority="37" name="Bibliography"> <u10:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:lsdexception> </u10:latentstyles> </xml><![endif]--><span class="Apple-style-span"><span class="Apple-style-span">12:48pm Annie</span></span></span></b></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <span class="Apple-style-span" style=";font-family:arial;font-size:85%;" ><span class="Apple-style-span"><u7:p></u7:p> </span></span><p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">i don't know, sounds like a lot of effort for very little gain. The Haitians don't need symbolism right now, they need serious help. and frankly they have far superior artists there so i don't know why this would be important to them.</span></span></span><span style="font-size:85%;"><span class="Apple-style-span"><o:p></o:p></span></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">Last night the same artist approached me with a new proposal. Why don't we start a giant canvas here and send it from place to place for artists to add to. At the end the resulting masterpiece could be auctioned and the funds sent to Haiti...</span></span></span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;font-family:georgia;"><span class="Apple-style-span" style="font-size:85%;"><span class="Apple-style-span">
<br /></span></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt;font-family:georgia;"><span style="font-size:85%;"><o:p><span class="Apple-style-span"><span class="Apple-style-span"> </span></span></o:p></span></p> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">This time i could not even begin to voice my despair or skepticism, the cluelessness implicit in this vague proposal was so absolute. It's well meaning enough but how would artists be chosen? How would quality be controlled? Was there going to be a market for the product? Were there not better ways to connect with Haitians and help them? At times i find the disconnect between some visual artists here and the real world profoundly disturbing. Do such artists not follow the kinds of amazing initiatives others are undertaking on behalf of Haiti? </span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">In neighbouring Cuba for instance the reaction has been quite different. The Cubans have sent a brigade of artists to Haiti led by the world-renowned Kcho (Kcho–pronounced KAHcho) or Alexis Leyva Machado, the Cuban sculptor who soared to international stardom in the nineties when one of his works won the Kwangju Biennale. Kcho famously made the image of boats-- fleets of them, leaving the island--his virtual trademark .</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span">Now Kcho is the head of the Martha Machado Artistic Brigade whose primary aim is "to alleviate the psychological and emotional effects of natural disasters." The Brigade was started by the sculptor as a response to the ravages of Hurricane Gustav in Cuba. As </span></span><span style="font-family:georgia;"><a href="http://mediccglobal.wordpress.com/2010/03/18/love-laughter-art-in-post-quake-haiti/"><span class="Apple-style-span"><span class="Apple-style-span">Conner Gorry, a MEDICC blogger</span></span></a></span><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span"> in Haiti noted:</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p style="font-family:georgia;"><span style="font-size:85%;"><i><span><span class="Apple-style-span"><span class="Apple-style-span">Founded after a trio of hurricanes hit Cuba in 2008 causing $10 billion in damages, the Brigade features a rotating roster of painters, musicians, magicians, clowns, puppeteers, and circus performers.</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></i></span><span class="Apple-style-span" style="font-size:85%;"><span class="Apple-style-span">
<br />
<br /></span></span><span style="font-size:85%;"><i><span><span class="Apple-style-span"><span class="Apple-style-span">Fifty of these Cuban artists are now in Haiti to help heal through laughter, dance, art, and play; many are veterans of the original Brigade that visited the Cuban provinces hardest hit by the 2008 hurricanes. One of those provinces was the special municipality of Isla de Juventud (Isle of Youth), from where Kcho hails. The Brigade is named after the artist’s mother who gave shelter to family, friends, and neighbors affected by the storms. (To read further click </span></span><a href="http://mediccglobal.wordpress.com/2010/03/18/love-laughter-art-in-post-quake-haiti/"><span class="Apple-style-span"><span class="Apple-style-span">here</span></span></a><span class="Apple-style-span"><span class="Apple-style-span">.)</span></span></span></i></span></p> <p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span class="Apple-style-span" style="font-size:85%;"><span class="Apple-style-span"><img style="width: 388px; height: 290px;" alt="http://mediccglobal.files.wordpress.com/2010/03/conga-line-at-hospital-renaissance.jpg" src="http://mediccglobal.files.wordpress.com/2010/03/conga-line-at-hospital-renaissance.jpg" />
<br /></span></span><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p>Cuban magicians elicit belly laughs at the Hospital de Renaissance</span></span></span></p><p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span">And as Prensa Latina news agency reported:</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><i><span><span class="Apple-style-span"><span class="Apple-style-span">The Cuban artists arrived in Port au Prince last March 6 and on they arrival they didn’t ask about luxury hotels where to stay, only where to set up their tents, the very same they took to those sites in Cuba that had been hit by the hurricanes of 2008.
<br />
<br />The Martha Machado Brigade, made up of renowned artists, was stationed at the side of a makeshift football field, to which they already added some lights, but only for the children in the area to play at night.
<br />
<br />Its director, plastic artist Alexis Leyva (Kcho), is aware of the importance of his team in Haiti, despite some people thinking that the language could pose a barrier.
<br />
<br />“We are here out of principle. And when you do something like this, if you will do more harm than good, you don’t come,” said Kcho, who has among its projects to incorporate Haitian artists to the presentations.
<br />
<br />The renowned painter noted that the idea is to “bring over time many other artists, with the aim of giving continuity, multiply the work. Being here is like passing a school, a school for life, to grow, to become better artists, and more revolutionary.”
<br />
<br />He also stressed they are all volunteers, without asking for any money, and that their aim is to bringing people together and add more to this kind of projects for the sake of the Haitian people.
<br />
<br />The Cuban cultural delegation is made up of 71 people, including painter Ernesto Rancaño, jazz virtuoso Yasek Manzano, the group Tropazanco and popular comedians Omar Franco, Ivan Camejo, Carlos Gonzalvo (Mentepollo) and Telo.</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></i></span></p> <p class="MsoNormal" style="line-height: normal;font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">Stories such as this you won't hear on CNN though i expect the BBC to pick up on it any day now. </span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="line-height: normal; font-weight: bold;font-family:georgia;"><span style="font-size:100%;"><span class="Apple-style-span"><span class="Apple-style-span">Roktowa Haitian 'Trembling Heart' Residency Project</span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span lang="EN-US" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">Meanwhile for those on the ground here who want to do something to help neighbouring Haiti, especially in terms of an art-related project, there's the Roktowa Haitian 'Trembling Heart' Residency planned for April when several of the Grand Rue sculptors from Haiti are due to arrive here for a two-month residency at Roktowa. Melinda Brown, Roktowa's creative director, has just returned from Haiti--in fact it was she who told me about Kcho and the Cuban art brigade--and is putting in place what's needed to host the visiting Haitian artists.</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span lang="EN-US" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">The University of the West Indies has kindly provided a house for the duration of the residency. Much needed now will be furniture, food, art supplies and cash to care for the artists most of whom have been left homeless.</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span lang="EN-AU" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">The objective of the residency is to create "a visual and historic testimonial to the cataclysm and its aftermath in the form of a limited edition book."</span></span></span><span lang="EN-US" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span lang="EN-AU" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">"Bearing the mark of Sculpture--The Book--(edition of twenty) will invite artists to participate in a three week workshop to create installations, sculpture, prints from woodblocks, photography, poetry, prose and music the results will be edited into a Limited Edition (x20) Magazine (90cmx120cm approx."</span></span></span><span lang="EN-US" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span lang="EN-US" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">It is envisaged that 'Trembling Heart' will initiate a series of exchanges with Haitian artists that will lay the foundation for ongoing collaboration between artists from the two countries.</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span lang="EN-US" style="font-size:85%;"><span class="Apple-style-span"><span class="Apple-style-span">To attend fundraisers, make a donation or volunteer your services please contact :</span></span><span class="Apple-style-span"><span class="Apple-style-span"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:85%;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span">melinda@rocktower.org or
<br />
<br />kimmarie.spence@gmail.com
<br />
<br />
<br />On April 18 there will also be an Art Auction for Haiti organized by the National Gallery of Jamaica. More details on that later.</span></span><o:p></o:p></span></p> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:85%;"><o:p> </o:p></span></p> Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com3tag:blogger.com,1999:blog-3953848556540874315.post-72132282768068329752010-03-25T09:10:00.000-07:002010-03-25T11:04:57.031-07:00“All Muscle and Damage”: Dog-Heart by Diana McCaulay<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/XDogm2XEnFM&hl=en_GB&fs=1&color1=0x006699&color2=0x54abd6"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/XDogm2XEnFM&hl=en_GB&fs=1&color1=0x006699&color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>
<br /><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 12"><meta name="Originator" content="Microsoft Word 12"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"><link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"><link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-JM</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> <w:splitpgbreakandparamark/> <w:dontvertaligncellwithsp/> <w:dontbreakconstrainedforcedtables/> <w:dontvertalignintxbx/> <w:word11kerningpairs/> <w:cachedcolbalance/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathpr> <m:mathfont val="Cambria Math"> <m:brkbin val="before"> <m:brkbinsub val="--"> <m:smallfrac val="off"> <m:dispdef/> <m:lmargin val="0"> <m:rmargin val="0"> <m:defjc val="centerGroup"> <m:wrapindent val="1440"> <m:intlim val="subSup"> <m:narylim val="undOvr"> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <w:lsdexception locked="false" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <w:lsdexception locked="false" priority="39" name="toc 1"> <w:lsdexception locked="false" priority="39" name="toc 2"> <w:lsdexception locked="false" priority="39" name="toc 3"> <w:lsdexception locked="false" priority="39" name="toc 4"> <w:lsdexception locked="false" priority="39" name="toc 5"> <w:lsdexception locked="false" priority="39" name="toc 6"> <w:lsdexception locked="false" priority="39" name="toc 7"> <w:lsdexception locked="false" priority="39" name="toc 8"> <w:lsdexception locked="false" priority="39" name="toc 9"> <w:lsdexception locked="false" priority="35" qformat="true" name="caption"> <w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <w:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <w:lsdexception locked="false" unhidewhenused="false" name="Revision"> <w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><style> <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face {font-family:Times; panose-1:2 2 6 3 5 4 5 2 3 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:536881799 -2147483648 8 0 511 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times","serif"; mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-US; mso-fareast-language:EN-US;} h1 {mso-style-priority:99; mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-style-next:Normal; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; page-break-after:avoid; mso-outline-level:1; font-size:14.0pt; font-family:"Times","serif"; mso-font-kerning:0pt; mso-ansi-language:EN-US; mso-fareast-language:EN-US; font-weight:normal;} span.Heading1Char {mso-style-name:"Heading 1 Char"; mso-style-priority:99; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Heading 1"; mso-ansi-font-size:14.0pt; mso-bidi-font-size:14.0pt; font-family:"Times","serif"; mso-ascii-font-family:Times; mso-hansi-font-family:Times; mso-bidi-font-family:Times; mso-ansi-language:EN-US; mso-fareast-language:EN-US;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <h1>
<br /></h1> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Tomorrow, March 26, 2010, is the launch of Diana McCaulay's first novel Dog-Heart. I wrote the review below four years ago when i first read the book in manuscript form. Yesterday i did a short interview with Diana about the process of writing this novel; My questions and her responses are presented below the review. The book will be launched at Bookophilia, </span><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 12"><meta name="Originator" content="Microsoft Word 12"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"><link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"><link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CANNIEP%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>EN-JM</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> <w:splitpgbreakandparamark/> <w:dontvertaligncellwithsp/> <w:dontbreakconstrainedforcedtables/> <w:dontvertalignintxbx/> <w:word11kerningpairs/> <w:cachedcolbalance/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathpr> <m:mathfont val="Cambria Math"> <m:brkbin val="before"> <m:brkbinsub val="--"> <m:smallfrac val="off"> <m:dispdef/> <m:lmargin val="0"> <m:rmargin val="0"> <m:defjc val="centerGroup"> <m:wrapindent val="1440"> <m:intlim val="subSup"> <m:narylim val="undOvr"> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"> <w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"> <w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"> <w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"> <w:lsdexception locked="false" priority="39" name="toc 1"> <w:lsdexception locked="false" priority="39" name="toc 2"> <w:lsdexception locked="false" priority="39" name="toc 3"> <w:lsdexception locked="false" priority="39" name="toc 4"> <w:lsdexception locked="false" priority="39" name="toc 5"> <w:lsdexception locked="false" priority="39" name="toc 6"> <w:lsdexception locked="false" priority="39" name="toc 7"> <w:lsdexception locked="false" priority="39" name="toc 8"> <w:lsdexception locked="false" priority="39" name="toc 9"> <w:lsdexception locked="false" priority="35" qformat="true" name="caption"> <w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"> <w:lsdexception locked="false" priority="1" name="Default Paragraph Font"> <w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"> <w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"> <w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"> <w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"> <w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"> <w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"> <w:lsdexception locked="false" unhidewhenused="false" name="Revision"> <w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"> <w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"> <w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"> <w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"> <w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"> <w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"> <w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"> <w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"> <w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"> <w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"> <w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"> <w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"> <w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"> <w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"> <w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"> <w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"> <w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><style> <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman";} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style=";font-family:";font-size:85%;" lang="EN-US" >92 Hope Road,</span><span lang="EN-US"> tomorrow evening at 6.30 pm.</span></p><p class="MsoNormal">
<br /></p><p style="font-weight: bold;" class="MsoNormal"><span lang="EN-US">My Review</span></p><p class="MsoNormal"><span lang="EN-US">Kingston, April 23, 2006</span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p><p class="MsoNormal"><span lang="EN-US">Dog-Heart peels back the zinc fence concealing the liminal world of the outcasts of postcolonial development; not just for a hasty peep but for a sustained look at what most of us would prefer to forget exists. Written by an “atypical middle-class Jamaican” attempting to live her life by the Emersonian principle of leaving the world a better place “whether by a garden patch, a happy child or a redeemed social condition” this is a book that could have easily descended into missionary melodrama and bathos.</span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Instead it is a tightly plotted, muscular narrative recounted mainly through the voice of its young male protagonist--Dex—one of the ubiquitous street kids of Kingston. </span><span lang="EN-US">McCaulay</span><span lang="EN-US"> renders his patois-inflected voice vividly, deftly drawing the reader into the brutal shadows of the ghetto; you find yourself literally following Dex and his brother as they negotiate the peril-strewn path of their poverty-stricken existence.
<br /></span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">The clumsy though determined intervention of the ‘uptown browning’ into their lives is described through Dex’s eyes. Miss Sahara disapproves of almost everything—“She don’t like it that we t’ief light from public service but she don’t say how we is to pay light bill.” Miss Sahara complains that they watch too much TV and that their mother spends too much money on unnecessary things such as a new dresser from Courts instead of buying books and clothes for the children. Dex despairingly observes that “She don’t understand about respect, how people inna ghetto disrespect you if you don’t have certain t’ings.”</span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Dexter has little faith in Miss Sahara’s mission to turn them into uptown children. “She think if we learn how to read and count, learn how to behave, get expose to <i>opportunity</i>—she always a talk about <i>opportunity</i>—make uptown friend, then we will be like uptown people.” His cautious teenaged eyes take in everything, processing and assessing with impeccable ghetto logic the hostile environment he faces.
<br /></span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">One of the finest touches in this impressive debut novel is the friendship between Dex and Felix, the quadriplegic who is not only wheelchair-bound (“He look like him don’t have muscle”) but whose head needs the perpetual support of a tin can. After his initial revulsion Dex is drawn into a close relationship with the handicapped boy, making a point of protecting and looking out for him, something he himself has lacked all his life. The socially handicapped Dexter and the physically handicapped Felix thus manage to establish a useful though fleeting alliance.</span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Ever aware of his liminality Dexter inexorably morphs into the thuggish ‘Matrix’ whose overweening ambition is to join one of two warring neighbourhood gangs. Along the way we get to know Dex’s younger brother, the gentle Marlon, his baby sister Lissa and his friend, the dog-hearted Lasco innocuously named after a Jamaican brand of powdered milk. We even get to know and like Arleen, Dexter’s feckless mother, one of the less sympathetic characters in the book, who is forever beating and abusing her children.</span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Dog-Heart is an uncompromising story imaginatively told; it is a tale of the class imbalance of postcolonial societies, of how vast the gap is between those damned by the (Babylon) system and kept outside and those who reside comfortably inside. The expendability of life in the ghetto and the perpetual injustice meted out to its inhabitants by the state and so-called civil society lie at the heart of this tale of postcolonial darkness. </span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">As Dexter sadly observes:</span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal" style="margin: 6pt 0.4in 0.0001pt 0.3in; font-style: italic;"><span lang="EN-US">“This is what everybody inna ghetto know: If anybody want kill you, white man, big man, policeman, area don, gang member, schoolmate, politician, shotta anybody—they will just do it. Nobody can stop them and after, nobody will care. You can t’ink man who do murder will be arrest and put in jail and you, the person who is dead, will be in heaven a look down on them in jail with a whole heap a batty man, but that is not how it will go.”</span></p><p class="MsoNormal" style="margin: 6pt 0.4in 0.0001pt 0.3in;"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Not even such limited justice as rejoicing after death in the travails of one’s murderer is available to ghetto people. “Batty man” is colloquial Jamaican for ‘homosexual’; terms such as these require glossing else the foreign reader new to Jamaican culture unnecessarily loses a whole layer of allusion and meaning that serve to add focal depth to the narrative.
<br /></span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">Aside from that </span><span lang="EN-US">McCaulay</span><span lang="EN-US">’s sense of irony and humour delicately leavens this tale of what lies on the other side of tourist paradises such as Jamaica inviting the reader into territory you probably would have declined to enter on your own.<span style=""> </span>The novella is expertly constructed, its constituent parts neatly dovetailing into one another.</span></p><p class="MsoNormal"><span lang="EN-US">
<br /><span style=""> </span></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span lang="EN-US">McCaulay</span><span lang="EN-US">, who wrote a weekly column in the country’s leading newspaper for many years, showcases her formidable writing skills in this ambitious, heart-breaking work to excellent effect. Woven into the story are traumatic events—mob killings, kidnappings--from contemporary Jamaican life that convulsed the nation when they happened, registering as twenty-first century landmarks in the history of its world-renowned violence. For her Jamaican readers these signal additional dimensions of common belonging; the mirror </span><span lang="EN-US">McCaulay</span><span lang="EN-US"> relentlessly holds up doesn’t let anyone off the hook, least of all those who read this book without flinching.
<br /></span></p><p class="MsoNormal"><span lang="EN-US">
<br /></span></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="margin-left: 4.5in;"><span lang="EN-US"><o:p> </o:p></span></p> <p style="font-weight: bold;" class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">The Interview</span></p><p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">
<br /></span></p><p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">Kingston, March 24, 2010</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">How long did it take you to write Dog-Heart Diana? And then after that how long till it was published?<o:p></o:p> Did you ever feel like just giving up?</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">The first draft took two years to write. The submission process (sending in, rejection, rewrite, sending again) took five years up to the time I had a contract. Then another year and a half to publication. Eight and a half years in all. Yes, I felt like giving up many times. Had no faith in the work at all, at many, many points along the way. But people encouraged me – like Esther Figueroa, you, Kim Robinson, another friend in England, Celia, who has been reading my writing since we were teenagers, so somehow I kept going. I have quantities of never finished manuscripts on my computer, in boxes, in drawers and I was determined to see this one in print..</span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">You had to revise the manuscript several times. What were the kinds of changes publishers asked for?</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">The eventual publisher, Peepal Tree Press, asked for very few changes – a few language issues, a few places that editor Jeremy Poynting felt did not ring true. He was right in every case. But earlier in the process, various agents and publishers who eventually passed on it had suggested changes…some I adopted, others no. For instance, the first draft of Dog-Heart had four voices – Dexter, Sahara (the two that now survive), but also Sahara’s son Carl, and Dexter’s mother Arleen. An agent who sent me five pages of comments on the early draft suggested these were too many voices, and that I tell the story from only two points of view – Dexter and Sahara. So that’s what I did. I have many chapters of Arleen’s story and Carl’s story in my computer… who knows what I will do with those one day. Some agents didn’t like the Jamaican, felt it was too limiting, but I wasn’t prepared to compromise on that.
<br /></span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">How were you able to get into the head of an impoverished street youth? I know you had tried in the nineties, when you wrote a Gleaner column, to help one or two such youth? Is this novel inspired by those attempts? And did you have any success with the boys you tried to rescue from the street?</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">In a sense, Dog-heart was inspired by my relationship with a family of boys and their mother in the 1990s, my attempts to help, but the events and people in Dog-heart are entirely fictional – nothing in Dog-heart really happened and the people are quite different from that family. But during that period I did observe many aspects of their lives and realized how difficult their circumstances were. It was humbling – people of my class tend to dismiss people like Dexter and his mother, Arleen, as, I don’t know, wasters, wut’less, stupid. But what I saw was something different – I saw people, children, trying their best to survive situations that I was sure would have defeated me. So I started thinking about it, imagining what it would really be like. Dog-Heart also had its genesis in a writer’s workshop at Good Hope, back in 2003 – we were asked to write a short piece from the point of view of someone of a different age, class, race, background and sex – and I wrote what became chapter two of Dog-Heart. I sent it as a short story called Car Park Boy to Caribbean Writer, they published it, and I decided the seeds of a novel were in there. So I kept working on it.</span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">As for the boys I did try to help, that’s a fairly sad story, one I am not sure I am ready to talk about, because it is their story to tell too. I often wonder about what THEY thought at the time. I lost track of the family when I went to study in Seattle in 2000 – but when I came back to Jamaica in 2002, I learned from one of the boys’ teachers that the eldest boy had been killed by the police in a prison riot. And funnily enough, recently a friend encountered the youngest boy – who is now a man – and we are to get together – hasn’t happened yet.
<br /></span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">There’s a wonderfully taut scene where Dexter is bouncing a football while being taunted by his new schoolmates. How did you know how to do that? Did you play football yourself? The moment when he raises his eyes to look at the games teacher and the ball finally falls and rolls away was a masterful use of suspense I thought.</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">I did play football when I was young. My sisters tell me I was unbearably sweaty. But truthfully, I don’t really know where that scene came from, I remember the day I wrote it, and it just appeared in my head, in the very mysterious way such things happen from time to time.</span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">Also how did you come up with the character of Felix the quadriplegic boy stuck in a wheelchair who has to rest his head on a tin-can for support? Felix is a fine foil for Dexter and the growing sympathy between them is very finely developed.</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">Well, I needed a way to show aspects of Dexter’s character – that he was able to overcome opinions he held (about the “slow” children, for example) and find sympathy and empathy with someone facing greater hurdles, and I thought a boy in a wheelchair might be a good way of doing that…
<br /></span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">I particularly like the moments of collision between what I think of as ‘ghetto logic’ and ‘uptown logic’ in the way people’s lives are organized in the novel. So eg. Sarah’s presumptuous and haughty complaints about the way Dexter’s family ‘wastes’ money on a dresser, on TV or other luxuries they can’t ‘afford’ goes to the root of the class divide that governs our lives.</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">Yes, it was one of the novel’s many challenges – to write about the same events from two different points of view without becoming boring or redundant, and to try and really understand these different ways of looking at the world – Sahara’s point of view was easy for me to imagine, even to feel, of course – but Arleen and Dexter’s much harder. Writing Dog-Heart was really a search for compassion and empathy and understanding in my own heart.
<br /></span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US">Did you make any earth-shattering discoveries in the process of writing this novel?</span></p><p class="MsoNormal">
<br /><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></p> <p class="MsoNormal"><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal"><i><span style="color: rgb(31, 73, 125);" lang="EN-US">Not sure about earth-shattering, Annie! I have many reflections about the process of writing a novel, about developing characters, about the pitfalls of writing a novel with a message – as some early feedback pointed out. I struggled greatly with language – I wanted to write in Jamaican when I was in Dexter’s voice, without making the novel inaccessible to a non Jamaican speaker. I am still not totally satisfied with how that came out. I learned something about what Anthony Winkler calls “trusting the darkness…” often I would go to bed with my characters stuck in some situation, with a feeling of hopelessness about the novel, and I would make sure they were in my mind when I fell asleep, and when I woke up the next morning – answers came to me. I learned to trust that. I learned the value of readers – people who support you – it’s a mistake to let too many people read your early work. Most of all, I learned that writing a novel is a marathon, not a sprint, but with determination, patience and a fair bit of pain, it can be done.
<br /></span></i></p><p class="MsoNormal">
<br /><i><span style="color: rgb(31, 73, 125);" lang="EN-US"><o:p></o:p></span></i></p> <p class="MsoNormal"><span lang="EN-US"><o:p> </o:p></span></p> Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com7tag:blogger.com,1999:blog-3953848556540874315.post-63175938329113841382010-03-24T07:36:00.000-07:002010-03-24T08:45:59.384-07:00David Coleman Headley: The Ugly American?<span style="font-size:100%;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxjuGu4valk4T8u7THnw33fUzZ3OjI_2A1wTOifyLKVrbtkmddf1IKWGLSGiH1KtcsVQsoDcJo3IyGiZUtU5e2NjqXFJum-xk61KYMc7XDagi6VUclAkhSpGhlHWKstKGE_gMc1N79xE/s1600/FBI-David-Coleman-Headley-Tahawwur-Rana.jpg"><img style="cursor: pointer; width: 320px; height: 280px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxjuGu4valk4T8u7THnw33fUzZ3OjI_2A1wTOifyLKVrbtkmddf1IKWGLSGiH1KtcsVQsoDcJo3IyGiZUtU5e2NjqXFJum-xk61KYMc7XDagi6VUclAkhSpGhlHWKstKGE_gMc1N79xE/s320/FBI-David-Coleman-Headley-Tahawwur-Rana.jpg" alt="" id="BLOGGER_PHOTO_ID_5452214851025686530" border="0" /></a><br /></span><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><strong><div><span class="Apple-style-span" style="font-weight: normal;"><br /></span></div><div style="font-family:georgia;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span">For those interested in more information on the Indian situation vis-a-vis US terrorist </span></span></span><span class="Apple-style-span" style="font-weight: normal;">David Coleman Headley two interesting articles from the Indian media are presented below:</span></div><div><br /></div>A spy unsettles US-India ties</strong><br />By M K Bhadrakumar<br /><br />News that the United States Federal Bureau of Investigation (FBI) had reached a plea bargain with David Coleman Headley, who played a key role in the planning of the terrorist strike in Mumbai in November 2008 in which 166 people were killed, has caused an uproar in India.<br /><br />The deal enables the US government to hold back from formally producing any evidence against Headley in a court of law that might have included details of his links with US intelligence or oblige any cross-examination of Headley by the prosecution.<br /><br />Nor can the families of the 166 victims be represented by a lawyer to question Headley during his trial commencing in Chicago. Headley's links with the US intelligence will now remain classified<br /><br />information and the Pakistan nationals involved in the Mumbai attacks will get away scot-free. Furthermore, the FBI will not allow Headley's extradition to India and will restrict access so that Indian agencies cannot interrogate him regarding his links with US and Pakistani intelligence.<br /><br />In return for pleading guilty to the charges against him Headley will get lighter punishment than the death sentence <span style="text-decoration: underline;"></span> that was probably most likely.<br /><br />Headley's arrest in Chicago last October initially seemed a breakthrough in throwing light on the operations and activities of Lashkar-e-Taiba (LeT), the Pakistan-based terrorist organization, in India. But instead the Obama administration's frantic efforts to cover up the details of the case have been taken to their logical conclusion.<br /><br />The plea bargain raises explosive questions. The LeT began planning the attack on Mumbai sometime around September 2006. According to the plea bargain, Headley paid five visits to India on reconnaissance missions between 2006 and the November 2008 strike, each time returning to the US via Pakistan where he met "with various co-conspirators, including but not limited to members of LeT". </span><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span"><br /></span></span></div><div style="font-family:georgia;"><span class="Apple-style-span" style="font-size:100%;"><span class="Apple-style-span">For more click <a href="http://www.atimes.com/atimes/South_Asia/LC23Df03.html">here</a>: </span></span></div><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span"><br /></span></span></div><div style="font-family:georgia;"><span class="Apple-style-span" style="font-size:100%;"><span class="Apple-style-span">And for a more personal take on the matter by one of India's top journalists, NDTV editor Barkha Dutt, see below. Barkha was the reporter who commented live outside the Taj in Bombay while it was under siege:</span></span></div><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span"><br /></span></span></div><div style="font-weight: bold;"><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span">Chasing a Shadow</span></span></div><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span"><br /></span></span></div><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span">Barkha Dutt</span></span></div><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span"><br /></span></span></div><div><span class="Apple-style-span" style=";font-family:Arial,Helvetica,sans-serif;font-size:100%;" ><span class="Apple-style-span"><span class="Apple-style-span" style="line-height: 20px;font-family:Arial,Tahoma,Verdana;" ><p style="margin: 0px; padding: 0px 3px 5px 0px;">Now that the light-eyed Pakistani American who waged war against India and plotted the ruin of Mumbai in meticulous detail has finally pleaded guilty — we are being told that all is not lost. After the cushy deal that David Headley has cut with the Americans, it’s brutally clear that India will never get hold of the man who criss-crossed our country like some Super-Bomber, surveying targets and picking new victims. But, apparently we are still meant to be pleased that Indian investigators may eventually be able to talk to the man in some shape or form. So what if a government who demanded extradition now has to quietly contend with a reduced sentence for Headley and one that India will have no say in.</p><p style="margin: 0px; padding: 0px 3px 5px 0px;">Never mind the humiliation of our sleuths being turned back from the United States when they first arrived to question him. And forget the fact that India allowed the Federal Bureau of Investigation (FBI) to interrogate Ajmal Kasab for nine hours away from the formal constraints of court trials and the relentless gaze of the public eye. Since 26/11 claimed the lives of six Americans, the FBI felt it had an automatic entitlement to that meeting. But the murder of more than a hundred Indians in the same attack; one that left India naked and vulnerable forever, does not apparently give us the same rights in reverse. But no — we are being asked to forget all of that and be grateful for the fact that Headley may now testify in the trial via videoconference. As they sometimes say in Ronald McDonald’s land: “Gee Whiz.” What a joke.</p><p style="margin: 0px; padding: 0px 3px 5px 0px;">There can be only two explanations for this astounding double standard: hypocrisy or secrecy. For several months now questions have been raised about Headley’s curious and untold past. His differently coloured eyes (one brown, one blue) may as well have been a metaphor for a life steeped in schizophrenia. We know now of his two wives and about his American socialite mom who ran a swinging bar and his Pakistani diplomat dad who encouraged a regimented orthodoxy. But Headley’s version of East- meets-West turned out to be his stint in Pakistan working as an undercover informant for the US Drug Enforcement Administration (DEA).</p><p style="margin: 0px; padding: 0px 3px 5px 0px; font-family: georgia;">To continue reading click <a href="http://www.hindustantimes.com/Chasing-a-shadow/H1-Article1-521030.aspx">here</a>:</p></span></span></span></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com1tag:blogger.com,1999:blog-3953848556540874315.post-32233219132783875792010-03-18T19:51:00.001-07:002010-03-22T07:41:30.700-07:00Headley you win, Dudus you lose...A Tale of Two Extraditions<div><span class="Apple-style-span" style="font-size:medium;"><br /></span></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUrU5pfk9Ki2kZI4OUrUMH0RPQAEUbCQjX_x020u94Ez6KAIC6ENih30o96MEHWB0LY7U-LTKzZkP9mkk97POx7-P6agSQBSoNcSdUcvudKOHvBk6AuJdYcK1Bh4ZTugeZ-Hjw9HxE5fw/s1600-h/20100319a.jpg"><span class="Apple-style-span" style="font-size:medium;"><img style="cursor:pointer; cursor:hand;width: 320px; height: 235px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUrU5pfk9Ki2kZI4OUrUMH0RPQAEUbCQjX_x020u94Ez6KAIC6ENih30o96MEHWB0LY7U-LTKzZkP9mkk97POx7-P6agSQBSoNcSdUcvudKOHvBk6AuJdYcK1Bh4ZTugeZ-Hjw9HxE5fw/s320/20100319a.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5450691560617000002" /></span></a><span class="Apple-style-span" style="font-size:medium;"><br /></span><span class="Apple-style-span" style=" line-height: 22px; font-family:georgia, serif;"><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="font-size:medium;">Las May, The Gleaner, Mar 19, 2010</span></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="font-size:medium;">Remember what the donkey said?: the</span><span class="Apple-style-span" style="line-height: normal; color: rgb(85, 85, 85); "><span class="Apple-style-span" style="font-size:medium;"> worl nuh level</span><span class="Apple-style-span" style="font-family:Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-size:medium;">. </span><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Translation: There's no level playing field. </span></span></span></span><span class="Apple-style-span" style="font-size:medium;">While the Jamaican government is catching hell from all sides for not surrendering to the US's request to extradite Christopher 'Dudus' Coke on various charges, the most serious of which seems to be drug-running, India has practically given up on trying to extradite US citizen David Coleman Headley, who is accused of being the mastermind behind the 26/11 Mumbai attacks. Headley who has Pakistani roots is also accused of conspiring to target a Danish newspaper. He has pleaded guilty to all terror charges before a US court.</span></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="font-size:medium;">In spite of this the US refuses to extradite Headley to India. Neither will he recieve the death penalty. According to </span><a href="http://indiatoday.intoday.in/site/Story/88938/Top%20Stories/Headley+pleads+guilty+to+terror+charges;+escapes+death+penalty.html?utm_source=twitter&utm_medium=twitterfeed"><span class="Apple-style-span" style="font-size:medium;">an India Today article</span></a><span class="Apple-style-span" style="font-size:medium;">:</span></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:georgia;"></span></span></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><i><span class="Apple-style-span" style="font-size:medium;">49-year-old Headley, who faces six counts of conspiracy involving bombing public places in India, murdering and maiming persons in India and providing material support to foreign terrorist plots and LeT; and six counts of aiding and abetting the murder of US citizens in India, could have been sentenced to death if convicted.</span></i></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><i><span class="Apple-style-span" style="font-size:medium;">But his plea agreement with federal prosecutors ruled out the death penalty and extradition to India, Pakistan and<br />Denmark, provided that he cooperates with the government's terrorism investigations.</span></i></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><i><span class="Apple-style-span" style="font-size:medium;">"Headley will cooperate in foreign investigation conducted in the US," his lawyer John Theis told reporters after the hearing.</span></i></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><i><span class="Apple-style-span" style="font-size:medium;">Headley, a Chicago resident who was arrested by the FBI's joint terrorism task force on October 3 last year, told US District Judge Harry Leinenweber that he wanted to change his plea to guilty, in an apparent bid to get a lighter sentence than the maximum death penalty.</span></i></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><i><span class="Apple-style-span" style="font-size:medium;">Son of a former Pakistani diplomat and a Philadelphia socialite, Headley, who was wearing an orange jumpsuit with hands and legs shackled, admitted guilty in all 12 counts during half an hour long hearing.</span></i></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><i><span class="Apple-style-span" style="font-style: normal; "><span class="Apple-style-span" style="font-size:medium;">Meanwhile back home on the rock Police are worried that if Dudus is extradited the country's 268 gangs will unite in protest and </span><a href="http://www.jamaicaobserver.com/news/Dudus-tension_7492366"><span class="Apple-style-span" style="font-size:medium;">wage a war against 'law and order</span></a><span class="Apple-style-span" style="font-size:medium;">.'</span></span></i></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="line-height: 16px; "><span class="Apple-style-span" style="font-size:medium;">In its annual International Narcotics Control Strategy Report, the Barack Obama administration castigated Jamaica's Golding administration for not handing strongman Coke to the US as requested. As the report noted:</span></span></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style=" line-height: 16px;font-size:medium;"><span class="Apple-style-span" style=" ;font-family:arial, sans-serif;font-size:13px;"></span></span></p><p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; color: rgb(0, 0, 0); "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><i>The GOJ’s unusual handling of the August request for the extradition of a high-profile Jamaican crime lord with reported ties to the ruling JLP which currently holds a majority in Parliament, on alleged drug and firearms trafficking charges marked a dramatic change in GOJ’s previous cooperation on extradition, including a temporary suspension in the processing of all other pending requests and raises serious questions about the GOJ’s commitment to combating transnational crime.</i></span></span></p><p></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="line-height: 16px;">For more on the Dudus extradition read this <a href="http://www.stabroeknews.com/2010/regional/03/03/dudus-threat/">Stabroek News article </a>and my <a href="http://anniepaulactivevoice.blogspot.com/2009/11/between-extradition-of-dudus-and-good.html">earlier post on the subject</a>.</span></span></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "></p><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; display: block; "><span class="Apple-style-span" style="font-size:medium;">For more on Headley read </span><a href="http://www.nytimes.com/2009/11/22/us/22terror.html?_r=1&pagewanted=2"><span class="Apple-style-span" style="font-size:medium;">this New York Times article</span></a><span class="Apple-style-span" style="font-size:medium;"> and watch the following videos. Interestingly Headley was also a heroin dealer under investigation by the DEA in the nineties.</span></p><p></p></span><object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/HNzdPn6HIJU&hl=en_US&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/HNzdPn6HIJU&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object><span class="Apple-style-span" style="font-size:medium;"><br /><br /></span><object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/hO1-7VxsNto&hl=en_US&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/hO1-7VxsNto&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com9tag:blogger.com,1999:blog-3953848556540874315.post-24612270368982858052010-03-13T13:42:00.000-08:002010-03-14T12:18:38.850-07:00Trouble in Paradise: A Picture called Death?<div><a href="http://www.first-magazine.net/"> First magazine,</a> the innovative, streetwise, fashion-conscious chronicle of 'modern life in Jamaica' is back in multimedia form this time. The video below in which photographer Biggy Bigz talks about his iconic photo "A Picture called Death' is making the rounds right now and is presented below for your viewing pleasure.</div><br /><object width="400" height="225"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=10100477&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1"><embed src="http://vimeo.com/moogaloop.swf?clip_id=10100477&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"></embed></object><p><a href="http://vimeo.com/10100477">First People: Marlon 'Biggy Bigz' Reid</a> from <a href="http://vimeo.com/firstmag">First</a> on <a href="http://vimeo.com/">Vimeo</a>.</p><span class="Apple-style-span" style=" line-height: 18px; font-family:'Times New Roman', Times, serif;"><embed src="http://www.first-magazine.net/galleries/firstgalleries_linkup.swf" width="605" height="425" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; visibility: visible; "></embed></span><div><span class="Apple-style-span" style="font-family:'Times New Roman', Times, serif;"><span class="Apple-style-span" style="line-height: 12px;"><span class="Apple-style-span" style="line-height: 18px; "><span style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span class="Apple-style-span" style="font-size:x-small;">M</span></span><span class="Apple-style-span" style="font-size:x-small;">arch 24, 2008. La Roose, Port Henderson</span>. <span class="Apple-style-span" style="font-size:x-small;">Photos by Biggy Bigz.</span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Times New Roman', Times, serif;"><span class="Apple-style-span" style="line-height: 15px;"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></span></span></div><div><span class="Apple-style-span" style="line-height: 10px;"><span class="Apple-style-span" style="line-height: 10px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">The region's dysfunctionality so memorably captured in snapshot form by </span><span class="Apple-style-span" style=" line-height: normal; font-family:Georgia, serif;"><a href="http://vimeo.com/10100477"><span class="Apple-style-span" style="font-size:medium;">Marlon 'Biggy Bigz' Reid</span></a><span class="Apple-style-span" style="font-size:medium;"> </span><span class="Apple-style-span" style=" line-height: 8px; font-family:georgia, serif;"><span class="Apple-style-span" style="font-size:medium;">has caught the attention of the international media. </span><span class="Apple-style-span" style=" line-height: normal; font-family:Georgia, serif;"><span class="Apple-style-span" style="font-size:medium;">The link between organized crime and Caribbean states is suddenly coming in for close scrutiny. Perhaps the local media is too<span class="Apple-style-span" style=" ;font-size:16px;"><span class="Apple-style-span" style="font-size:medium;"> paralysed by fear to produce such hard-hitting news stories but l</span><span class="Apple-style-span" style=" line-height: 8px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">ast week the</span><span class="Apple-style-span" style=" line-height: normal; font-family:Georgia, serif;"><span class="Apple-style-span" style="line-height: 8px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"> conservative journal, </span><i><span class="Apple-style-span" style="font-size:medium;">Foreign Policy</span></i><span class="Apple-style-span" style="font-size:medium;">, carried an article on Trinidad and Tobago called </span></span><a href="http://www.foreignpolicy.com/articles/2010/03/11/trouble_in_paradise?page=0,0"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Trouble in Paradise,</span></span></a><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"> labeling it the newest narcostate in the world'. The paragraph below is excerpted from that article:'</span></span></span></span></span></span></span></span></span></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Times New Roman', Times, serif;"><span class="Apple-style-span" style="line-height: 8px;"><br /></span></span></div><div><span class="Apple-style-span" style=" color: rgb(31, 31, 31); font-style: italic; line-height: 19px; font-family:Georgia, 'Times New Roman', Times, serif;">... unfortunately, the Port of Spain government helps stoke the drug trade and the gangs. The country's annual per capita GDP has risen from about $11,000 to $18,800 in the past decade due to strong exports of natural gas and steel. Still, unemployment remains high, and to create jobs, the government spends about $400 million per year on make-work projects. The bulk of this money is ultimately funneled to gang leaders, who administer "grants" and distribute "salaries." Indeed, corruption -- always a problem in the country -- is reaching new heights. According to several security analysts, a damning unofficial stud<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-style: normal; line-height: normal; font-family:Georgia, serif;"><span class="Apple-style-span" style=" color: rgb(31, 31, 31); font-style: italic; line-height: 19px; font-family:Georgia, 'Times New Roman', Times, serif;">y carried out by the government in 2009 suggested that almost 90 percent of police officers were regularly involved in illegal activities. Those pursuits ranged from running and selling drugs, to colluding with gangs by renting out weapons to criminals, to performing extralegal killings.</span></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style="line-height: 19px; "><i><br /></i></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style="line-height: 19px;"><img style="cursor:pointer; cursor:hand;width: 320px; height: 287px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-fBbx6b9YrzgIdUO7e6W_7pBUvwZlkhxYfNC2odJ-trD1N43jGpCsioSmAopTGmsVyHVBUtS90qoDtaneotoOY8c4nvLsMzHU5lILQ9RvM28lcnFJ4p0lr6yVXOKyrb65t26ioUSBA18/s320/ed-cartoon-thur-11-marc.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5448257110306966834" /></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style="line-height: 23px; "><span class="Apple-style-span" style="font-size:x-small;">Clovis, Jamaica Observer, March 11 2010</span></span></span></div><div><span class="Apple-style-span" style="font-family:'Times New Roman', Times, serif;"><span class="Apple-style-span" style="line-height: 15px;"><span class="Apple-style-span" style=" line-height: 23px; color: rgb(31, 31, 31); font-family:Georgia, 'Times New Roman', Times, serif;"><span class="Apple-style-span" style="font-size:medium;">Meanwhile back home in Jamdown the country's recent equivocation over the extradition request from the United States regarding <span class="Apple-style-span" style="color: rgb(0, 0, 0); line-height: 16px; "><span class="Apple-style-span" style="font-family:georgia;">Christopher “Dudus” Coke has attracted the attention of the <i>Economist</i> <span class="Apple-style-span" style=" line-height: normal; font-family:Georgia, serif;">magazine<span class="Apple-style-span" style=" line-height: 13px; font-family:georgia, 'Times New Roman', Times, serif;">. In a <span class="Apple-style-span" style=" line-height: 13px; color: rgb(102, 102, 102); font-family:georgia, sans-serif;font-size:medium;"><span class="Apple-style-span" style="color:#000000;">Mar 11th 2010</span><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family:georgia, 'Times New Roman', Times, serif;font-size:13px;"> </span><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family:georgia, 'Times New Roman', Times, serif;">article titled</span><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family:georgia, 'Times New Roman', Times, serif;font-size:13px;"> <a href="http://www.economist.com/world/americas/displaystory.cfm?story_id=15663929">"</a><span class="Apple-style-span" style=" line-height: 22px; font-family:georgia, sans-serif;font-size:medium;"><a href="http://www.economist.com/world/americas/displaystory.cfm?story_id=15663929">Seeking Mr Coke" the Economist described "</a><span class="Apple-style-span" style="line-height: 17px; "><a href="http://www.economist.com/world/americas/displaystory.cfm?story_id=15663929">American anger at Jamaica’s slowness in handing over an alleged gang boss</a>":</span></span></span></span></span></span></span></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:georgia, 'Times New Roman', Times, serif;"><span class="Apple-style-span" style="line-height: 10px;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:georgia, 'Times New Roman', Times, serif;"><span class="Apple-style-span" style="line-height: 10px;"><span class="Apple-style-span" style=" line-height: normal; font-family:Verdana, sans-serif;font-size:medium;"><p style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 13px; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; line-height: 20px; "><span class="Apple-style-span" style=" font-style: italic; font-family:georgia, sans-serif;">The American authorities have become frustrated at what they see as foot-dragging by Jamaica’s government over their request last August for the extradition of a man they say is the leader of an “international criminal organisation”.</span></p><p style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 13px; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; line-height: 20px; "><span class="Apple-style-span" style="font-family:georgia;"><i>A “Gang Threat Assessment Survey” conducted by the Jamaican government last year<span class="Apple-style-span" style=" font-style: normal; line-height: normal; font-family:Verdana, sans-serif;"><span class="Apple-style-span" style=" font-style: italic; line-height: 20px; font-family:georgia, sans-serif;"> reckoned there were 268 criminal groups in Jamaica, earning cash from extortion, selling cannabis, transporting cocaine, contract killings, prostitution and international cybercrime. Many of them are merely small-time thugs. But the United States Justice Department has put Mr Coke on its “world’s most dangerous” list, accusing him of directing drug deals as far away as New York.</span></span></i></span></p><p style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 13px; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; line-height: 20px; "><span class="Apple-style-span" style="font-family:georgia;"><i>Mr Coke’s home patch is Tivoli Gardens, a tough inner-city garrison close to the waterfront. It is the core of the Kingston Western parliamentary seat, held since 2005 by the prime minister, Bruce Golding, and for 43 years before that by Eddie Seaga, his predecessor as leader of the Jamaica Labour Party (JLP).</i></span></p></span></span></span></div><div><span class="Apple-style-span" style="color:#1F1F1F;"><span class="Apple-style-span" style=" line-height: 19px;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); line-height: 20px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><i>...The State Department’s annual narcotics re<span class="Apple-style-span" style=" font-style: normal; line-height: normal; font-family:Georgia, serif;"><span class="Apple-style-span" style=" font-style: italic; line-height: 20px; font-family:georgia, serif;">port, published on March 1st, talks of a “dramatic change” from earlier co-operation on extradition. It says Mr Coke has “reported ties” to the ruling party and that the delay in extraditing him “highlights the potential depth of corruption in the government.” Although the report acknowledges that a police anti-graft squad has made progress in catching crooked policemen and officials, it says some gang bosses enjoy police and political protection.</span></span></i></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style="line-height: 8px;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style=" line-height: 19px;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); line-height: normal; font-family:Georgia, serif;"><img style="cursor:pointer; cursor:hand;width: 320px; height: 261px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLz2oqK1NNlggjthpgrb3zSDRgstSg2zRbZwufhIuJ97nCSI35GSxHnGnCslWc0I1VSibhtTaJ-3VbxI4x2JJEOk3JxI8GVm5tbRYiAczxv1O1nwSJo5PRswY4pmP4I0hLWwyC95PCZNI/s320/ed-cartoon-fri-5-mar.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5448257293041056146" /></span></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style="line-height: 19px;"><span class="Apple-style-span" style="line-height: 23px; "><span class="Apple-style-span" style="font-size:x-small;">Clovis, Jamaica Observer, March 2010</span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Georgia, 'Times New Roman', Times, serif;color:#1F1F1F;"><span class="Apple-style-span" style=" line-height: 19px;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); line-height: normal; font-family:Georgia, serif;"></span>As long as this state of affairs continues dramatic scenes like the one captured by photographer Marlon Reid at the top of this post will soon become commonplace. <a href="http://diatribalist.posterous.com/2010-international-narcotics-control-report">We seem to be slowly but surely heading in the direction of places like Cali and Medellin in Colombia</a>. How to extricate ourselves from such a fate is not at all clear. Ideas anyone?</span></span></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com7tag:blogger.com,1999:blog-3953848556540874315.post-9486482263877933472010-03-07T14:17:00.000-08:002010-03-09T07:41:43.620-08:00Let us Prey! The flight of Calder Hart from Trinidad and Tobago<span class="Apple-style-span" style="color: rgb(51, 51, 51);"><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><img style="cursor: pointer; width: 320px; height: 256px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv-rRjigHyxKIMAIKt6kOEi8METwwv-nUtJYD7BlBoZGZKilBi8j4YxzVsub8trAqLoiVOkX75G4_uL4s7WPssCwdZ-HH31N5f94HbbVw12b3tgRtINrbyxgZZZeoi5mYPIMAk00j622A/s320/cobo+carcass.jpg" alt="" id="BLOGGER_PHOTO_ID_5446056051114665634" border="0" /><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh26KFrJ3y4fs1LqnjPGobs6g6qsuXmLasRUWjBGGxVQ-j_7ZgoX5EPSDr5vpvXiuHwW8ZY0Xl3dXCZ5l6DOWPhExMC1gpe_PjPxqHZ0dXpMWmHNrhFCwaqH5iJz2mtip4KTbwgTWkIfXI/s320/cobocostume.jpg" alt="" id="BLOGGER_PHOTO_ID_5446056064037643874" border="0" /></span></div></span><br /><img style="cursor: pointer; width: 320px; height: 241px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgbdtBMPp8MR3BtOn-Oav3YqZrhmKO-trp5NOTfI79wkZaiO4wBUsVbhC2fF2_KdtG9JEPRIGtDDv_zm2j2qrp9mS-ZdsG6a9blb4jTbKM_1cEF8tYml1whxdEJTjqf-Awu-vnpGCFncI/s320/cobos.jpg" alt="" id="BLOGGER_PHOTO_ID_5446056070298175122" border="0" /><br /><span class="Apple-style-span" style="color: rgb(51, 51, 51);"><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:x-small;">Cobo Town: Cat in Bag Productions' 2010 mas presentation, designed by artists Ashraph and Shalini Seereeram. Let us prey!</span></span></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-family:Arial,Helvetica,sans-serif;"><span class="Apple-style-span" style="font-size:x-small;"><br /></span></span></span></div></span><span class="Apple-style-span" style="font-size:medium;">I'm quite fascinated by the goings on in Trinidad and Tobago over the last couple of days. <span class="Apple-style-span" style="font-family:georgia,serif;"><span class="Apple-style-span" style="line-height: 19px;"><a href="http://www.udecott.com/" style="text-decoration: none;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0);">The Urban Development Corporation of Trinidad and Tobago Limited (UDeCOTT)</span></span></a></span><span class="Apple-style-span" style="font-size:medium;"> boss Calder Hart has resigned and fled the country. </span></span>Surely this is a 9.0 magnitude political earthquake for the Manning Government. I<a href="http://globalvoicesonline.org/2010/03/07/trinidad-tobago-the-hart-of-the-matter/">'d like to see how the ruling party extricates itself from </a>what appears to be damning evidence of guilt: the sudden, hasty departure</span><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"> of one of the major players accused of corruption. "AT LAST!" blared a headline on Newsday's cover page, referring to Calder's resignation. The lead article by Andre Bagoo titled "Hart resigns"started off like this:</span></span><div><b><br /></b></div><div><span class="Apple-style-span" style="font-family:georgia;"><i><span class="Apple-style-span" style="font-size:medium;">ALMOST two years after allegations of corruption were first made against him, Calder Hart yesterday resigned as the Udecott executive chairman and as the chairman of four other state boards he had been appointed to under Prime Minister Patrick Manning’s administration.</span></i></span></div><div><i><br /></i></div><div><i><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">...</span></span><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">His resignation came after Newsday last week published a series of documents which appeared to disclose clear links between his wife, Malaysian born Sherrine Hart, and a company the Udecott board awarded $820 million in contracts to. The documents, birth and marriage certificates tying Sherrine to two men who served as directors on Sunway Construction Caribbean Limited, emerged after being obtained by the Congress of the People in the course of a six-week investigation.<br /><br />Hart’s resignation also came one day after High Court Judge Justice Mira Dean-Armorer shot down an attempt by lawyers acting on behalf of Udecott to stop the submission of the final report of the Uff Commission of Inquiry. The judge rejected Udecott’s arguments that the inquiry, which saw damning evidence of corruption and mismanagement emerge, was illegal.</span></span></i></div><div><i><br /></i></div><div><i><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="font-size:medium;">Calder Hart was no ordinary Trinidadian. The following paragraphs were taken from his </span></span></span><span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Witness Statement to the Commission of Enquiry Into the Construction Industry.</span></span></span></i></div><div><i><ol style="list-style-type: decimal;"> <li style="margin: 0px; text-align: justify; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;font-family:Arial;font-size:12px;"><span style="letter-spacing: 0px;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">My name is Calder Hart. I live at No. 6 De Lima Road, Cascade, Trinidad and Tobago. I was born in Sydney, Nova Scotia, Canada. I have lived in Trinidad and Tobago for the last 22 years and in 2004 I applied for and was granted citizenship of Trinidad & Tobago. To do so I was not required to renounce Canadian citizenship and as a consequence I am now a citizen of both Canada and Trinidad and Tobago.</span></span></span></li><li style="margin: 0px; text-align: justify; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;font-family:Arial;font-size:12px;"><span class="Apple-style-span" style="font-family:georgia,serif;"><span class="Apple-style-span" style="font-family:Arial,serif;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">As can be seen from my curriculum vitae attached below (</span></span><b><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">annexure 2</span></span></b><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">) before I first came to Trinidad and Tobago in 1986, I had acquired considerable work experience in the areas of housing (both private and public), mortgage financing, land assembly and urban development and redevelopment at both federal and provincial levels.</span></span></span></span></li></ol><div style="text-align: justify;"><span class="Apple-style-span" style="font-style: normal;"><br /></span></div></i><div><span class="Apple-style-span" style="color: rgb(51, 51, 51);"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">The news of Hart's resignation and abrupt departure from the country drew loud and raucous responses from the blogosphere. </span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51);"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51);"><span style="font-style: italic;font-family:georgia;" class="Apple-style-span" ><span class="Apple-style-span" style="font-size:medium;">"The flight of Cobo Hart: naturally my Carnival placard helped turn the tide!: </span></span><span class="Apple-style-span" style="font-family:georgia;"><a href="http://bit.ly/cmUG6m" style="color: rgb(111, 60, 27); text-decoration: none; font-style: italic;"><span class="Apple-style-span" style="font-size:medium;">http://bit.ly/cmUG6m</span></a><span class="Apple-style-span" style="font-size:medium;"><span style="font-style: italic;">"</span> Nicholas Laughlin announced on Twitter, the link leading to his blogpost excerpted below:</span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51);"><span class="Apple-style-span"><h2 class="date-header" style="margin: 1.5em 0px 0.5em; font-style: normal; font-variant: normal; font-weight: normal; font-size-adjust: none; font-stretch: normal; line-height: 1.4em; text-transform: uppercase; letter-spacing: 0.2em; color: rgb(148, 15, 4);font-family:'Trebuchet MS',Trebuchet,Arial,Verdana,sans-serif;font-size:78%;"><span class="Apple-style-span" style="font-size:medium;">SUNDAY, MARCH 07, 2010</span></h2><div class="post hentry" style="border-bottom: 1px dotted rgb(204, 204, 204); margin: 0.5em 0px 1.5em; padding-bottom: 1.5em;"><span class="Apple-style-span" style="font-size:medium;"><a name="7837409030475272720"></a></span><div class="post-header-line-1"></div><div class="post-body entry-content"><span style="color: rgb(102, 0, 0);"><span class="Apple-style-span" style="font-size:medium;">The flight of the cobo</span></span><span class="Apple-style-span" style="font-size:medium;"><br /><br /></span><span class="Apple-style-span" style="font-size:medium;"><img src="http://farm5.static.flickr.com/4046/4360461955_e78ca7bb08_d.jpg" alt="" style="border: 1px solid rgb(204, 204, 204); padding: 4px;" width="400" border="0" height="266" /><br /><i><br />My Carnival Monday placard from the band </i></span><span class="Apple-style-span" style="font-size:medium;"><i>Cobo Town</i></span><span class="Apple-style-span" style="font-size:medium;"><i>, proudly carried through the streets of Port of Spain nearly three weeks ago. The face of Calder “Cobo” Hart — head of the powerful state construction agency Udecott, widely suspected of massive financial improprieties and thought by some to be Prime Minister Patrick Manning’s bagman, subject of investigation by the Uff commission of enquiry — replaced the nati</i><span class="Apple-style-span" style="font-size:medium;"><i>onal coat of arms in the middle of a giant $100 bill. </i></span><span class="Apple-style-span" style="font-size:medium;"><a href="http://nicholaslaughlin.blogspot.com/2010/03/flight-of-cobo-my-carnival-monday.html">Read the rest of Nicholas</a>'s blog <a href="http://nicholaslaughlin.blogspot.com/2010/03/flight-of-cobo-my-carnival-monday.html">here:</a></span></span></div><div class="post-body entry-content"><br /></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;">Now the interesting thing is that i had arrived in TnT on the 20th of February just in time to be taken to the victory party of the Cobo ('corbeau' the equivalent of our John Crows) Town band (fourth place in the small band category at Trini carnival). I was transported from the airport to artist Ashraph's frame shop in one fell swoop, where the erstwhile Cobos were flinging wine and sundry spicy snacks down their beaks.</span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;"><br /><br /></span><span class="Apple-style-span" style="font-size:medium;"><a href="http://www.flickr.com/photos/georgiap/4364763759/" title="Cobo Town - Carnival Tuesday by caribbeanfreephoto, on Flickr"><img src="http://farm3.static.flickr.com/2785/4364763759_f2cd813b39.jpg" alt="Cobo Town - Carnival Tuesday" width="500" height="333" /></a></span><span class="Apple-style-span" style="font-size:medium;"><br /></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:x-small;"><span class="Apple-style-span" style="color: rgb(51, 51, 51);font-family:Georgia,serif;font-size:13px;" ><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:x-small;"> artist Ashraph Ramsaran, leading the <span style="font-style: italic;">Cobo Town</span> Band, seen above descending on Red House (House of Parliament)</span></span></span></div></span></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:x-small;"><br /></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:georgia;">One of them detached himself and introduced himself as Andre Bagoo, the author of the article quoted above and parliamentary reporter who was in the news only a few months ago. We had been following each other on Twitter and Facebook for some time but had never met in person. Bagoo is also author of the blog <a href="http://www.pleasurett.blogspot.com/">Pleasure (Art in all its forms)</a> and had been banned from Parliament in TnT last November "for the rest of the session" on grounds of 'contempt'. Coincidentally, as a Trinidad Express story said:</span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 8px;"><i><span class="Apple-style-span" style="color: rgb(51, 51, 51);"><span class="Apple-style-span" style="border-collapse: separate; font-style: normal; line-height: normal;"><br /></span></span></i></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0); border-collapse: collapse; line-height: 13px;font-family:georgia,serif;" ><i><span class="Apple-style-span" style="font-size:medium;">The article written by Bagoo arose out of a report stating that the Urban Development Corporation of Trinidad and Tobago, which had been referred to the Privileges Committee for alleged contempt arising out of a complaint made by Caroni East MP Dr Tim Gopeesingh, had planned to concede on the contempt charge and had decided to issue an apology.</span></i></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="border-collapse: collapse; line-height: 10px;"><i><br /></i></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;"><img style="cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwGqu_F65NaDJMWjo0lWshYCARMVwJc7xXN5D8q7NaBUbZO5JtIVpeG2KOUYksh5JuBv8be7B24OsIYo-josxlTMcdgNRrOF2YSK2QnGicHInfWcXcbatYwbI4SPndx7znJpFFj1eomlA/s320/carrion.jpg" alt="" id="BLOGGER_PHOTO_ID_5446056054465617554" border="0" /></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:x-small;">A Cobo Town placard</span></div><div class="post-body entry-content"><br /></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;">Bagoo was not the only one so hastily dispatched. F</span><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">ormer Trade Minister Diego Martin West MP Dr Keith Rowley was fired under mysterious circumstances. Rowley had called for Cabinet oversight of Udecott and accountability. And that's not all. In the March 8th edition of Newsday Bagoo states: </span><i><span class="Apple-style-span" style="font-size:medium;">"</span></i><i><span class="Apple-style-span" style="font-size:medium;">BEFORE CALDER Hart resigned as executive chairman in the wake of documents showing links between Hart and a company the Udecott board awarded $820 million in contracts, the Prime Minister Patrick Manning and Cabinet defended Hart and Udecott no less than forty-five times over the course of two years, all the while apparently taking no action to deal with allegations against Hart.</span></i></span></span></div><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;">And they claimed Panday was corrupt! </span><span class="Apple-style-span" style="font-family:georgia,serif;"><span class="Apple-style-span" style="font-size:medium;">One of the funniest, most effective pieces of satire in the Caribbean Blogosphere is a blog calling itself <span style="font-style: italic;">"</span></span><span class="Apple-style-span" style="color: rgb(30, 30, 30); line-height: 15px;font-family:'Helvetica Neue',Geneva;" ><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><span style="font-style: italic;">The Secret Blog of Patrick “Patos” Manning"</span>. The voice is ostensibly that of Manning</span></span><span class="Apple-style-span" style="color: rgb(51, 51, 51); line-height: normal;font-family:georgia,serif;" ><span class="Apple-style-span" style="font-size:medium;">:</span></span></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-family:Helvetica,Arial,sans-serif;"><span class="Apple-style-span" style="line-height: 2px;"><b><span class="Apple-style-span" style="font-family:Georgia,serif;"><span class="Apple-style-span" style="font-weight: normal; line-height: normal;"><br /></span></span></b></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(30, 30, 30);font-family:'Helvetica Neue',Geneva;font-size:10px;" ><h4 style="margin: 0px 0px 1.25em; padding: 0px 0px 1em; font-family: Georgia,'Times New Roman',Times,serif; font-style: italic; font-variant: normal; font-weight: normal; font-size: 1.2em; line-height: normal; font-size-adjust: none; font-stretch: normal; color: rgb(136, 136, 136); background-image: url(http://ttblogs.com/patrickmanning/wp-content/themes/Cutline%201.1/images/hr_title_sep.gif); background-repeat: no-repeat; background-position: 0px 100%;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-style: normal; font-weight: bold; line-height: 3px;"><a href="http://ttblogs.com/patrickmanning/2010/03/07/breakfast-of-losers/"><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size:x-large;">Breakfast of losers</span></span></a></span></h4><h4 style="margin: 0px 0px 1.25em; padding: 0px 0px 1em; font-family: Georgia,'Times New Roman',Times,serif; font-style: italic; font-variant: normal; font-weight: normal; font-size: 1.2em; line-height: normal; font-size-adjust: none; font-stretch: normal; color: rgb(136, 136, 136); background-image: url(http://ttblogs.com/patrickmanning/wp-content/themes/Cutline%201.1/images/hr_title_sep.gif); background-repeat: no-repeat; background-position: 0px 100%;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-style: normal; font-weight: bold; line-height: 3px;font-family:Helvetica,Arial,sans-serif;font-size:11px;" ><a href="http://ttblogs.com/patrickmanning/2010/03/07/breakfast-of-losers/"></a></span>March 7th, 2010 · </span></span><a href="http://ttblogs.com/patrickmanning/2010/03/07/breakfast-of-losers/#comments" style="margin: 0px; padding: 0px; color: rgb(136, 136, 136); text-decoration: none;"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">No Comments</span></span></a></h4><div class="entry" style="margin: 0px; padding: 0px; font-size: 1.4em; line-height: 1.65em;"><p style="margin: 0px 0px 1.5em; padding: 0px;"><i>Mealtime at a Commonwealth heads of government event is never pretty. You’d swear some of these characters have only recently learned to eat with knife and fork, and I’m not talking just about the South Asian and Sub-Saharan African delegates. For instance, it’s well known in Commonwealth heads circles that the person you </i><span style="margin: 0px; padding: 0px;"><i>never</i></span><i> want sitting across the table from you is</i><a href="http://en.wikipedia.org/wiki/Gordon_Brown" target="_blank" style="margin: 0px; padding: 0px; color: rgb(0, 96, 255); text-decoration: none;"><i>Gordon Brown</i></a><i>, who, in addition to having the table manners of a warahoon, insists of having a serving of </i><a href="http://en.wikipedia.org/wiki/Haggis" style="margin: 0px; padding: 0px; color: rgb(0, 96, 255); text-decoration: none;"><i>haggis</i></a><i> with every single meal. Experienced heads like me know that the thing to do is arrive at the dining room well ahead of time and choose the smallest table possible, which also limits your chances of having to sit near a type like </i><a href="http://en.wikipedia.org/wiki/Jacob_Zuma" target="_blank" style="margin: 0px; padding: 0px; color: rgb(0, 96, 255); text-decoration: none;"><i>Jacob Zuma</i></a><i>.</i></p><p style="margin: 0px 0px 1.5em; padding: 0px;"><i>But even an experienced head like me sometimes oversleeps. Thanks to a combination of jetlag, a not completely guilt-free conscience and a nightmare featuring a horrifying creature with the upper body of </i><a href="http://www.trinidadexpress.com/index.pl/article_news?id=161604584" target="_blank" style="margin: 0px; padding: 0px; color: rgb(0, 96, 255); text-decoration: none;"><i>Calder Hart</i></a><i> and the hindquarters of the </i><a href="http://guardian.co.tt/news/general/2010/02/27/mystery-surrounds-prophetess-pena" target="_blank" style="margin: 0px; padding: 0px; color: rgb(0, 96, 255); text-decoration: none;"><i>Rev Apostle Juliana Peña</i></a><i>, I didn’t manage to roll out of bed this morning until well after 8am BST. Hazel was already awake, talking on the phone in hushed tones. She said that she too had lost track of time and planned to skip breakfusses, which didn’t quite explain why she was already fully dressed, nor the general whiff of bacon and sausages about her person. I considered ordering room service, but in heads circles not showing up for a meal when you’re embroiled in a scandal is tantamount to an admission of guilt. Even Mugabe was still eating among us till the bitter end, much to everyone’s chagrin.</i></p></div></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">What i love about Trinidad is the freewheeling creativity to be found there as evidenced in the blog above and also in recent developments in Carnival. The riotous street festival which many feel has been hijacked by 'bikini mas' in recent years, is being reclaimed by a small band of politically and socially conscious revellers. A motley crew of artists, writers, fashionistas and techies this group has demonstrated what true creativity is, for two years running. Last year the band performed <span style="font-style: italic;">T'in Cow, Fat Cow</span>, a commentary on the voicelessness of ordinary citizens. This year they performed as vultures, the birds of prey known as Cobos in Trinidad and John Crows in Jamaica.</span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Arriving back in Trinidad after my art appointment in Suriname i found myself riding in a taxi past the Labasse, the giant garbage dump across from Laventille. The sky was filled with circling cobos but what has truly stayed with me is the sight of 40 or 50 cobos sitting on the ground, striking birds of intense blackness, waiting their turn at the carrion. In the wake of the flight of Cobo Calder Hart and the unveiling of the depth of corruption in the governance procedures of the country, <span style="font-style: italic;">Cobo Town</span> emerges as the stinging critical intervention it was meant to be. This is a kind of popular action that is definitely not happening in Jamaica.</span></span></div><div class="post-body entry-content"><br /></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:georgia,serif;font-size:medium;" >In 2009</span> <span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:medium;">Ashraph and Shalini</span></span> <span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:georgia;">debuted an independent mas <span class="Apple-style-span" style="font-size:medium;">band</span></span></span></span><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:medium;"> of </span></span><span class="Apple-style-span" style="font-size:medium;">artists and 'creatives'</span> called<span class="Apple-style-span" style="font-size:medium;"> </span><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:georgia;"><span style="font-style: italic;">T’in Cow Fat Cow</span> with the theme 'The People Must be Herd". The photos below show their strikingly simple, immensely creative costumes. Below the photos i've cut and pasted their manifesto which was clearly designed to extend itself to political protest from being a mere mas band. </span></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:georgia,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:georgia,Helvetica,sans-serif;" ><span class="Apple-style-span" style="font-size:medium;">One looks in vain for anything remotely similar in Jamaica both in terms of sheer conceptual creativity and as political mobilization. I eagerly await the next installment of Gab Hossein's hard-hitting video blog <span class="Apple-style-span" style="line-height: 16px;font-family:Georgia,Times,serif;" >called "If I Were Prime Minister..." in which she mercilessly lampoons and takes down the political directorate of TnT about the absurdities that pass for governance. What will she have to say about <span class="Apple-style-span" style="line-height: normal;font-family:georgia,Helvetica,sans-serif;" >the Hart resignation and the latest shenanigans?. One waits with bated breath.</span></span></span></span></div><div class="post-body entry-content"><br /><a href="http://www.flickr.com/photos/georgiap/3448174402/" title="The People Must be Herd by caribbeanfreephoto, on Flickr"><img src="http://farm4.static.flickr.com/3346/3448174402_9b1ef7ece0.jpg" alt="The People Must be Herd" width="500" height="274" /></a><br /><span class="Apple-style-span" style="font-size:x-small;">Photo: Georgia Popplewel</span>l</div><div class="post-body entry-content"><br /></div><div class="post-body entry-content"><span class="Apple-style-span" style="font-size:medium;"><img style="cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDHaUvCA0nmzkmHBAqPWb4vjm8_RSxnQa-9N4epSWydG_Xh-VxgPGHL420nOUVIsb0VHliZKYqSarPd3yFwKQhqGyRKZWgZrequwuWAlSAihWOZSPAArN6KdUB0LAUz2WnfRgMc7W_Hhw/s320/thincow.jpg" alt="" id="BLOGGER_PHOTO_ID_5446056059607444050" border="0" /></span></div><div class="post-body entry-content"><br /></div><div class="post-body entry-content"><span class="Apple-style-span" style="color: rgb(0, 0, 0);font-family:Arial,Helvetica,sans-serif;font-size:12px;" >On Thursday 16 April, as final preparations are being made for the staging of the 5th Summit of the Americas in Trinidad, a group of artists will do a performance installation on the streets of Trinidad and Tobago's capital, Port of Spain.<br /><br />The silent procession is part of a video installation being created by the band’s designers Ashraph Ramsaran and Shalini Seereeram.<br /><br />T’in Cow Fat Cow debuted as an independent mas band in 2009, inspired by the song T'in Cow by 3 Canal.<br /><br />The procession takes place on the streets of Port of Spain between 9 and 11 and started at that traditional seat of people’s democracy, Woodford Square.<br /><br /><b>The People Must be Herd manifesto</b><br /><br />T’in Cow Fat Cow – The People must be Herd.<br /><br /><br />Dey belly full but we hungry<br />And right about now we angry<br />And de reason dat we angry<br />Is because we belly hungry<br /><br />Tin Cow tin cow green grass dey over so<br />Fat cow de butcher callin yuh<br />Watch for yuh head ah warnin yuh<br />Otherwise in de pot yuh goin to go.<br /><br />T’in Cow, 3 Canal<br /><br />We represent the voiceless. The many thousands of Trinbagonians outside of the Red Zone. Whose tax dollars are being invested in a display that does not address their most urgent concerns.<br />New buildings, a repaved highway, painted lamp posts and hidden homeless do not mean that we are on the road to development.<br />In the midst of the Summit performance we ask, who is seeking the interests of the voiceless? Who is spending many many millions to address our concerns. Who is listening? Who will suffer the most in the face of a global economic meltdown?<br /><br />The people of high risk communities must be heard.<br />The missing children must be heard.<br />The homeless people must be heard.<br />The women and children who live with abuse every day must be heard.<br />The people who will lose employment in the aftermath of the Summit must be heard.<br />The people of communities in danger of environmental destruction must be heard.<br />The physically challenged must be heard.</span></div></div></span></span></div></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com5tag:blogger.com,1999:blog-3953848556540874315.post-67423688476533481872010-02-22T14:05:00.000-08:002010-02-23T09:02:29.711-08:00Caribbean Nationalisms: Trinidad and Jamaica<div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwszR2EFmPzlouOFZFawmImjfvkzsmJql16HLivKfKxaKtPWYuvfXsQaHC_4IQh4LcFn33afXNfvFEisWIrCl5VbO8uZ97yoEgh_MXyO_XC-nLObd7W0nMDm0f8iDlz3GcsLnlDnOTK9k/s1600-h/hummbirdfeeder.jpg" style="text-decoration: none;"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwszR2EFmPzlouOFZFawmImjfvkzsmJql16HLivKfKxaKtPWYuvfXsQaHC_4IQh4LcFn33afXNfvFEisWIrCl5VbO8uZ97yoEgh_MXyO_XC-nLObd7W0nMDm0f8iDlz3GcsLnlDnOTK9k/s320/hummbirdfeeder.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5441470102575754530" /></a><div style="text-align: center;"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2KA75D7GEQmK9DNo2v6vzszIlL6xenKTQLbcoMN5MDjihzYwIp5rriflCQc30D1wfVM7mnkqC_o-nsuQpYYPaIzBg33PdeTkxJghpTVRetWoPfw4y4TCwerD6oXu5xFYpEOqfJCZbeRI/s320/triniflag.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5441458546694501826" /><span class="Apple-style-span" style="font-size:x-small;">$2m flag in right hand upper quadrant</span></div><div style="text-align: center;"><br /></div>I've been in Trinidad the last couple of days where i'm contemplating the giant <a href="http://guardian.co.tt/news/politics/2009/11/05/it-s-official-2m-flag">$2 million national flag</a> fluttering in the breeze in Port-of-Spain, while hummingbirds fight each other for a suck at the red plastic feeder on the balcony of a friend's apartment. Found out yesterday that Trinidad and Tobago is suffering from a prolonged drought as is the rest of the Eastern Caribbean. Jamaica has also been severely affected by the lack of rainfall recently but the discussions around this never ever referred to the fact that this was a regionwide phenomenon.<div><br /></div><div>I was interviewed practically on arrival for an online forum called NBS or the No Behaviour Show by @SanMan_ish or Hassan, someone i previously knew only on Twitter. Hassan had just started NBS the week before and was wishing he had access to a Jamaican perspective on various issues including water shortages, when my tweet announcing my arrival in TnT appeared in his timeline. Before you knew it i was being interviewed on a variety of subjects starting with something Jamaican Minister of Culture, Olivia Babsy Grange, had said at the opening ceremony of the International Reggae Conference at UWI, Mona. Was Jamaica losing Reggae to European musicians as Ms. Grange had suggested, Hassan wanted to know. I said i preferred to view singers such as Gentleman and Matisyahu as ambassadors for Reggae, taking a Jamaican product to new brand audiences. <a href="http://nobehaviourshow.com/NObehaviourSHOW/Podcast/Entries/2010/2/22_NObehaviourSHOW_interviews_Annie_Paul.html">To hear more of what i said click here...</a><div><div style="text-align: center;"><br /></div><div>The <a href="http://www.mona.uwi.edu/conferences/2010/irc/">International Reggae Conference</a> at the University of the West Indies, Mona, was a big success i thought. The first morning I chaired a panel on Collection, Storage and Dissemination of Jamaican music with three participants, Herbie Miller, the director of the Jamaican Music Museum and two Americans; Elliott Lieb, founder of the Trade Roots archive, dedicated to collecting Jamaican music and Brad Klein, a film-maker working on a documentary on Jamaican ska. In the audience, amongst others, was Stranjah Cole, ska maestro, who features in the film.</div><div><br /></div><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9-556HJg5gX0WAeRyB-6BEdLNncp9jG0Z0onefXVfdc5zhawHVrSFcbNSqryKYhJdsL5lPViLnUnvu9F9tNYHGm8rltBnXhZ6nBbiUKCq1UZVYf7upBpV9lsSz4xUkI179eggu7Lh3U/s320/stranjahcole.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5441464809211746834" /><div style="text-align: center;"><span class="Apple-style-span" style=" ;font-size:x-small;">Stranjah Cole seated in front row</span></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size:x-small;"><br /></span></div><div>Herbie Miller made an eloquent case for a budget to stock his museum and do the kind of work the foreigners were doing gratis out of love for Jamaica's music. How extraordinary i thought, that a case even needs to be made for something so obviously deserving of support. After all the Jamaican government had decided decades ago that Jamaican art was worthy of being collected, stored and disseminated, investing in a National Gallery for the purpose. And this despite the fact that Jamaican art is insignificant compared to Jamaican music which has virtually put the country on the map, creating Brand Jamaica and maintaining its profile to this day. Yet as Brad Klein pointed out many of the early recordings and films on Jamaican music have vanished without a trace. What a tragedy!</div><div><br /></div><div><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrhZxVCsEU1d_RP1f8w9WNyOmN5Q3ROMFFHB6MH5ruynoB1i38MczLS7PS8wVH1pfRaWu2Z2e1DcLZ5SJuQF2aiE35xngm_2S6DkFXBfTmTsEVtM4kEWz4cG7PEz5DGW1bLIQf_xS0fFY/s320/herbieetal.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5441465809415210178" /></div><div style="text-align: center;"><span class="Apple-style-span" style="font-size:x-small;">l to r: Chappie St Juste, Herbie Miller, Stranjah Cole, Brad Klein and Elliott Lieb</span></div><div><br /></div><div>During the discussion that followed the presentations, cinematographer Chappie St. Juste who was in the audience, disclosed that the films were actually safely stored in vaults in England where they had been sent for processing and the task now was to repatriate them. But repatriate them to what? and where? and to what conditions? The music museum exists only in name. Perhaps instead of berating Europeans for 'stealing' our music we should be grateful to them for having stored our cultural products safely, something we ourselves have been careless about. Remember the scandal a few years ago when it was discovered that the Jamaica Broadcasting Corporation archives had been vandalized, and that early recordings of Louise Bennett and others had vanished?</div></div></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com11tag:blogger.com,1999:blog-3953848556540874315.post-72073964229133281172010-02-14T15:14:00.000-08:002010-02-14T15:27:30.365-08:00INTERNATIONAL REGGAE CONFERENCE 2010: "Current and Future Trends in Popular Music"<div>So many people are asking for the programme that i thought i'd make this available. Keep in mind that this is an early draft, there may be changes.</div><div><br /></div><a href="http://www.facebook.com/event.php?eid=210388647680&ref=mf">INTERNATIONAL REGGAE CONFERENCE 2010</a>, FEBRUARY 17-20, 2010<br />DAILY SCHEDULE OF ACTIVITIES<br /> <br />DAY 2 – THURSDAY, FEBRUARY 18, 2010<br />8.30AM-5.00PM<br />REGISTRATION<div> <br />8.30-10.00<br />Session 1A – Multifunctional Room, Main Library<br /><b><span class="Apple-style-span" style="font-size: large;">The Reggae Nation: Global Impact –</span></b><br />Chair: Sonjah Stanley-Niaah<br />1. Mercy Dioh, Promoting Reggae Music in Cameroon and Africa at Large<br />2. Jason Robinson, Dubbing the Reggae Nation: Transnationalism, Globalization and Interculturalism<br />3. Marvin D. Sterling, “Race Reggae and “The Search for Self’: Japan’s Literary Excursions into the Jamaican”<br />4. Colin Wright, “Rebel Music: Reggae, Rastafari and Resistance in a Globalised World”<br />5. Michela Montevecchi - In a Jamaican-Italian Style.Mutual Cultural Influences via Reggae and Rastafari<br /><br />Session 1B – Special Needs Seminar Room<br /><span class="Apple-style-span" style="font-size: large;"><b>Collection, Preservation and Dissemination of Cultural Artifacts</b></span><br />Chair - Annie Paul<br />Brad Klein -filmmaker,<br />Elliott Leib - sound collector and preservationist<br />Herbie Miller, museum curator<br /><br />Session 1C – HR Seminar Room<br /><span class="Apple-style-span" style="font-size: large;"><b>Economic Exploitation: Copyright, Marketing and Sponsorship –</b></span><br />Chair: Hume Johnson<br />1. Joan Elizabeth Webley, “Emancipating Ourselves From Mental Slavery: A Socio-legal Exploration of Existing Copyright Law Issues in Jamaica”<br />2. Sandra “Sajoya” Alcott, The Rastafari Reggae Revolution: Global Repositioning Towards Wealth Creation.<br />3. Daniel Neely, Never Grow Old: On the Contemporary Marketing of Jamaican Mento Music<br />4. Melville Cooke, ‘Falling Out: When the Sponsors Conducts Dancehall’<br />10.00-10.30<br />BREAK<br /> <br />10.30--12.00<br />Session 2A – Multifunctional Room, Main Library<br /><span class="Apple-style-span" style="font-size: large;"><b>Music and the Youth: Exploring Consumption and Influence</b></span><div><span class="Apple-style-span" style="font-size: large;"><b></b></span> – Chair: Lloyd Waller<br />1. Donna Hope Marquis – Dancehall, Violence and Jamaican Youth: An Empirical Synopsis<br />2. Lisa Tomlinson – Reggae, Resistance and Youth Culture in Toronto<br />3. Fania Alemanno – Dancehall, Women and Sport: A Preliminary Overview<br /><br />Session 2B – Special Needs Seminar Room<br /><span class="Apple-style-span" style="font-size: large;"><b>Media & the Culture of Reggae –</b></span><br />Chair: Franklyn St Juste<br />1. Klive Walker, Reggae Cinema: Past, Present and Future<br />2. Mike Alleyne, The Reggae Album Cover Art of Neville Garrick<br />3. Maureen Webster-Prince, “Putting Up Resistance: Reggae in Radio Serial Drama”<br /><br />Session 2C – HR Seminar Room<br /><span class="Apple-style-span" style="font-size: large;"><b>Reggae / Rastafari Icons and Ambassadors</b></span> </div><div>– Chair: Jahlani Niaah<br />1. Erna May Brodber, Social Consciousness and Marley.<br />2. Gloria Simms, The Reggae Artiste as Cultural Ambassador<br />3. Jahlani Niaah, Bob Marley Country<br /><br />12.00-1.30<br />LUNCH<br /><br /><br />1.30-3.00<br />Session 3A – Multifunctional Room, Main Library<br /><span class="Apple-style-span" style="font-size: large;"><b>Sacred and Secular Iterations in Dancehall –</b></span><br />Chair: Michael Bucknor<br />1. Kenichi Ninomiya, Dancehall Gospel as Masculine Christianity<br />2. Winston C. Campbell, ‘Suppose a God Song Mi did a Sing’: A Case Study on Lyrical Typecasting in 21st Century Dancehall<br />3. Anna Kasafi Perkins, Love the long ding dong– Tanya Transgresses Christian Sensibilities?<br /><br />Session 3B – Special Needs Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Reggae Film, Media and Iconography in Brazil –</span></b><br />Chair: Patricia do Reis<br />1. Leonardo Vidigal, Brazilian documentaries about Jamaica<br />2. Laura Guimaraes Correa, Reggae Music in Brazilian Advertising<br />3. Carlos Bendito Rodrigues da Silva, The Iconography of reggae music in Brazilian Jamaica<br /><br />Session 3C – HR Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Reggae, Resistance and Social Consciousness</span></b> – Chair: Mel Cooke<br />1. Iheanacho George Chidiebere, Diasporic Humanism and Resistance in Reggae<br />2. John D Marquez, Mexica Binghi I and Jahwaii: Reggae and Resistance in Latin(o) America and the Pacific Islands<br />3. Christian Akani, Diasporic Resistance and African Resistance: The Challenge of Reggae in the New World Order<br />4. Wayne D. Russell, Reggae’s Social and Political Contestation: Global Reggaefication and the Global Impact of Reggae<br /><br />3.10-4.30<br />SPECIAL PLENARY<br />Neville Hall Lecture Theatre (N1)<br />Presenter: Professor Carolyn Cooper<br /><b>“Reggae University:’ Rototom Sunsplash and the Politics of Globalising Jamaican Popular Culture”</b><br />Chair: Professor Claudette Williams<br /> <br />4.30-6.00<br />Session 4A – Multifunctional Room – Main Library<br />Diasporic Pedagogies –<br />Chair: Michael Barnett<br /><b><span class="Apple-style-span" style="font-size: large;">1. Bobby Seals, Reggae and the Rastafari Movement</span></b> (WORKING TITLE)<br />2. Leonie Wallace, Teaching Bob Marley in France<br />3. Renato Tomei, The Influence of Jamaican Reggae English on the Ethiopian English, With Special Focus on the Rastafarian Community in Shashamane<br /><br />Session 4B – Special Needs Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Imaging Culture: Films, Videos and Future Possibilities<br /></span></b>Chair: Rachel Mosely Wood<br />Chris Browne<br />Paul Bucknor<br />Brian St. Juste<br /><br />Session 4C – HR Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Reggae Subcultures Transforming Society<br /></span></b>Chair: Kim Marie Spence<br />1. Louis EA Moyston, Howell, the Early Rastafari: Development in Black Nationalism, Jamaican Nationalism and the Revolution in Music.<br />2. Christopher A. D. Charles, Anti-informer and Anti- snitch Subcultures: A Discursive Analysis<br />3. Christina Abram-Davis, “Role of the Cultural Pan Africanist in Transforming Society<br />6.00-7.00<br />BREAK<br />BREAK<br />BREAK<br /><br />7.00<br />BOB MARLEY LECTURE – The Undercroft<br />Presenter Tekla Mekfet<br /><b>RASTAFARI-REGGAE BOB MARLEY : AFRICA SCATTERED FOR RHYTHM OF ONENESS FOR THE WORLD<br /></b> <br /><br />DAY 3 – FRIDAY, FEBRUARY 19, 2010<br />8.30AM-<br />5.00pm<br />REGISTRATION<br /> <br />8.30-10.00<br />Session 5A – Multifunctional Room, Main Library<br />SPECIAL PANEL<br /><b>Participation/Contribution of Persons with Disabilities to Jamaican Music<br /></b>Chair: Floyd Morris<br />Floyd Morris,<br />Grub Cooper,<br />Derrick Morgan<br />Cidney Thorpe<br /><br />Session 5B – Special Needs Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Dancehall Feuds, Factions and Fandom –<br /></span></b>Chair: Anna Kasafi Perkins<br />1. Michael Barnett, Prince Buster vs Derrick Morgan: The Original Dancehall Clash<br />2. Annie Paul, Eyeless in Gaza and Gully: “Mi deh pon di borderline”<br />3. Sonjah Stanley Niaah, Gully vs. Gaza?: Feuds, Factions and Fuelling Fandom in Jamaican Dancehall Performance<br />4. Kim-Marie Spence, Clash! – Jamaican Artistes in a New Digital Music Market<br /><br />Session 5C – HR Seminar Room<br />10.00-10.30<br />BREAK<br />BREAK<br />BREAK<br /><br />10.30-12.00<br />Session 6A – Multifunctional Room, Main Library<br />SPECIAL PANEL<br /><b><span class="Apple-style-span" style="font-size: large;">The Legal Framework for Jamaican Music<br /></span></b>Chair – Clyde Williams<br />Peter Goldson<br />Andrea Scarlett Lozer<br />Simone Bowie<br />Sundiata Gibbs<br />MYERS FLETCHER AND GORDON<br /><br />Session 6B – Special Needs Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Sexual Politics in Dancehall ––<br /></span></b>Chair - Shakira Maxwell<br />1. Keino Senior, Sexuality in Dancehall Music: A Philosophical Perspective<br />2. Agostinho M. N. Pinnock, ‘Rude- boy Don’t Apologise to No Batty Boy!’: Gay Politics; Trans-National Identities and the Jamaican State.<br />3. Brent Hagerman, Slacker than them: Yellowman and the Nadir of Jamaican Popular Music<br /><br />Session 6C – HR Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Genesis, Transformation and Innovation: Comparative Dimensions II –<br /></span></b>Chair: Chuck Foster<br />1. Christopher Johnson, Caribbean Abstraction: Reggae Music, Jazz and Transcendent Performance<br />2. Camille Royes, The Riddim Method: Friend or Foe?<br />3. John C. Baker, Natural Audiotopias: Dub’s Construction of Sonic Space<br />4. Michael Barnett and Paul Barnett, Who Really Pioneered Reggae?<br />12.00-1.30<br />LUNCH<br />LUNCH<br />LUNCH<br /><br />1.30-2.30<br />SPECIAL SESSION – Multifunctional Room, Main Library<br />Presenter: Hon Edward Seaga<br /><b>“Jamaican Music Industry as a Site of Nationalistic Fervour”<br />Chair:</b><br /> <br />2.30-4.00<br />Session 7A - Multifunctional Room – Main Library<br /><b><span class="Apple-style-span" style="font-size: large;">Genesis, Transformation and Innovation: Comparative Dimensions I –<br /></span></b>Chair: Clinton Hutton -<br />1. Chuck Foster, Jamaican Musical Genres: Innovation and Transformation<br />2. Meaghan Sylvester – Identity and Soca Music in Trinidad and Tobago<br />3. Dennis Howard, Genre Bonding and Defiance in Kingston’s Creative Commune: Genre Development in Jamaica<br /><br />Session 7B – Special Needs Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Language, Lyrics, Listening and Literary Issues </span></b>– Chair: Rohan Anthony Lewis<br />1. Nickesha Dawkins, Gender-based Vowels Used in Jamaican Dancehall Lyrics<br />2. Michael Kuelker, The Many Functions of the Bus in Jamaican Music<br />3. Wayne D. Russell, Paradigm Shifts in Content: Recasting Lyrics and Images in Reggae- (A Video Supported Presentation)<br />4. Winston Campbell - When Did Dancehall Cease to Exist? Thematic Engagement of Dancehall Lyrics of the 90s and 21st Century.<br />5. Lloyd Laing, “Inoculating the Dancehall Virus: An Introduction to Memetics”<br /><br />Session 7C – HR Seminar Room<br /><b><span class="Apple-style-span" style="font-size: large;">Screening/Cleaning: Image, Content and Management –<br /></span></b>Chair: Christopher Charles<br />1. Jon Williams, Screening/ Cleaning the Lyrical Content of Our Music<br />2. Hume Johnson, Mending Jamaican Music’s Crisis of Image: What Role for Public Relations and Crisis Management?<br />3. Charles Campbell, European Penetration Requires New Strategies<br />4. Joshua Chamberlain, Control Dis: Jamaican sound system influence on media regulation<br /><br />4.00-4.30<br />CONFERENCE BREAK FOR MOVEMENT TO AUGUST TOWN<br /> <br />4.30-6.30<br /><b>SPECIAL CONFERENCE SESSION IN AUGUST TOWN – MUSIC IN THE COMMUNITY<br /></b>Artistes, PMI, Principal, Community Leaders<br /> <br />6.30-8.00<br />BREAK<br /> <br />8.00-<br />Entertainment – Reggae/Dancehall Fashion Show and Reggae Concert – (VENUE TBC)<br /> <br /><br />DAY 4 –SATURDAY, FEBRUARY 20, 2010<br />9.00-10.30<br />Session 8A – Assembly Hall<br />SPECIAL PANEL<br /><b>Supportive Institutions: The Jamaican Situation – Chair: Clyde McKenzie<br /></b>JIPO<br />JACAP<br />JAMCOPY<br />JAMMS<br /> <br />10.30-11.00<br />BREAK<br /> <br />11.00-12.30<br />Session 9A – Assembly Hall<br />SPECIAL PANEL<br /><b>Music Associations and Federations –<br /></b>Chair –<br />JARIA<br />JFM<br />JAVAA<br /> <br />12.30-2.00<br />LUNCH<br />Lunch Hour Entertainment – ASSEMBLY HALL<br /><b>Skit from the Play Soundclash<br /></b>LUNCH<br />LUNCH<br /><br />2.00-3.30<br />Assembly Hall<br /><b><span class="Apple-style-span" style="font-size: large;">SPECIAL SESSION - Jamaican Music in Europe: The Homphobia Debate<br /></span></b>Chair: Donna Hope Marquis<br />Ellen Koehlings<br />Pete Lilly<br /> <br />3.30-5.00<br />Assembly Hall<br />FINAL PLENARY: David Katz<br />Chair: Professor Rupert Lewis<br /> <br />5.00-5.20<br />BREAK<br /> <br />5.20-6.00pm<br />CLOSING REMARKS - ASSEMBLY HALL<br /> <br />Feb 8, 2010</div></div>Annie Paulhttp://www.blogger.com/profile/18002716362243335338noreply@blogger.com2